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Walt Disney's Wonderful World of Color 

Disneyland (original title)
A Disney-produced anthology covering many different genres.
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36   34   33   32   31   30   … See all »
1991   1990   1989   1988   … See all »
Nominated for 1 Oscar. Another 14 wins & 20 nominations. See more awards »

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Cast

Series cast summary:
...
 Himself - Host / ... (317 episodes, 1954-1986)
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Storyline

A Disney-produced anthology covering many different genres.

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »
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Details

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Language:

Release Date:

27 October 1954 (USA)  »

Also Known As:

Disney's Wonderful World  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1986-1987) | (1954-1960, 1961-1986 and 1987-1990) | (1960-1961)

Sound Mix:

(RCA Sound System)

Color:

(1954-1961)| (Technicolor) (1961-1990)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The Disney feature-length films were, at first, either edited down to one hour or broadcast in two or more weekly installments, one hour per week. It was not until the mid 1970's that the Disney Studios finally broadcast one of their feature-length films complete in one evening, the way all other films were usually telecast on network television. See more »

Quotes

[opening lines; 1954-1966]
Announcer: And now, your host, Walt Disney.
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Soundtracks

Welcome to Disney's Wonderful World
(Theme from 1979-1981)
Music by John Debney
Lyrics by John Klawitter
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User Reviews

 
A Home Run For Walt Disney, ABC & All Of Us!
19 June 2014 | by (United States) – See all my reviews

WHEN THIS ANTHOLOGY came to TV via the ABC Network in the Autumn of 1954, it had a sort of pre-installed reverence that no other program could dream of. Mr. Disney had garnered himself a reputation that was far above any other producer in Hollywood. Approaching, but falling just short of full Canonization, it was one of his true short comings on planet Earth.

AFTER HIS EARLY years in native, Chicago, the Disney family moved to Kansas City, Missouri; where the young Disney became a commercial artist, producing filmed ads for local businesses. These short animations would be the first Disney cartoons to be shown in the movie houses.

FOLLOWING SOME SETBACKS with people such as film producer/distributor Margaret Winkler over OSWALD THE LUCKY RABBIT, he turned to a Mouse and, well, we all know the rest.

HAVING MADE HIS mark in both the animated and live action productions insured that the new DISNEYLAND Show (original title) would surely embrace a "diversity" of sorts. Various program episodes were assembled from Disney's considerable backlog of cartoons and full length features. Others were live action series (or rather mini series) newly produced just for television. (Ever hear of Davy Crockett?)

TWO OTHER AREAS that comprised the show's rotation of subjects were bold forays into the worlds of science. One was biological; chronicling the life of wild animals and the habitats in which they live. The other brought us reports of what scientific research was bringing us to our daily lives. Being right on the cusp leading to the Space Race, rocketry and future space travel were prominent subject to be investigated, dissected and rendered understandable to even the youngest of viewers.

IN ESTABLISHING A format for the show, it was decided to partition the Kingdom of DISNEYLAND into four separate, smaller components. The separation was accomplished along the line of subject matter as follows:

Fantasyland: Fictional live action, animation.

Frontierland: Historical filmed series.

Tomorrowland: Science and the technological developments.

Adventureland: The True Life Adventures, Animals and Nature.

NOT SO COINCEDENTALLY all of these names were also the designations assigned to the various sections of the newly opened DISNEYLAND Theme Park. In addition to being a talented artist, great judge of talent & the public's tastes, Walt was obviously a $hrewd Promoter and Bu$ine$$ Man!

THE BATTING ORDER (or more properly, the STARTING ROTATION) insured both variety and balance in programing. The interest of the viewer-ship was maintained at a high level; as we were kept on the edge of our figurative chairs, wondering what next week's show would bring us.

WHERE ELSE COULD we travel to so many various lands without leaving the comfort of our living room's TV set?


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