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Ugetsu (1953)

Ugetsu monogatari (original title)
Approved | | Drama, Fantasy, War | 7 September 1954 (USA)
A fantastic tale of war, love, family and ambition set in the midst of the Japanese Civil Wars of the sixteenth century.

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Writers:

(adaptation), (idea) (as Kyûchi Tsuji) | 2 more credits »
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Nominated for 1 Oscar. Another 4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Lady Wakasa
Mitsuko Mito ...
Ohama
...
Miyagi
...
Genjurô
Eitarô Ozawa ...
Tôbei (as Sakae Ozawa)
Sugisaku Aoyama ...
Old Priest
Mitsusaburô Ramon ...
Captain of Tamba Soldiers
Ryôsuke Kagawa ...
Village Master
Kichijirô Ueda ...
Shop Owner
Shôzô Nanbu ...
Shintô Priest
Kikue Môri ...
Ukon
Ryûzaburô Mitsuoka ...
Soldier
Ichirô Amano ...
Boatsman
Eigorô Onoe ...
Knight
Saburô Date ...
Vassal
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Storyline

In the beginning of the springtime in the period of the Japanese Civil Wars of the Sixteenth Century in Lake Biwa in the Province of Omi, the family man farmer and craftsman Genjurô travels to Nagahama to sell his wares and makes a small fortune. His neighbor Tobei that is a fool man dreams on becoming a samurai, but he can not afford to buy the necessary outfit. The greedy Genjurô and Tobei work together manufacturing clay potteries, expecting to sell the pieces and enrich; however, their wives Miyage and Ohama are worried about the army of the cruel Shibata that is coming to their village and they warn their ambitious husbands. Their village is looted but the families flee and survive; Genjurô and Tobei decide to travel by boat with their wives and baby to sell the wares in a bigger town. When they meet another boat that was attacked by pirates, Genjurô decides to leave his wife and son on the bank of the river, promising to return in ten days. Genjurô, Tobei and Ohama raise a large... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 September 1954 (USA)  »

Also Known As:

Tales of Ugetsu  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The stories of Akinari Ueda were not the only literary sources that the movie's scriptwriters drew upon. They also was inspired by the comic story "How He Got the Legion of Honor" by Guy de Maupassant for the subplot involving Tôbee's fanatical desire to become a samurai. See more »

Goofs

After the soldier cuts off the general's head there's no blood on his sword. See more »

Connections

Featured in Les yeux jaunes des crocodiles (2014) See more »

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User Reviews

 
Songs and tales
1 March 2006 | by (United States) – See all my reviews

The movie starts out pretty uncomfortably, two peasants in 16th century Japan who dream of richness and glory so blindly, they can't even hear the pretty straight-forward protests of their loving wives who try to convince them that their happiness is fine at home. When one, a pottery smith, makes a small bundle selling his wares, they decide to make a much larger batch together and become rich.

Forced out of their homes by an approaching war and uncertain where to go, they take their wares to a thriving market place, where the second peasant's ambition to be a samurai divides them and causes all four characters, the two peasants and their wives, to be separated, all fending for themselves amongst the war and various classes differently.

At this point the film reverses itself and instead of being a pretty skin-deep, tragic bud of greed, it blooms into a beautiful and haunting tale of obsession and illusion. The two main stories of the peasants and their wives are opposite only in their imaged realism, where one peasant falls completely under the curse of an enchanting ghost and the other lies and steals his way to fame, only both of them are eventually knocked down from their own hubris and forced to finally awaken to what their wives have said all along.

It's quite exquisite, this movie, with its long takes and its lack of the usual constructs that make up messages of obsession and greed. Once it gets beyond the small, uncomfortable, claustrophobic world of the peasant's home, it becomes audaciously challenging and mysterious, so that the same small home becomes amazingly wonderful and comforting. The very essence of the movie is breathed into the emotions of the audience in very subtle ways, making a very unforgettable cinematic experience.

--PolarisDiB


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