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I Vitelloni (1953)

I vitelloni (original title)
Not Rated | | Comedy, Drama | 7 November 1956 (USA)
A character study of five young men at crucial turning points in their lives in a small town in Italy.

Director:

Writers:

(story), (story) (as Ennio Flajano) | 3 more credits »

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Nominated for 1 Oscar. Another 4 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Leopoldo Trieste ...
Riccardo Fellini ...
...
Sandra Rubini (as Eleonora Ruffo)
...
...
Olga
Carlo Romano ...
Michele Curti
Enrico Viarisio ...
Signor Rubini
Paola Borboni ...
Signora Rubini
...
Giulia Curti (as Lida Baarowa)
Arlette Sauvage ...
La sconosciuta del cinema
Vira Silenti ...
Gisella
Maja Niles ...
Caterina (as Maja Nipora)
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Storyline

Fausto Moretti, having seduced Sandra Rubini, the sister of his friend and companion Moraldo Rubini, is forced to marry her. After their honeymoon, he takes a job as a salesman of religious objects in a small shop. He isn't changed by his marriage and still looks for women, with his friends, when and where they can find them. He even tries to seduce the wife of his boss and is fired. After each episode, Sandra forgives him. He and his friends of similar temperament are content to be idle, chase girls and leave the work and job-hunting to others. After spending the night away from home with a girl, Sandra cannot forgive anymore and runs off with their child. Fausto and his friends search all over for them, fearing the worst. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

Release Date:

7 November 1956 (USA)  »

Also Known As:

I Vitelloni  »

Box Office

Opening Weekend:

$14,790 (USA) (14 November 2003)

Gross:

$97,944 (USA) (26 March 2004)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The part for 'Sergio Natali' was originally offered to the great Italian director, 'Vittorio de Sica'. He politely declined as he was concerned that the character's homosexuality might mark the director himself as a homosexual. See more »

Goofs

When Sandra receives the 'Miss Mermaid' sash, it is placed over her left shoulder. Later inside during the storm it is seen to be over her right shoulder. See more »

Quotes

Fausto Moretti: [reunited with Sandra, after his father has whipped him for his infidelities] You scared me so, Sandra. Never do that again, you hear?
Sandra Rubini: And if you make me mad again, I'll beat you like your father. But even harder. I'll beat you senseless.
Fausto Moretti: [starts to laugh] That's how I like you. Here, let me hold the baby
See more »

Connections

Featured in Cinema Falado (1986) See more »

Soundtracks

Io Cerco la Titina
(uncredited)
Traditional
Heard during the carnival
See more »

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User Reviews

The interchangeability of gang members
10 August 2004 | by (London, England) – See all my reviews

I think that the only other user to have commented on this film may have missed some of the point. The actions of the characters are not hard to understand. Fausto is a womaniser because he does not take love and its attendant responsibilities seriously. Alberto and Riccardo booze and smoke and hang around because those are the roles designated to some men in adult gangs of this kind. Moraldo sees Fausto's womanising and is torn between loyalty to the camaraderie of the group and to his friend and love for his sister, resulting in him helping Fausto to protect Sandra from the truth.

With regards to the lack of character definition of the characters, I don't think that this should be seen as a problem. Their inability to escape the attraction of a casual life robs them of character and their love of the gang robs them of individuality. The interchangeability of their looks and the swapping of facial hair styles illustrates the dynamics of a gang - shared vocabulary, shared likes and dislikes, playing off each other.

I think that this is a perfect distillation of the aimless lives of adult males, unable to break away from the gang. Whether this is Fellini's best or not, it is a very affecting study of small-town ennui and male relationships.


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