| Amedeo Nazzari | ... | Carlo Guarnieri | |
| Yvonne Sanson | ... | Anna Ferrari | |
| Annibale Betrone | ... | Gaetano Ferrari | |
| Mario Ferrari | ... | L'avvocato Bianchi | |
| Teresa Franchini | ... | Rosina | |
| Tina Lattanzi | ... | Matilde Ferrari | |
| Aldo Nicodemi | ... | Ruffini | |
| Giuditta Rissone | ... | Madre Celeste | |
| Vittorio Sanipoli | ... | Rossi, un socio di Carlo | |
| Roberto Murolo | ... | Enzo Sandri | |
| Rosalia Randazzo | ... | Pinuccia | |
| rest of cast listed alphabetically: | |||
| Rita Livesi | ... | (uncredited) | |
Directed by | |||
| Raffaello Matarazzo | |||
Writing credits | ||
| Aldo De Benedetti | screenplay and dialogue and | |
| Libero Bovio | story & | |
| Gaspare Di Maio | story (as Gaspare Di Majo) | |
| Raffaello Matarazzo | scenario (uncredited) | |
Produced by | |||
| Goffredo Lombardo | .... | producer: Titanus | |
| Raffaello Matarazzo | .... | producer: Labor Films | |
Original Music by | |||
| Gino Campase | (as Gino Campese) | ||
Cinematography by | |||
| Tino Santoni | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Ottavio Scotti | |||
Set Decoration by | |||
| Gino Brosio | |||
Makeup Department | |||
| Anacleto Giustini | .... | makeup artist | |
Production Management | |||
| Giuseppe Bordogni | .... | production manager | |
| Anna Davini | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Rometta Pietrostefani | .... | assistant director | |
| Francesco Rosi | .... | assistant director (as Franco Rosi) | |
Sound Department | |||
| Giulio Panni | .... | sound | |
Camera and Electrical Department | |||
| Enrico Cignitti | .... | camera operator | |
Other crew | |||
| Virginia Genesi Cufaro | .... | laboratories owner: S.A.C.I. (as Virginia Genesi-Cufaro) | |
| Vincenzo Genesi | .... | laboratories owner: Tecnostampa (as V. Genesi) | |
| Lola Braccini | .... | voice dubbing: Teresa Franchini (uncredited) | |
| Emilio Cigoli | .... | voice dubbing: Aldo Nocodemi (uncredited) | |
| Dhia Cristiani | .... | voice dubbing: Yvonne Sanson (uncredited) | |
| Adolfo Geri | .... | voice dubbing: Roberto Rumolo (uncredited) | |
| Lidia Simoneschi | .... | voice dubbing: Giuditta Rissone (uncredited) | |
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| The Best of Youth | The Murder at the Vicarage | The Accusing Finger | Cry Danger | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Anna gets thrown out of her house by her wicked stepmother, her fiancé gets tossed in jail for a murder he didn't commit, she gets pregnant, and her father has a heart attack. And that's just the beginning. Matarazzo puts the "drama" in "melodrama" and at first it's too ridiculous to handle. But then it gets so ridiculous that it's hilarious. And then it gets even more ridiculous and becomes kind of awesome. Some have compared Matarazzo to Sirk, but I see little of that subversive quality here, just pandering (his films were wildly popular in Italy, far more so than neorealism). But it's effective pandering, and you can't help getting invested it, despite -- or perhaps because of -- the absurdity of it all. Yvonne Sanson plays the martyr to the hilt, crying and fainting with all her heart. While I can't say this movie is "good," it is entertaining. I'm cautiously looking forward to the next two in the set, which are supposed to be even more over-the-top.