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In Ispahan, Persia, Hajji Baba is leaving his father's shop to seek a greater fortune, while the Princess Fawzia is trying to talk her father, the Caliph into giving her in marriage to Nur-El-Din, a rival prince known far and wide as mean and fickle. Her father intends Fawzia for Fawzia to marry a friend and ally, and makes plans to send her to him. But a courier brings word from Nur-El-Din that an escort awaits Fawzia on the outskirts of the city and she escapes the palace disguised as a boy. Hajji encounters the escort-warrior at the rendezvous spot, is attacked and beats up the escort with his barber's tools. The princess arrives and mistakes Hajji as the escort until he mistakes the emerald ring sent by Nur-El-Din to Fawzia as the prize to be delivered. In her efforts to escape him, her turban becomes unbound and Hajji realizes that the girl herself is the treasure Nur-El-Din awaits. Hajji promises to escort her and they spend the night with the caravan of Osman Aga, who invites ... Written by
Les Adams <firstname.lastname@example.org>
`Isn't it nice to face life together, being in love always in love.'
The Adventures of Hajji Baba is remotely based on the book by a British writer James Morier who was actually raised in a harem and later served as an English diplomat at the court of the sultan of Iran in the first part of the 19th century. The book called The Adventures of Hajji Baba of Ispahan enjoyed quite a success at the time of its release in 1824 not only in England but also in Iran, the fact that encouraged the author to write a sequel called The Adventures of Hajji Baba of Ispahan in England where our hero is sent to learn its customs and way of life. This film version hasn't borrowed much from the book except perhaps the name of the main character Hajji Baba (played by John Derek) and his profession the barber whose banal, but sweet story we follow as he runs of with a beautiful but very capricious princess Fawzia (Elaine Stewart) who tries to escape from marriage to a man she isn't really crazy about which is imposed by her authoritative father Khalif (Donald Randolph) who is not particularly inclined to consider his daughter's opinion regarding choosing her lifetime partner especially when his power and monetary interests are at stake. But the main Hajji Baba's interest in helping the fugitive princess lies not in her attractive physical appearances but in a ring with a priceless emerald in it, which she happens to possess and which Hajji happens to covet. But gradually a struggle ensues inside of our hero's heart as about the change in the flow of his preferences to the girl instead of the emerald, which are also fed by the attraction the princess feels each time stronger towards the irresistible barber.
While all this internal fight is going on, our heroes come through numerous adventures most excitingly dangerous of them being caught by a band of beautiful women-outlaws several of whom were once Fawzia's personal servants who managed to escape mainly from princess' ill temper and promptly turned into bandits.
Overall Adventures of Hajji Baba is an ultimate what can be called sex and sand adventure comedy with a lot of beautiful women and sand in it all filmed in larger than life Cinemascope, which somehow covers the films poor story and is significantly helped by a pleasant title song performed by Nat King Cole which can be heard several times throughout the film - `Hajji, Hajji, Hajji, Hajji, Hajji Baba, Hajji Baba.' 7/10
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