In this legendary Gershwin opera set among the black residents of a fishing village in 1912 South Carolina, Bess - a woman with a disreputable history - tries to break free from her brutish... See full summary »
Sammy Davis Jr.
Set on a fictitious island in the Carribean during colonial British rule, it focuses on the life of a young charismatic and handsome black male with political aspirations. He finds himself ... See full summary »
Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate run by Karl Baumer; neither Moe nor Baumer is too happy with ... See full summary »
Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarthy, an old acquaintance who, as a US Marshal, arrests Ballard ... See full summary »
At an all-black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them. Songs from the Bizet opera with modernized lyrics. Written by
Rod Crawford <email@example.com>
Although the original Broadway production had used a standard pit orchestra with Georges Bizet's orchestrations for the opera "Carmen" slightly altered by orchestrator Robert Russell Bennett, the film score was created by Herschel Burke Gilbert, the Music Director (a term he always insisted was the correct one, not "Musical Director), using a full symphony orchestra (ranging from about 90 to over 105 pieces), which enabled him to present the music with the sensibility of most of Bizet's original 1875 orchestrations as they were meant to be heard, although modified to fit the story line and transitions of the film. Because of Marilyn Horne's coming into the singing cast quite late in the production, and because of a number of unrelated delays, Gilbert had to leave the production shortly before it was completed, as he had a commitment for an original score of another film. Dimitri Tiomkin, a Fox Studio senior, as it were, stepped in to put together the last bits of recording and supervising the last music editing. Technically, especially given his seniority at Fox and his stature in the industry, he could have insisted his name be added to the credits. Graciously, he acknowledged Gilbert's responsibility for over 95% of the work and chose to not have himself officially credited. Given his much larger fame, his name in the credits would have overshadowed the younger, less known Gilbert's, and would have left the impression that Gilbert was more of an assistant, which was far from the case. See more »
Carmen fixes Joe's belt, but in doing so she skips a belt loop. In the next scene the belt is worn correctly. See more »
Thanks, but I don't drink.
Boy, if the army was made up of nothin' but soldiers like you, war wouldn't do nobody no good.
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In school I heard of Natalie Wood but not Dorothy Dandrige. I heard of James Dean, but not really Sidney Portier. So how nice it is to see such a film on my own to know that it existed and is as worthy of favorable acclaim as the rest.
I saw this on A&E and was blown away! I am so disappointed to not see films of this caliber nor actors getting work to really challenge their skills like these actors did. This all star cast was superb and intense. They sweat, they cried, they had veins sticking out of their heads literally...so into their roles. The opera singing is something I don't think will be seen in black cinema today. If so, it'll probably be ostracized. "Carmen Jones" represents the missing link in black films today, the true element of quality, character and story.
I MUST buy this and have it for other to see, even if it is 15 years later!
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