One dark summer night, Francesca Cunningham, a once world famed pianist, escapes from her hospital room and tries to commit suicide by jumping off a local bridge. She is rescued and taken ... See full summary »
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
A married Broadway producer is taken with an innocent young woman who wants to be a writer and make it on Broadway. He decides to take her under his wing, but it's not long before the young lady is found dead in his apartment. At first thought to be a suicide, it is later discovered that she has been murdered, and suspicion immediately falls on the producer. He begins his own investigation in order to clear his name, and one of the first things he finds out is that the young woman wasn't quite as naive and innocent as she appeared to be. Written by
Peter mentions he went to see "The Girl in the Window" at a third-run theater when asked where he was by Det. Bruce. Nunnally Johnson did write and produce the film The Woman in the Window (1944). Unknown if the title was mistakenly or intentionally misspoken by Heflin. See more »
The tray emptying out in four seconds was an obvious joke. See more »
This film, viewed in its pan and scan version, is a classic example of how not showing widescreen, or in this case cinemascope, movies in the letterbox format completely distorts and seriously damages the film. There are several scenes in which characters enter a room and speak but we don't see them, or even worse when we see one character talking endlessly to thin air. Scenes in which four characters are supposed to be seen simultaneously and in which their reactions are as important as their dialogue are reduced to one or two visible characters. Please screen these movies as the film-makers intended.
Having said that this is hardly a great movie. It is a dully made and predictable whodunnit with a fabulous performance by Ginger Rogers as a bitchy Broadway star. That is she is fabulous until the last couple of scenes when she seems to forget her characterisation altogether and opts for cheap melodramatics. Sadly Raft is quite terrible and Tierney has nothing to do. But Heflin is good and Peggy Ann Garner is effective in one of her few adult roles. Pleasant enough time-filler.
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