Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer ... See full summary »
Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film. Millionaire Alberto Bravano takes Maria from Kirk. Count Vincenzo Torlato-Favrini takes Maria from Alberto. Written by
Ed Stephan <email@example.com>
Mankiewicz wanted James Mason, whom he had just directed in "Julius Caesar," for the part of the nobleman. MGM executive Nicholas Schenck, who had had a vehement disagreement with the director, would not release Mason for the film. According to Mankiewicz, he ended up with Rossano Brazzi, "who cannot act, cannot be sensual... could hardly speak English..." Ironically, Rosemary Matthews, who was hired to help Brazzi with his English, and Mankiewicz later married. See more »
When Harry is talking to Maria, outside of her house, for a moment he is with his left hand in his coat lapel and his right hand holding the cigarette. The next shot shows him with his both hands in the pockets. See more »
To make a hundred dollars into a hundred and ten dollars - this is work. To make a hundred million into a hundred and ten million, this is inevitable.
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Ava Gardner is beautiful Spanish dancer Maria Vargas who is discovered and given a Hollywood contract in "The Barefoot Contessa," also starring Humphrey Bogart, Edmund O'Brien, Rossanno Brazzi, Marius Goring, and Valentina Cortese. Written and directed by Joseph Mankiewicz, the story is supposedly based on Rita Hayworth, who turned down the role. There are some similarities - the Spanish roots, the dancing angle, the studio head who desires her but doesn't get her, a la Harry Cohn, and the great sadness of her life. The famous story about Rita is that her first husband, Edward Judson, was nothing more than a pimp, though he is the man who turned her into a movie star. He demanded that she have sex with Harry Cohn, and Rita refused time and time again. Finally, Judson made a date for himself and Rita to go on a boat trip with Cohn, and Judson cancelled at the last minute, leaving Rita alone with the studio head. She still didn't go to bed with him.
The story begins at Maria's funeral and is told in flashback by the various men who were in her life. Most of the narration is provided by the Bogart character, writer-director Harry Dawes, who had a unique relationship with Maria - he cared for her deeply and was always there to listen to her and advise her. Maria was a woman whose life was lived as a barefoot Cinderella looking for her prince. Harry has a sixth sense about things, and when Maria is about to marry the man she believes to be her prince, Count Torlati-Favrini, Harry starts to worry. He knows that, as is often pointed out in the film, real life is much more erratic than a movie script.
Edmund O'Brien gives a terrific, Oscar-winning performance as a yes man/publicist who does all the talking for the studio head, Kirk Edwards (Warren Stevens). Bogart is excellent, but he does not have a great role; although he has top billing, he doesn't even have the starring role. One suspects he's there for box office pull.
The dialogue has been praised here - Mankiewicz was one of the great dialogue writers, but I found some of the dialogue in this a little pretentious and the pace slow. It's an interesting story, but for me it doesn't compare with "All About Eve" and "Letter to Three Wives" in script or in pace.
The star of the film is Ava Gardner. For this writer, Gardner and Hayworth were ultimate sex symbol/movie stars - gorgeous, sexy, exciting women. Around 32 here and living the wild life she always did, Gardner is breathtaking to look at. After the beginning of the film, she drops the Spanish accent, but she more than makes up for that in presence. Like Lana Turner and Rita Hayworth, she was one of those actresses whose appearance and private life often received more publicity than her actual acting - but Ava could act. There was always something uninhibited, earthy, sexy, and inherently honest about her performances - and she was that way as a woman, too. I highly recommend her autobiography to anyone who hasn't read it.
To see this marvelous cast and especially to see them in something written and directed by a fine artist like Mankiewicz is worth it, even if it's a little flawed. Nobody's perfect.
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