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I Vitelloni (1953)
"I vitelloni" (original title)

 -  Comedy | Drama  -  7 November 1956 (USA)
8.0
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Ratings: 8.0/10 from 8,247 users   Metascore: 87/100
Reviews: 49 user | 46 critic | 10 from Metacritic.com

A character study of five young men at crucial turning points in their lives in a small town in Italy.

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Writers:

(story), (story), 3 more credits »
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Title: I Vitelloni (1953)

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Nominated for 1 Oscar. Another 5 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Franco Interlenghi ...
Moraldo Rubini
...
Alberto
Franco Fabrizi ...
Fausto Moretti
Leopoldo Trieste ...
Leopoldo Vannucci
Riccardo Fellini ...
Riccardo
Leonora Ruffo ...
Sandra Rubini (as Eleonora Ruffo)
Jean Brochard ...
Francesco Moretti
Claude Farell ...
Olga
Carlo Romano ...
Michele Curti
Enrico Viarisio ...
Signor Rubini
Paola Borboni ...
Signora Rubini
Lída Baarová ...
Giulia Curti (as Lida Baarowa)
Arlette Sauvage ...
La sconosciuta del cinema
Vira Silenti ...
Gisella
Maja Niles ...
Caterina (as Maja Nipora)
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Storyline

Fausto Moretti, having seduced Sandra Rubini, the sister of his friend and companion Moraldo Rubini, is forced to marry her. After their honeymoon, he takes a job as a salesman of religious objects in a small shot. He isn't changed by his marriage and still looks for women, with his friends, when and where they can find them. He even tries to seduce the wife of his boss and is fired. After each episode, Sandra forgives him. He and his friends of similar temperament are content to be idle, chase girls and leave the work and job-hunting to others. After spending the night away from home with a girl, Sandra cannot forgive anymore and runs off with their child. Fausto and his friends search all over fearing the worst, and he finally finds her at the home of his father, Francesco, who gives him a deserved thrashing. The couple reconciles and Fausto pledges to reform. Life goes on as usual for his other friends, always planning but never getting around to doing anything constructive, with ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

Release Date:

7 November 1956 (USA)  »

Also Known As:

I Vitelloni  »

Box Office

Opening Weekend:

$14,790 (USA) (14 November 2003)

Gross:

$97,944 (USA) (26 March 2004)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

At the end of the film, when Moraldo is saying good-bye to the young boy from the train, his "Good-by, Guido" is actually the dubbed voice of director, Fredrico Fellini. It is believed that Fellini did this to emphasize the fact that the film was autobiographical. See more »

Goofs

When Sandra receives the 'Miss Mermaid' sash, it is placed over her left shoulder. Later inside during the storm it is seen to be over her right shoulder. See more »

Quotes

Sergio Natali: He who cares not for art, cares not for life.
See more »

Connections

Featured in The Magic of Fellini (2002) See more »

Soundtracks

Io Cerco la Titina
(uncredited)
Traditional
Heard during the carnival
See more »

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User Reviews

 
Not one of the Maestro's masterworks, but very good nonetheless
7 September 2001 | by (Saint Paul, MN) – See all my reviews

I Vitelloni was Federico Fellini's third film, and it shows very well how he was maturing in his style, and likewise very well how he was not yet fully mature. His next film would be La Strada, one of the world's great films. I Vitelloni, although many who have had the chance to see it champion it as one of his best, is a tier down from La Strada and his other melodramatic masterpiece, Nights of Cabiria (his other masterpieces, IMO, are La Dolce Vita, 8 ½, and Amarcord of those I've seen, which are all of the ones that are generally considered to be great; I'd also make a case for And the Ship Sails On). The film's flaws are mostly in the script: it is sloppy. There are several great scenes, a couple of the best, especially in a visual aspect, that Fellini ever created, but more often the actions of the characters are difficult to understand. The characters themselves aren't all that well defined - in a scene that has since become common, the five title characters are introduced to us by a narrator, who tells us certain primary traits for each of them. Sadly, we only learn a bit more about most of them. What really harms the film, though, is the fact that a few of these main characters are difficult to distinguish from one another. To make things worse, as time moves on in the film, the characters constantly change the style of their facial hair!

The film is quite episodic, which is actually Fellini's most common way of going about it, but most of the events in his better films seem to bear more weight on the emotions of the films. I Vitelloni is still a very good film, but, given its unavailability, it's unnecessary to knock yourself down searching it out. Perhaps Criterion will release it on DVD soon. Maybe, if it has some good extras, I'll purchase it. 8/10.


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