Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
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Americans Tommy Albright and Jeff Douglas, on a hunting vacation in Scotland, discover a quaint and beautiful village, Brigadoon. Strangely, the village is not on any map, and soon Tommy and Jeff find out why: Brigadoon is an enchanted place. It appears once every hundred years for one day, then disappears back into the mists of time, to wake up to its next day a century hence. When Tommy falls in love with Fiona, a girl of the village, he realizes that she can never be part of his life back in America. Can he be part of hers in Brigadoon? Written by
Jim Beaver <firstname.lastname@example.org>
The inhabitants of Brigadoon would have no way of knowing that a single person leaving the village would make them all disappear forever. It's highly illogical to believe that was part of the prayer that enchanted them, especially as that was not related by Mr. Lundie in his description of events. In fact, it's a very implausible part of the story, though it does add to the story line. One renegade could ruin it forever for the whole village, negating the entire miracle. And in a village of that apparent size (many dozens of people partaking in events), it's inevitable that someone would want to leave, as happened less than two days after the miracle, dooming the entire village instead of saving it. In fact, the 'leaving' rule runs contrary to the nature of the miracle, which is to save the entire village from outside influences, not inevitably doom it because of one foolish person. See more »
I'm highly attracted to you. Why, when I look at you I feel wee tadpoles jumping in my spine.
That's about as repulsive an idea as I've heard in years!
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It is said that both Gene Kelly and Vincent Minnelli were disappointed that MGM finances prevented then from filming "Brigadoon" abroad in more "natural settings." However, the beautiful studio sets to my mind work just fine for the whimsical fantasy being told. It is true that the basic idea of the story is a bit far-fetched, but then that's what fairy tales are all about. If one goes with the plot's broad premise, one can sit back and enjoy a charming Lerner-Loewe score, lovely studio settings and backdrops, pleasant choreography, and fine dancing, highlighted by Kelly's and Cyd Charisse's memorable "Heather on the Hill."
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