5 items from 2014
Above: UK poster for Eno (Alphons Sinniger, UK, 1973). Designer: Blue Egg.
The most popular poster I’ve posted on my Movie Poster of the Day Tumblr in the past quarter—with over 1,000 likes and reblogs—has been this rarity that popped up at Posteritati this Spring. A British Double Crown (10" shorter than a one sheet) for a 24 minute documentary about the experimental music genius Brian Eno, made in 1973 at the start of his post-Roxy solo career, the poster’s popularity is no doubt due as much to the reverence Eno is held in as to its graphic design. But it is still a terrific poster, making simple yet brilliant use of two color printing and showcasing a multitude of Enos in all his glam rock glory. The text in the corner credits Blue Egg Printing and Design Ltd. and if anyone knows anything more about that company I’d love to hear about it. »
- Adrian Curry
It’s a confusing time to be a cinephile. Some mournfully toll the death knell of the medium, with the near-total cessation of celluloid projection a symbolic end-point. Others insist that the prospects for audio-visual expression have never been brighter. They point to a vast array of new platforms and settings: whether in gallery-based video installations, high-end television series, or global video-sharing websites such as YouTube. But what of the once-cherished act of seeing a feature film with an audience in a theater? Many think it will go the way of opera. Yet alongside the digital enormities of the multiplex, formally and thematically challenging work continues to be made and shown on the festival circuit and elsewhere. Spectators may be overwhelmed by the all-access buffet of content now open to them, but they also have unrivaled opportunities to immerse themselves in the 119-year history of the medium.
A similar state »
- Joshua Sperling and Daniel Fairfax
So, last week I watched the Keanu Reeves abomination that was 47 Ronin and this week I took it upon myself to watch the 1941 original, The 47 Ronin, available on Hulu Plus and it's rather astonishing the differences between the two. Of course, the original doesn't have magic, monsters or the Reeves character and those are the immediate differences, but what's even more fascinating is to compare the way the two films approach the story and what is considered important. The first difference is in the approach to the story. Even though the '41 film runs 223, versus the 118 minutes that make up the 2013 remake, it wastes no time getting started. A little on screen text and immediately we see Lord Asano attack the court official Kira Yoshinaka. Due to the injection of Reeves' character into the remake it takes forever to get to this moment and by that time it's already »
- Brad Brevet
The Film Society of Lincoln Center have unveiled their incredible lineup for the forthcoming "Art of the Real" series, which includes work from Corneliu Porumboiu, Robert Greene, Thom Andersen, James Benning, and more:
"The thin and often blurry line between fact and fiction will be prodded in the Film Society of Lincoln Center’s revamped Art of the Real, a two-week series (April 11-26) dedicated to an expansive definition of nonfiction filmmaking."
"Mr. Resnais had a full head of white hair that the French newspaper Le Monde said he had sported for so long that one could forget he was ever young. He exhibited a youthful energy well into his 80s and was working on drafts of his next project from his hospital bed when he died, the producer Jean-Louis Livi said.
Despite the serious nature of his films, »
- Adam Cook
The Criterion Collection has just released a new filmmaker top ten and this time it's Martin Scorsese getting the honors and he has quite a lot to say about each. The list includes obvious titles such as The Red Shoes, 8 1/2, The Leopard, Ashes and Diamonds and others as they were all on his list of Top 12 Films of All-Time from back in 2012. Nevertheless, it remains fascinating to read his words and reasoning. For example, I find it interesting to see him placing Roberto Rossellini's Paisan at #1. So often Rome Open City is the most talked about of Rossellini's fabulous War Trilogy (read my review) and so infrequently you hear about Paisan or Germany Year Zero, the latter of which is an absolute stunner. I've never sen Jean Renoir's The River or Francesco Rosi's Salvatore Giuliano, but the rest I've viewed. I'm not a huge fan of The Leopard, »
- Brad Brevet
5 items from 2014
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