I Vitelloni
(1953)
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I Vitelloni
(1953)
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| Cast overview, first billed only: | |||
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Franco Interlenghi | ... |
Moraldo Rubini
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| Alberto Sordi | ... |
Alberto
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Franco Fabrizi | ... |
Fausto Moretti
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Leopoldo Trieste | ... |
Leopoldo Vannucci
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Riccardo Fellini | ... |
Riccardo
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Leonora Ruffo | ... |
Sandra Rubini
(as Eleonora Ruffo)
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Jean Brochard | ... |
Francesco Moretti
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Claude Farell | ... |
Olga
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Carlo Romano | ... |
Michele Curti
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Enrico Viarisio | ... |
Signor Rubini
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Paola Borboni | ... |
Signora Rubini
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Lída Baarová | ... |
Giulia Curti
(as Lida Baarowa)
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Arlette Sauvage | ... |
La sconosciuta del cinema
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Vira Silenti | ... |
Gisella
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Maja Niles | ... |
Caterina
(as Maja Nipora)
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Fausto Moretti, having seduced Sandra Rubini, the sister of his friend and companion Moraldo Rubini, is forced to marry her. After their honeymoon, he takes a job as a salesman of religious objects in a small shot. He isn't changed by his marriage and still looks for women, with his friends, when and where they can find them. He even tries to seduce the wife of his boss and is fired. After each episode, Sandra forgives him. He and his friends of similar temperament are content to be idle, chase girls and leave the work and job-hunting to others. After spending the night away from home with a girl, Sandra cannot forgive anymore and runs off with their child. Fausto and his friends search all over fearing the worst, and he finally finds her at the home of his father, Francesco, who gives him a deserved thrashing. The couple reconciles and Fausto pledges to reform. Life goes on as usual for his other friends, always planning but never getting around to doing anything constructive, with ... Written by Les Adams <longhorn1939@suddenlink.net>
Somewhere on his way from neo- to sur-, young Federico Fellini had made a "I Vitelloni" (1953), lighthearted, unconventional, bold, and above all entertaining film that tells the story of hopes and miseries of four friends, four young men, "I Vitelloni" in a small seashore province town. "Vitellone" means "idle young person of the provinces, often an eternal student". The title matches its characters very well. They live in the town where nothing much happens; they don't have jobs and spend the money given by their loving families. They have the most ardent hopes and they face the cruel disappointments. They are different - cynical skirt chaser Fausto who is forced to marry a girl pregnant with his baby; the intellectual and ambitious Leopoldo who dreams of becoming a famous writer; the irresponsible "big child" Alberto (Alberto Sordy, the famous comic, absolutely wonderful in his early role), and Moraldo, the only one of the group who in the final scene will leave the town of his childhood to start a new life.
I loved I Vitelloni. Nino Rota's music is above any words (as always) as well as the young director's camera work, the character study and acting. I think of "I Vitelloni" as more realistic and sober "Amarcord" in B/W. One of scenes was absolutely stunning -the carnival - the music, the dancing, the camera's rapid but fluid movements - simply breathtaking.
It is without doubt that Fellini influenced a lot of directors, and there are similarities between "I Vitelloni" and George Lucas' "American Graffiti" and Barry Levinson's "Diner". Stanley Kubrick and Marin Scorsese both named "I Vitelloni" as one of their favorite films.
Highly recommended: 9/10