In a film incorrectly reported as Bill Elliott's last starring western, "Bitter Creek" (released in March of 1954 carrying 16843 as the PCA number) falls a tab bit short of that as it was ... See full summary »
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An American in London, down on his luck, runs into a beautiful blonde in a bar who offers him a lot of money to marry her. Broke and unemployed, he takes her up on it. When he wakes up the ... See full summary »
Premarital sex, secrets, and society. At 17, shy Susan Slade is on her way to California after a ten-year stay at a remote Chilean mine where her father was chief engineer. Onboard ship, ... See full summary »
A man on a fishing trip with three of his friends receives a blow to the head that makes him lose his memory. Three years later it all comes back to him, but on the day it does one of the men who was on the trip with him turns up dead.
Remade in 1956 as Canyon River starring George Montgomery, this film has Wyoming rancher Jim Kirk (Bill Elliott) deciding to cross-breed his Texas longhorns with Herefords to develop what ... See full summary »
In a film incorrectly reported as Bill Elliott's last starring western, "Bitter Creek" (released in March of 1954 carrying 16843 as the PCA number) falls a tab bit short of that as it was followed by "The Forty-Niners", (released two months later on May 9, 1954 with 16874 as the PCA number), but the correctly-reported absence of production values is duly noted. As Clay Tindall (Bill Elliott as Wild Bill Elliott), comes to a town in a search for the killer of his brother and quickly becomes unpopular with the townspeople who are unwillingly but submissive subjects to the whims of local cattleman Quentin Allen (Carleton Young) and his motley gang of hired hands and henchies. At the end, Elliott is given a typical line from his Columbia and Republic days that indicates that killing for revenge isn't admirable or the right thing to do, although he has just finished a rather thorough job of doing just that. Written by
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Wild Bill Elliott's last screen appearance in a western
This was to be Elliott's last western picture. Gone are the slick production values Elliott enjoyed while at Republic, and this entry from Allied Artists is an obvious low budget formula western. Elliott plays the part of the revenge seeking gunslinger to the hilt, but is hampered by pedestrian direction, a soft script, and cheap sets. But somehow the presence of Elliott, as the tight-lipped non-compromising anti-hero shines through, and we are left with a very watchable picture.
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