Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
Based on the story, "See How They Run," which ran in the June, 1951 issue of "The Ladies' Home Journal" and subsequently won that year's Christopher Award. The story was written by Mary ... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
At an all-black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them. Songs from the Bizet opera with modernized lyrics. Written by
Rod Crawford <email@example.com>
Eartha Kitt was offered the role of Carmen, but the studio wanted her singing voice to be dubbed, so that her character would have an operatic voice. The same offer was made to Harry Belafonte and Diahann Carroll who accepted, but Kitt refused, wanting to use her natural voice. Dubbing was not required for Pearl Bailey, whose own voice suited her comedic songs. See more »
Reflected in a window as Carmen is walking through town. See more »
An all-black version of "Carmen". It's updated to the 1950s with wild and incredibly sexy Carmen (Dorothy Dandridge) falling for honest, nice serviceman Joe (Harry Belafonte)...and destroying him and his life.
All the singing (except for Pearl Bailey) was dubbed. Dandridge and Belafonte could definitely sing but they didn't have the voices to carry off operatic songs. This seems kind of a strange way to do "Carmen" (I mean by updating it to the 1950s) but it still works. It's colorful, full of life and never dull. BTW I HATE opera but I loved this! The dubbing seems strange (and obvious) at first but you eventually get used to it.
The acting varies. The minor roles are all well played but Belafonte seems off as Joe. He looks miserable and even though he's a tall and very handsome guy he seems no match for Dandridge. His soft voice works against him. Pearl Bailey has a small role but she's great. She dominates the screen every time she's on camera. But this is Dandridge's movie all the way. She's just great--VERY sexy and one hell of an actress. She was also the first black actress to ever be nominated as Best Actress (she didn't win). There was a LOT of infighting on the set--director Otto Preminger was known to be a dictator and he was on this movie. He had frequent screaming matches with Pearl Bailey! And Bailey HATED Dandridge--it's a credit to both of them that it doesn't show in the movie. WELL worth catching even if you hate opera. I heard some people hate this because it's done by an all black cast. That's silly---and racist.
Look for the scene on the street where Dandridge is on the street in front of a glass window--you can see the entire camera crew reflected!
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