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Carmen Jones (1954)

Approved | | Drama, Musical, Romance | 28 October 1954 (USA)
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Contemporary version of the Bizet opera, with new lyrics and an African-American cast.

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(book) (as Oscar Hammerstein 2nd), (screenplay)
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Nominated for 2 Oscars. Another 5 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
...
Joe
...
...
Frankie
Olga James ...
Cindy Lou
Joe Adams ...
...
Sergeant Brown (as Broc Peters)
Roy Glenn ...
Rum Daniels
Nick Stewart ...
...
LeVern Hutcherson ...
Joe (voice) (as Le Vern Hutcherson)
Marilyn Horne ...
Carmen Jones (voice) (as Marilynn Horne)
Marvin Hayes ...
Husky Miller (voice)
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Storyline

At an all-black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them. Songs from the Bizet opera with modernized lyrics. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Musical | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 October 1954 (USA)  »

Also Known As:

Oscar Hammerstein's Carmen Jones  »

Box Office

Budget:

$750,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording) (magnetic prints)| (optical prints)

Color:

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

The singing voices of Harry Belafonte and Dorothy Dandridge were dubbed by LeVern Hutcherson and Marilyn Horne respectively, even though Belafonte and Dandridge were both accomplished singers. However, neither had the training nor the range to sing operatic roles.Katherine E. Hilgenberg, a soloist with the Roger Wagner Chorale (morphed later into the Los Angeles Master Chorale), was originally signed to sing the Carmen role, and a number of the arias were already recorded (with piano, on a separate track), when director Otto Preminger's bullying behavior became too much for her and she quit. Horne ("Jackie") was a 19-year-old music student at nearby USC. She auditioned for the part and was immediately hired - for $300. But it was a terrific break for her, and she grabbed it, and did an outstanding job, re-recording what Hilgenberg had already sung, plus the balance of the music. It's also fun to note that Horne was a singer for Tops Records, a company that made sound-alike recordings of hit records with identical arrangements (in those days arrangements could not be copyrighted) and "stand-ins" who could mimic the artists who made the hit record. Jackie Horne, later to become a major 20th-century opera star, was funding her college expenses, in part, by recording Kay Starr's hits. Starr was famous for belting out her songs with a certain razzmatazz style, and Horne's rendition was a dead-ringer. The Tops Records offices, it should be noted, were within walking distance from the USC campus. See more »

Goofs

Reflected in a window as Carmen is walking through town. See more »

Quotes

Frankie: We'll be livin' off the fatheads of the land.
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Soundtracks

DERE'S A CAFE ON DE CORNER
Music by Georges Bizet
Lyrics Oscar Hammerstein II
Based on "Séguedille"
Performed by Dorothy Dandridge (dubbed by Marilyn Horne (as Marilynn Horne))
See more »

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User Reviews

 
Her Delilah Routine
28 August 2005 | by (Buffalo, New York) – See all my reviews

Even after the success of Oklahoma, the partnership of Rodgers&Hammerstein was not cast in stone yet. After Oklahoma debuted, Oscar Hammerstein, II went to work on his next Broadway show with a dead collaborator. He wrote new lyrics for the music of Georges Bizet's opera Carmen and wrote a new book for an all black cast to perform it, in the tradition of Porgy and Bess.

That show was Carmen Jones and it ran for 502 performances on Broadway from 1943 to 1945. Hammerstein discovered what the team of Robert Wright and Chet Forrest had previously found out in adapting Edvard Grieg's melodies into their hit, Strange Music. That there's nothing like writing with a collaborator who can't complain and who's melodies are already a hit.

In fact while the show was originally on Broadway, Rise Stevens had sung in Going My Way the song that eventually became Dat's Love. And Nelson Eddy and sung The Toreador Song in his film Balalaika. Hammerstein brilliantly capitalized on some free publicity for his own show.

Harry Belafonte and Dorothy Dandridge give great acting performances though it's kind of strange to hear other voices coming from the mouths of two good singers. Their voices weren't operatic though, yet the singers dubbing them matched well with the personalities of both the leads. And Dandridge had Marilyn Horne, you can't do much better than that.

The whole thing originates from the French novelist's Prosper Merimee's story of the ill effects of passionate love. Harry Belefonte's on his way to being a Tuskegee airman and he runs afoul of Carmen Jones. Belefonte's got himself a gal, but Dandridge puts on her Delilah routine and Belefonte's dead meat.

In addition to Samson and Delilah the Belefonte character is remarkably similar to George Hurstwood in Theodore Dreiser's Sister Carrie. Another man who threw it all away for passion. I wouldn't be surprised if Dreiser refined Merimee's theme.

But Dandridge's performance is the best. As the hedonistic Carmen Jones, she's a wonder on screen. Seeing her realize that part on the screen, we can well understand why Belefonte threw it all away for love. Dandridge became the first black woman nominated in the Best Actress category, but she lost the Oscar sweepstakes to Grace Kelly for The Country Girl.

For those who like the opera Carmen, I think they'll be well pleased with Oscar Hammerstein, II did with Bizet's music and Merimee's story.


13 of 15 people found this review helpful.  Was this review helpful to you?

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