Based on the story, "See How They Run," which ran in the June, 1951 issue of "The Ladies' Home Journal" and subsequently won that year's Christopher Award. The story was written by Mary ... See full summary »
Set on a fictitious island in the Carribean during colonial British rule, it focuses on the life of a young charismatic and handsome black male with political aspirations. He finds himself ... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives ... See full summary »
At an all-black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them. Songs from the Bizet opera with modernized lyrics. Written by
Rod Crawford <email@example.com>
The singing voices of Harry Belafonte and Dorothy Dandridge were dubbed by LeVern Hutcherson and Marilyn Horne respectively, even though Belafonte and Dandridge were both accomplished singers. However, neither had the training nor the range to sing operatic roles. Catherine Hilgenberg, a soloist with the Roger Wagner Chorale (morphed later into the Los Angeles Master Chorale), was originally signed to sing the Carmen role, and a number of the arias were already recorded (with piano, on a separate track), when director Otto Preminger's bullying behavior became too much for her and she quit. Horne ("Jackie") was a 19-year-old music student at nearby USC. She auditioned for the part and was immediately hired - for $300. But it was a terrific break for her, and she grabbed it, and did an outstanding job, re-recording what Hilgenberg had already sung, plus the balance of the music. It's also fun to note that Horne was a singer for Tops Records, a company that made sound-alike recordings of hit records with identical arrangements (in those days arrangements could not be copyrighted) and "stand-ins" who could mimic the artists who made the hit record. Jackie Horne, later to become a major 20th-century opera star, was funding her college expenses, in part, by recording Kay Starr's hits. Starr was famous for belting out her songs with a certain razzmatazz style, and Horne's rendition was a dead-ringer. The Tops Records offices, it should be noted, were within walking distance from the USC campus. See more »
Carmen fixes Joe's belt, but in doing so she skips a belt loop. In the next scene the belt is worn correctly. See more »
Thanks, but I don't drink.
Boy, if the army was made up of nothin' but soldiers like you, war wouldn't do nobody no good.
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In school I heard of Natalie Wood but not Dorothy Dandrige. I heard of James Dean, but not really Sidney Portier. So how nice it is to see such a film on my own to know that it existed and is as worthy of favorable acclaim as the rest.
I saw this on A&E and was blown away! I am so disappointed to not see films of this caliber nor actors getting work to really challenge their skills like these actors did. This all star cast was superb and intense. They sweat, they cried, they had veins sticking out of their heads literally...so into their roles. The opera singing is something I don't think will be seen in black cinema today. If so, it'll probably be ostracized. "Carmen Jones" represents the missing link in black films today, the true element of quality, character and story.
I MUST buy this and have it for other to see, even if it is 15 years later!
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