On the run from the US police after being charged with embezzlement, a billionaire attempts to flee to Mexico by stealing the identity of a stranger. However, his life is made much more ... See full summary »
Meek head clerk Kees Popinga realises at the same time as the police that owner De Koster has stripped his Dutch company clean because of his infatuation with a Parisian girl, Michelle. ... See full summary »
Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »
Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical ... See full summary »
Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.
Supermodel Vicki Lynn, whose face is seen everywhere, is murdered, and ace homicide cop Ed Cornell cuts his vacation short to take the case personally. In flashback we see how Vicki rose from ambitious waitress to big black headlines, courtesy of clever publicity man Steve Christopher. Now Cornell seems determined to get Christopher convicted in what begins to seem like a bizarre personal vendetta. Is Steve caught like a rat in a trap? Written by
Rod Crawford <email@example.com>
When Jill Lynn (Jeanne Crain) seeks out Steve Christopher (Elliott Reid) in the all-night movie house, a film is playing on the screen but we only hear the voices. The dialogue is from the classic movie Laura (1944), and the lines are from the police interrogation scene featuring Gene Tierney and Dana Andrews. However, when Christopher jokes about the movie he's seen 4 times, he is referring to something completely different (he mentions "The butler did it"). See more »
Slug me with those, Cornell, and I'll square you off if it takes me the rest of my life.
Lt. Ed Cornell:
You're not gonna have a very long life, Stevie. You're like a rat in a box, without any holes. But they're gonna make a hole for you...six by three, filled with quicklime.
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"I Wake Up Screaming" is a weird, gaudy, creepy movie. One might call it one of a kind. But it is, in fact, not: "Vicki" is a remake. There are some differences in the storyline but it's different primarily because of casting: It's creative and bizarre in the original and pretty generic in the remake.
Carole Landis and Betty Grable have an authentically pulp look in "Wake." Jeanne Crain and Jean Peters look like sisters. They're both pretty but bland looking. Richard Boone is in the Laird Creger role. He's odd looking, to be sure. He refers to the man who brought the murdered girl from waitress to glamorous star as "pretty boy." He's prettier than Boone (who was a fine actor) but he's nothing special. His lack of color is at the heart of "Vicki's" failure.
Alexander D'Arcy looks great as the actor who also had a thing for Vicki. It's amazing that well over ten years earlier he'd played Irene vocal coach in the sublime "The Awful Truth."
Aaron Spelling (yes, THE Aaron Spelling) is effective and noirish as the whacked-out desk clerk at Vicki's apartment building. But when it comes to whacked-out, no one can top Elisha Cook, Jr., who played this role in the original.
The main problem is that anyone who's seen "I Wake Up Screaming" will know exactly what is going to happen in "Vicki." If anyone reading this happens to want to watch "Vicki" but hasn't yet seen "wake" -- please, watch the first one first.
Both have marvelously tawdry opening credits. "I Wake Up Screaming" has the better ones but "Vicki" is right in there. It's beautifully photographed by Milton Krasner.
I can't even say it's disappointing. What it does it does well enough. Surpassing the original would have taken a miracle.
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