During the World War II, the crew of a small insignificant ship in the U.S. Pacific Fleet experience an event unlike any event ever experience by the United States Navy. A Ship's Captain is removed from command by his Executive Officer in an apparent outright act of mutiny. As the trial of the mutineers unfold, it is learned that the Captain of the ship was mentally unstable, perhaps even insane. The Navy must decide if the Caine Mutiny was a criminal act, or an act of courage to save a ship from destruction at the hands of her Captain? Written by
Anthony Hughes <firstname.lastname@example.org>
Director Edward Dmytryk noted in his autobiography that Herman Wouk's initial contribution to the script was "a disaster" and that Stanley Roberts then took over the rewrite; Wouk is only credited on screen as the author of the novel on which the film is based. Dmytryk also stated that he was unaware of studio head Harry Cohn's strict insistence that Columbia films run no longer than two hours and indicated that Roberts quit over the stipulated cuts required to bring the screenplay down to fit the time requirement. The final screenplay was trimmed by nearly 50 pages by writer Michael Blankfort, who is credited on screen with "additional dialogue." See more »
The Jones, the ship the Caine is trying to beat back into port, is plainly shown trailing behind the Caine, as seen from the latter's port side. Yet, when Maryk tells Keith, "The Jones never saw the day she could beat us," the two men are looking forward off the port side, which indicates that the Jones had to be ahead of the Caine. Also, no ship is seen behind them, though the Jones and several others had been shown behind, just moments before. See more »
And so today you are full-fledged ensigns. Three short months ago you assembled here from all parts of the nation, from all walks of life: field, factory, office and college campus. Each of you knew what the fighting was about, or you wouldn't have volunteered. Each of you knew that the American way of life must be defended by life itself. From here on your education must continue in the more demanding school of actual war. Wearing the gold stripe of ensign in the United States ...
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May Wynn was not the actress's real name. She merely adopted it after playing the character May Wynn in this film. See more »
Historically there were two great United States Naval mutinies. In 1842 a naval sloop, the U.S.S. Somers, had a court martial for three crew members (one, Midshipman Philip Spencer, was the son of Secretary of War John Canfield Spencer), which ended with their being found guilty and hanged. To this day there is debate if Spencer (a troubled youth) was even serious about seizing the "Somers". The other occurred in 1944 at Port Chicago, California, when, a few weeks after a terrible accident that killed many men loading ammunition on a boat, their replacements refused to work under existing unsafe conditions. This led to a U.S. Supreme Court decision - against the workers, who claimed they were not under military law.
But the best known mutiny in the American navy is that on the U.S.S. Caine, during the hurricane that preceded the battle of Okinawa. That this is a fictional mutiny does not seem to attract any attention. THE CAINE MUTINY was a successful novel, Broadway play ("THE CAINE MUTINY COURT MARTIAL") and a great movie. It remains the American equivalent of the mutiny on the H.M.S. Bounty.
The performances of the leads, Bogart, Johnson, MacMurray (his second of three great heels), Ferrer, Tully, and E.G.Marshall are all first rate, as are the supporting cast (which includes Lee Marvin, Claude Atkins, and Jerry Paris - all of whom had quite substantial careers after this film). Only Robert Francis did not have a substantial career after his fine Ensign Keith - he died in a plane crash in 1955.
There are mental images from the film (mostly connected to Bogart's Queeg) that people remember - even spoof. Every time you see some character showing nervous ticks, if he or she pulls out a pair of small metal balls and roll them in their hand, it is a salute to Bogie's originally doing it in THE CAINE MUTINY. And his magnificent moment of success: "the strawberries", and how he proved the theft with geometric precision, remains a signal that the person speaking has too many fixations.
Interestingly, the film makes Queeg better (if still sick) than the play does. When cross examined by Greenwald at the court martial of Maryk and Keith, Queeg is asked about whether or not he overused his right to free transport of liquor and other items from Hawaii to the mainland from the navy. Queeg at first denies it, but when Greenwald says he can bring in (as witnesses) people connected with the sale of the items and the transport of them, Queeg suddenly remembers that he might have. This is not in the film, but it shows that Queeg was not all that clean an officer.
That aside, the impact of the film is still terrific half a century after it was shot. It illustrates that personality flaws frequently causes the problems that affect all of us, and that we need more understanding of each other's problems to avoid the bigger ones. From a case of over-extended battle fatigue, the crew of a warship are driven to accept an act of mutiny against it's captain in an emergency situation. And it almost gets two officers disgraced or hanged.
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