Anatahan (1953)

Director:

Josef von Sternberg

Writers:

Younghill Kang (novel)
Michiro Maruyama (novel)

Release Date:

17 May 1954 (USA)

Genre:

Drama | War

Plot:

Josef von Sternberg directed, photographed, provides the voice-over narration and wrote the screenplay...

Plot Keywords:

Island | Japanese | Narration | WWII | Cult Director

Cast

Akemi Negishi	...	Keiko Kusakabe, the 'Queen Bee'
Tadashi Suganuma	...	Kusakabe, Husband of Keiko (as Suganuma)
Kisaburo Sawamura	...	Kuroda (as Sawamura)
Shôji Nakayama	...	Nishio (as Nakayama)
Jun Fujikawa	...	Yoshisato (as Fujikawa)
Hiroshi Kondô	...	Yanaginuma (as Kondo)
Shozo Miyashita	...	Sennami (as Miyashita)
Tsuruemon Bando	...	Doi (as Tsuruemon)
Kikuji Onoe	...	Kaneda (as Kikuji)
Rokuriro Kineya	...	Marui (as Rokuriro)
Daijiro Tamura	...	Kanzaki (as Tamura)
Chizuru Kitagawa		(as Kitagawa)
Takeshi Suzuki	...	Takahashi (as Suzuki)
Shiro Amikura	...	Amanuma (as Amikura)

Also Known As:

Ana-ta-han (USA)
The Saga of Anatahan

Runtime:

92 min | Argentina:94 min (Buenos Aires Festival Internacional de Cine Independiente)

Country:

Japan

Language:

Japanese | English

Color:

Black and White

Sound Mix:

Mono (Western Electric Sound System) | Mono

Certification:

Finland:K-16 (1967) | USA:Approved | Argentina:13

Filming Locations:

Kyoto, Japan

Company:

Daiwa

Quotes:

Narrator: To look back on something is not the same as having lived it.

Feels like I'm drowning...

Oh great. I finally obtain this incredibly rare film, a blank tape with a sticker on it, in a clear case, from a tiny town in northeast Wiscons, and I pop in the tape, all ready to enjoy the film...if the narrator would just SHUT the HELL UP! The omniscient voice-over (in English, provided by von Sternberg himself) literally talks throughout the entire film. He vocally provides setting, action, subtext, inner monologue and even dialogue! There are no subtitles in the film, and the film isn't dubbed into English. von Sternberg simply reads the lines for both people, giving the direct action the short shrift as he emotionally distanced it from us with his flat delivery. It felt like I was being treated like a six-year-old, watching Reading Rainbow, with Levar Burton slowly enunciating every line in an aloof, patronizing tone, as if he thinks I'm an idiot, like I'm not smart enough to actually comprehend the goings on, which are fairly straightforward.

But even more frustratingly, he abruptly stops talking, almost as if to say, "FINE, YOU TRY IT WITHOUT ME!" and suddenly I'm left adrift; since all the characters have the same voice, I found it difficult to differentiate between them, and suddenly their voices are gone, and I have no idea what was going on, as I felt von Sternberg derisively chuckling and nodding behind me.

It's an intriguing tale, the story of five Japanese soldiers, thanks to the strong values and refusal of surrender instilled in them since childhood, continue to fight and guard an outpost long after the fighting has ceased. Even if he had one glaring post-production failure, von Sternberg still knows how to direct, and there are a few striking visual sequences, several well-made, interesting setpieces, with the give-and-take between the two, three and four von-Sterberg-sans, including a few exciting conflicts that result in violence. But the narrator kept talking, then hung me out to dry, and I was left flailing unpleasantly.

That was the feeling I got from Anatahan, that I was being talked down to, that he was reading a children's book and showing me the pictures, then got mad at me and stormed out, with any possibility of me loving the film went right along with it. To put it one way, I was overly smothered and babied in the kiddie pool, then abruptly shoved into the deep end without my floaties. I think I would have preferred the film on mute, and I probably still could have figured out what was going on from the outset, completely without his f-cking patronage, thank you very much.

{Grade: 6.5/10 (high C+) / #16 (of 22) of 1953}