Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabitants are scoffing at Francois, the postman, what he seems not to recognize. The rising of the... See full summary »
Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.
A boxer is out in the country with his entourage, training for his next fight. Meanwhile, on the farm nearby, Roger is neglecting his chores. As he watches the boxer and his sparring ... See full summary »
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
Monsieur Hulot goes on a holiday to a seaside resort, but accidents and misunderstandings follow him where ever he goes. The peace and quiet of the hotel guests don't last very long with Hulot around, because although his intensions are good, they always turn out catastrophically. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The man being served a drink in the hotel wears a dark ascot; when the waiter gives him the drink, he is wearing a light-colored ascot. See more »
Mr. Hulot is off for a week by the sea. Take a seat behind his camera, and you can spend it with him. Don't look for a plot, for a holiday is meant purely for fun, and if you look for it, you will find more fun in ordinary life than in fiction.
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"Mr. Hulot's Holiday" is a terrific comedy. But be warned, it is also deliberately paced, almost lacking in dialog, and absolutely plot less. In order for you to enjoy this film, you must not wait for the "story" to begin--there is not one. In fact, the film is not much more than a series of sight gags held together by a single set of characters and a single locale--but as such, it is brilliant.
Director/Star Tati's work in the Hulot films was an obvious influence on the solo films of Jerry Lewis a decade later. It is amazing that the French purportedly think Lewis a genius when in fact his best films (such as "The Bellboy," "The Ladies Man," "The Errand Boy," etc) borrow from the Tati style to the point of plagiarism.
Well, the original is better, and you don't have to endure the constant mugging.
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