Overview
Release Date:
23 October 1953 (USA)
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Tagline:
Tough Baby - a wonderful love story with the star of "Sudden Fear" and for the FIRST TIME you'll see her in TECHNICOLOR!
Plot:
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual...
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full synopsis
Awards:
Nominated for Oscar.
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User Comments:
"Art to you is the fruit in the slot machines!"
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Additional Details
Runtime:
90 min
Color:
Color (Technicolor)
Aspect Ratio:
1.75 : 1
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Sound Mix:
Mono (Western Electric Sound System)
Fun Stuff
Trivia:
In her mother's apartment, Jenny Stewart (played by
Joan Crawford) is listening as the phonograph plays one of her greatest hits: "Tenderly" (music by
Walter Gross, lyrics by
Jack Lawrence), which, in reality, was a great hit for
Rosemary Clooney, via her 1952 Columbia single. As Jenny's platter spins, the voice of
India Adams is heard, while Jenny reminisces about her early show-business career to her mother (portrayed
Marjorie Rambeau). In Miss Crawford's own singing voice, she offers phrases of the classic ballad while the record plays.
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Goofs:
Continuity: In the "Two-Faced Woman" song Joan Crawford's character starts out wearing a green dress. At the bottom of the stairs she turns and when the women start beating on the tables, Joan's dress becomes blue.
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Soundtrack:
Blue Moon
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Fruity semi-musical in Technicolor starring Joan Crawford--returning to her old stomping grounds, M-G-M. Crawford didn't make many pictures in color, and she looks great in this, particularly in dark make-up for the Cotton Club-styled number "Two-Faced Woman" (for the capper, Crawford rips off her black wig, her flaming red hair wild underneath). The plot, taken from I.A.R. Wylie's short story "Why Should I Cry?", is pure hokum: tough-as-nails Broadway star drives everyone to the breaking point, but she meets her match in the new rehearsal pianist, a blind war veteran who has harbored a crush on the performer for many years. The scenes of Crawford's tyrannical Jenny Stewart bossing everyone around are a hoot (it resembles a song-and-dance variation on "Harriet Craig"!). Charles Walters ably directed (and also plays a dancer who, perhaps ironically, is brow-beaten by Joan), although he gets serious acting out of Crawford only once, in the film's final scene. She looks every inch the star, smoking furiously and showing lots o' leg, but her dancing barely passes muster and her vocals were dubbed. Still, not bad, with the compensation being some unintentional comedy (noticing the clock in her bedroom is an hour slow, Crawford angrily corrects the time, and then, as if ready to chew the timepiece out, she gives the clock a smirking once-over). Michael Wilding holds his own as the new man in her life, Gig Young has an obtuse role as Crawford's party pal, and Marjorie Rambeau plays Joan's mother of humble means (and received an Oscar nomination!). Some well-handled scenes, and one has to give points to the star for her courage: what other screen icon (besides Bette Davis, of course) would be so brave as to intentionally come across so steely cold? ** from ****