It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
Based on the story, "See How They Run," which ran in the June, 1951 issue of "The Ladies' Home Journal" and subsequently won that year's Christopher Award. The story was written by Mary ... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives ... See full summary »
At an all-black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War. Going after him, she succeeds only in getting him into the stockade. While she awaits his release, trouble approaches for both of them. Songs from the Bizet opera with modernized lyrics. Written by
Rod Crawford <email@example.com>
Eartha Kitt was offered the role of Carmen, but the studio wanted her singing voice to be dubbed, so that her character would have an operatic voice. The same offer was made to Harry Belafonte and Diahann Carroll who accepted, but Kitt refused, wanting to use her natural voice. Dubbing was not required for Pearl Bailey, whose own voice suited her comedic songs. See more »
Carmen fixes Joe's belt, but in doing so she skips a belt loop. In the next scene the belt is worn correctly. See more »
This film shows just how much talent existed and was mostly unused because of the small number of pictures made with African-American casts during the Golden Age of Hollywood.
It's a remake of Bizet's "Carmen", and was originally performed on Broadway in the 1940's. Otto Preminger filmed the play during the 1950's. The songs all retain Bizet's original music, but the lyrics have been updated to English. If you've never seen the opera, and are intimidated by opera in general, this film would actually be a good introduction to the topic.
The plot is moved from a Spanish village during the late 1800's to the American South during WWII. The cigarette factory is now a parachute factory, and the bullfighter is now a prize fighter. Generally, I thought the update was done well, just as some Shakespearean updates work well. The only part which doesn't work for me is that some of the dialogue and lyrics are in what I think of as "Porgy and Bess Ebonics", e.g. "dees", "dem", "dat", etc.
Carmen is played by Dorothy Dandridge, who is known as the African-American Marilyn Monroe. The two women's lives sadly parallel each other, although Dandridge could find even fewer scripts to show off her acting talents. Harry Belafonte plays the seduced male lead. Both are stunning beautiful, and at their prime.
All of the singing voices are dubbed by first rank operatic voices; the songs for Carmen Jones are dubbed by Marilyn Horne, for example.
The tragedy is realizing how many great actors and actresses could have had brilliant careers except for their skin color. It was interesting and sad to watch the Movietone Newsreel coverage of the premiere, which came attached to the copy of the tape I had. It features all of the white movie stars attending the premiere, the white studio heads -- and just happens to have a second or two of Harry Belafonte and Dorothy Dandridge at the end.
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