| Cyril Ritchard | ... | Captain Hook / ... (6 episodes, 1955-1956) | |
| Claire Bloom | ... | Cleopatra / ... (3 episodes, 1955-1957) | |
| Mary Martin | ... | Peter Pan / ... (3 episodes, 1955-1956) | |
| David Wayne | ... | Egbert Floud / ... (3 episodes, 1955-1957) | |
| Lorne Greene | ... | Gorgas / ... (3 episodes, 1955-1957) | |
| Margalo Gillmore | ... | Mrs. Darling / ... (3 episodes, 1955-1956) | |
| Heller Halliday | ... | Liza / ... (3 episodes, 1955-1956) | |
| Nehemiah Persoff | ... | Strup (3 episodes, 1955-1957) | |
| Marian Anderson | ... | Herself (3 episodes, 1954-1956) | |
| Frank Sutton | ... | Soldier (3 episodes, 1955) |
Series Directed by | |||
| Clark Jones | (8 episodes, 1955-1957) | ||
| Kirk Browning | (5 episodes, 1955-1957) | ||
| Delbert Mann | (5 episodes, 1955-1957) | ||
| Vincent J. Donehue | (4 episodes, 1955-1956) | ||
| Alex Segal | (3 episodes, 1956) | ||
| Alan Handley | (2 episodes, 1954-1955) | ||
| Arthur Penn | (2 episodes, 1954-1955) | ||
Series Writing credits | ||
| Joseph Schrank | (4 episodes, 1955-1957) | |
| David Shaw | (4 episodes, 1955-1957) | |
| Robert E. Sherwood | (3 episodes, 1954-1955) | |
| Sumner Locke Elliott | (3 episodes, 1955) | |
| Russel Crouse | (2 episodes, 1954-1957) | |
| Howard Lindsay | (2 episodes, 1954-1957) | |
| Sidney Howard | (2 episodes, 1955-1956) | |
| Thornton Wilder | (2 episodes, 1955) | |
Series Produced by | |||
| Fred Coe | .... | producer / supervising producer (9 episodes, 1954-1955) | |
| Sol Hurok | .... | producer (4 episodes, 1956-1957) | |
| Alvin Cooperman | .... | associate producer / executive producer / ... (3 episodes, 1955-1957) | |
| Alex Segal | .... | producer (3 episodes, 1956) | |
| Edwin Lester | .... | guest producer / producer (2 episodes, 1955-1956) | |
Series Original Music by | |||
| Moose Charlap | (2 episodes, 1955) | ||
| Harry Sosnik | (2 episodes, 1955) | ||
Series Film Editing by | |||
| Sumner Locke Elliott | (1 episode, 1955) | ||
Series Production Design by | |||
| Rouben Ter-Arutunian | (3 episodes, 1955-1956) | ||
Series Art Direction by | |||
| Richard Day | (1 episode, 1955) | ||
Series Set Decoration by | |||
| Peter Larkin | (1 episode, 1955) | ||
| Edward Stephenson | (1 episode, 1955) | ||
| Otis Riggs | (1 episode, 1956) | ||
Series Costume Design by | |||
| Robert Campbell | (1 episode, 1955) | ||
| Oliver Messel | (1 episode, 1955) | ||
| Sophie Devine | (1 episode, 1956) | ||
| Rouben Ter-Arutunian | (1 episode, 1956) | ||
Series Production Management | |||
| Donald Davis | .... | production supervisor (1 episode, 1955) | |
| Dorothy Mathews | .... | production supervisor (1 episode, 1955) | |
Series Second Unit Director or Assistant Director | |||
| Dominick Dunne | .... | associate director / assistant director (9 episodes, 1954-1957) | |
Series Art Department | |||
| Otis Riggs | .... | sets (1 episode, 1955) | |
| Peter Larkin | .... | scenery designer (1 episode, 1956) | |
Series Costume and Wardrobe Department | |||
| Robert Campbell | .... | costumes (1 episode, 1955) | |
| Guy Kent | .... | costumes (1 episode, 1955) | |
Series Music Department | |||
| George Bassman | .... | composer: theme music / musical director (36 episodes, 1954-1957) | |
| Harry Sosnik | .... | musical director / music supervisor (4 episodes, 1955) | |
| Jule Styne | .... | composer: additional music / musical score (2 episodes, 1955-1957) | |
| Albert Sendrey | .... | orchestrator (2 episodes, 1955-1956) | |
| Irving Actman | .... | music coordinator (unknown episodes) | |
Series Other crew | |||
| Frederick Ashton | .... | choreographer (2 episodes, 1955-1957) | |
| Jerome Robbins | .... | choreographer / director: stage production (2 episodes, 1955-1956) | |
| Tony Charmoli | .... | choreographer (2 episodes, 1955) | |
| Dominick Dunne | .... | associate director (2 episodes, 1955) | |
| Sumner Locke Elliott | .... | script editor (unknown episodes) | |
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| Hello, Dolly! | Hachi: A Dog's Tale | I'll Be Seeing You | It's Great to Be Alive | Raffles |
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| Episode guide | Full cast and crew | Company credits |
| IMDb TV section | IMDb Drama section | IMDb USA section |
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My only interest in this made-for-TV show was to watch Bogart go through the same moves he did that got him started back in the 30's. For Bogart fans, it should be a real treat if you can find it. I viewed it in 2004. UCLA has a copy in their archives.