Matt and Margaret investigate the kidnapping of banker Penrose from a stagecoach. They immediately suspect noted bandit Milt Sharp who recently escaped from a Nevada prison and his partner Dutch. A ...
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
"From out of the clear blue of the western sky comes Sky King" was the familiar opening to television's premier aviation program. Operating from his Flying Crown Ranch in Arizona, Sky King,... See full summary »
Hoping for positive publicity, a tobacco company offers $25 million to any American town that quits smoking for 30 days. Amidst a media frenzy, Eagle Rock, Iowa accepts the challenge while the company's PR man tries to sabotage the effort.
A late entry in the TV Westerns boom of the late 50s. Shotgun Slade unlike other show hero wasn't a marshal, sheriff or gunfighter for hire, but Slade was a private detective, hired to ... See full summary »
Hickok rode Buckshot and 300-pound Jingles rode Joker. Jingles described Hickok as "the bravest, Strongest, fightingest U.S. Marshal in the whole West." And that's about it: he beat up all the bad guys and somehow kept his good looks.
Luke Perry and Simon Kane run a stagecoach line in the Old West, where they come across a wide variety of killers, robbers and ladies in distress. They are accompanied by Simon's young son ... See full summary »
Christopher Colt was apparently a gun salesman but was in fact a government agent tracking down notorious bad guys. His cousin Sam took the lead when the studio had contract disputes with the original star.
'Big' Jim Davis, as Matt Clark, Railroad Detective, traveled west each week to aid in the capture of one of history's notable badmen(or women). At times, Clark's appearance at the scene seems somewhat contrived, as in just "happening" to be in town when Ford shoots Jesse James. The stories do have some limited educational value, as each one sticks to the basic facts, although production values for the series were decidedly low budget. One thing I could never figure out...one week Clark would chase Quantrill in 1863, the next Tom Horn in 1903...30 years apart...yet he never aged!
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