Bob, a old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
Abel Davis is a criminal, hunted in Italy. The police are closing in, so he and his pal Raymond arrange to flee back to France with Abel's wife, Thérèse, and their two young sons. Abel and ... See full summary »
Arsène Lupin, the multifaceted gentleman thief, steals two masterpieces from the President of the Council. Some time later, posing as Monsieur Gilles, a winegrower who is marrying his only ... See full summary »
Working class couple Antoine and Antoinette dream of a better life. In the midst of constantly fending off the unwanted attention of men, especially the grocer Monsieur Roland, Antoinette ... See full summary »
While Henri Laurent speeds along on the racing circuits, his pretty wife Françoise goes from luxury boutique to luxury boutique with her best friend Denise. One day, Denise lets her know ... See full summary »
Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »
Biographic movie about the last year of the famous Italian painter Modigliani. Modigliani, a poor painter in Paris of 1919, falls in love with a daughter from a wealthy family. Her parents ... See full summary »
Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
Pépé le Moko is a gangster from Paris that hides in Algier's Casbah. In the Casbah, he is safe and is able to elude the police's attempts to capture him. But he misses his freedom, after ... See full summary »
Max, an old gangster, and his buddy Riton have got away with 50-million francs in gold bars, who think they ought to retire now. But Riton's girl-friend is tired of him, and has a new protector, Angelo, who is the boss of a rival gang. Through her, Angelo learns about his rival's "grisbi" (loot) and plots to get it. So he kidnaps Max's partner. Max asks some of his friends for help but then gets the message he can exchange the money for his partner. Written by
Stephan Eichenberg <email@example.com>
Italian censorship visa #17225 delivered on 19 September 1954. See more »
When the submachine guns are removed from the wine box, they are Sten Submachine guns. When they are removed from the car after the ambush they are Sten Guns. When they are finally shot at the retreating gangsters, they have become two different models of Thompson Submachine guns, an early civilian model of a Thompson and a military model (M1 or M1A1) of a Thompson. See more »
[after being thrown out of the car]
You leaving me here? How am I gonna get back?
Try hunting snails, Daddy-o.
See more »
For fans of American gangster films, Jacque Becker's TOUCHEZ PAS AU GRISBI may seem like a radical departure from the violence and excess of films like THE GODFATHER and GOODFELLAS. It's a quiet film about quiet men, living out their golden years in a dignified manner. Much of the film is spent watching Max (Jean Gabin) as he dines with friends, cavorts with his mistresses and listens to his favorite tune on his old record player. The amazing thing about the film is that there's never any question that Max can be a dangerous man. There's a famous scene where Max and his long-time partner Riton (Rene Dary) eat pate, set up their sleeping quarters, dress in their pajamas and go to sleep without exchanging a word. There's an amazing, soft tension playing through this entire scene. Riton has screwed up a business deal, as he has done many times in the past, and Max is getting fed up. I was reminded throughout this scene of the famous line from GOODFELLAS about assassins coming as friends. This certainly would have been the right time for Max to whack Riton, if that were what he wanted. But he doesn't, because honor and loyalty are important aspects of Max's life, and he will protect his friend even though their big retirement job may be jeopardized. Max is, quite simply, the least Americanized gangster in film history, and he's a remarkable character. Jean Gabin solidifies his reputation as the greatest French film actor of all time through subtlety, nuance, and natural charisma. The film itself is painted with the rich black-and-white brush strokes of the best film noir, and truly succeeds in transporting the viewer to another place and time. A genuine, under-appreciated masterpiece.
22 of 24 people found this review helpful.
Was this review helpful to you?