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Touchez Pas au Grisbi (1954)
"Touchez pas au grisbi" (original title)

 -  Action | Crime | Drama  -  February 1960 (USA)
7.9
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Ratings: 7.9/10 from 3,678 users   Metascore: 85/100
Reviews: 23 user | 33 critic | 8 from Metacritic.com

An aging, world-weary gangster is double-crossed and forced out of retirement when his best friend is kidnapped and their stash of eight stolen gold bars demanded as ransom.

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(novel), (adaptation), 3 more credits »
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Title: Touchez Pas au Grisbi (1954)

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Cast

Cast overview, first billed only:
...
René Dary ...
Dora Doll ...
Vittorio Sanipoli ...
Ramon
Marilyn Buferd ...
Betty (as Marilyn Bufferd)
Gaby Basset ...
Marinette
Paul Barge ...
Eugène (as Barge)
Alain Bouvette ...
Le chauffeur de taxi (as Bouvette)
...
Fifi
Denise Clair ...
Madame Bouche
Angelo Dessy ...
Bastien
Lucilla Solivani ...
Nana, la secrétaire de Pierrot
Michel Jourdan ...
Marco
Paul Oettly ...
Oscar
Jean Riveyre ...
Le portier de l'hôtel Moderna
Edit

Storyline

Max, an old gangster, and his buddy Riton have got away with 50-million francs in gold bars, who think they ought to retire now. But Riton's girl-friend is tired of him, and has a new protector, Angelo, who is the boss of a rival gang. Through her, Angelo learns about his rival's "grisbi" (loot) and plots to get it. So he kidnaps Max's partner. Max asks some of his friends for help but then gets the message he can exchange the money for his partner. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Plot Keywords:

bar | friend | partner | gold bar | rival | See more »


Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Country:

|

Language:

Release Date:

February 1960 (USA)  »

Also Known As:

Grisbi  »

Box Office

Opening Weekend:

$21,674 (USA) (5 September 2003)

Gross:

$95,793 (USA) (17 October 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

René Dary, who was considered as Gabin's worthy successor during the Occupation, played his right-hand man here. See more »

Goofs

When the submachine guns are removed from the wine box, they are Sten Submachine guns. When they are removed from the car after the ambush they are Sten Guns. When they are finally shot at the retreating gangsters, they have become two different models of Thompson Submachine guns, an early civilian model of a Thompson and a military model (M1 or M1A1) of a Thompson. See more »

Quotes

Fifi: [after being thrown out of the car] You leaving me here? How am I gonna get back?
Max: [laconically] Try hunting snails, Daddy-o.
See more »

Connections

Edited into Histoire(s) du cinéma: Une vague nouvelle (1998) See more »

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User Reviews

 
Gangsters In Their Pajamas
12 March 2006 | by (USA) – See all my reviews

For fans of American gangster films, Jacque Becker's TOUCHEZ PAS AU GRISBI may seem like a radical departure from the violence and excess of films like THE GODFATHER and GOODFELLAS. It's a quiet film about quiet men, living out their golden years in a dignified manner. Much of the film is spent watching Max (Jean Gabin) as he dines with friends, cavorts with his mistresses and listens to his favorite tune on his old record player. The amazing thing about the film is that there's never any question that Max can be a dangerous man. There's a famous scene where Max and his long-time partner Riton (Rene Dary) eat pate, set up their sleeping quarters, dress in their pajamas and go to sleep without exchanging a word. There's an amazing, soft tension playing through this entire scene. Riton has screwed up a business deal, as he has done many times in the past, and Max is getting fed up. I was reminded throughout this scene of the famous line from GOODFELLAS about assassins coming as friends. This certainly would have been the right time for Max to whack Riton, if that were what he wanted. But he doesn't, because honor and loyalty are important aspects of Max's life, and he will protect his friend even though their big retirement job may be jeopardized. Max is, quite simply, the least Americanized gangster in film history, and he's a remarkable character. Jean Gabin solidifies his reputation as the greatest French film actor of all time through subtlety, nuance, and natural charisma. The film itself is painted with the rich black-and-white brush strokes of the best film noir, and truly succeeds in transporting the viewer to another place and time. A genuine, under-appreciated masterpiece.


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Max's Cars Michaelroger
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