A teenager is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
The oceans during the late 1860-92s are no longer safe; many ships have been lost. Sailors have returned to port with stories of a vicious narwhal (a giant whale with a long horn) which sinks their ships. A naturalist, Professor (Pierre) Aronnax, his assistant, Conseil, and a professional whaler, Ned Land, join an US expedition which attempts to unravel the mystery. Written by
Murray Chapman <firstname.lastname@example.org>
In addition to his many contributions as the production designer, Harper Goff also taught Kirk Douglas to play the guitar for the "Whale of a Tale" number. See more »
The note that Ned Land puts in the bottle, while containing numbers representing both latitude and longitude, neglects to say whether the latitude is North or South. The note is however not useless: the unnamed state could have sent warships to both the North and South locations. See more »
I asked you to leave, Professor.
Prof. Pierre Arronax:
You also asked me ashore, to show me man's inhumanity to man. Why? To justify this? You are not only a murderer, you are a hypocrite! The proof lies out there!
YOU CALL THAT MURDER? Well, I see murder, too, not written on those drowned faces out there, but on the faces of dead thousands! They are the assassins, the dealers in death; I am the avenger!
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Very simply, Richard Fleischer made a gorgeous adaptation of Jules Verne's famous novel. This is an excellent adventure movie told with quite a lot of humor. Fleischer introduced humor in a few sequences and especially in dialogs. But the movie also includes a sadistic side. This sadistic side is epitomized by the captain Nemo himself. You can describe him as a despotic man who's got a grudge against the earth that made him suffer. Moreover, he regards himself as a sort of governor of the ocean. In this way, Jules Verne's novel introduces a reflection about man and the extension of his power thanks to the machine (the Nautilus).
Of course, the movie is supported by a dazzling performance. James Mason is an unforgettable captain Nemo. As for Kirk Douglas, well he said once: "I've made a career of playing sons of bitches". It's probably true if you study his character of Ned Land. But in parallel, Douglas makes his character funny and likeable. Then, Paul Lukas and especially Peter Lorre are outstanding.
No matter that the movie was launched in 1954, the special effects aren't antiquated. Thanks to them, the movie could keep a certain charm and nowadays, it lets itself watch with pleasure.
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