Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ...
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Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough exterior. Written by
MGM's ad campaign for the film erroneously boasted that this was moviegoers' first chance to see Joan Crawford in Technicolor. However, Crawford had appeared in a Technicolor sequence in MGM's The Ice Follies of 1939 (1939), released some 14 years earlier. See more »
In the opening dance sequence Joan Crawford is wearing regular stockings, but in the close up of her leg a very different fish net stocking is shown. See more »
Fruity semi-musical in Technicolor starring Joan Crawford--returning to her old stomping grounds, MGM. Crawford didn't make many pictures in color, and she looks great in this, particularly in dark make-up for the Cotton Club-styled number "Two-Faced Woman" (for the capper, Crawford rips off her black wig, her flaming red hair wild underneath). The plot, taken from I.A.R. Wylie's short story "Why Should I Cry?", is pure hokum: tough-as-nails Broadway star drives everyone to the breaking point, but she meets her match in the new rehearsal pianist, a blind war veteran who has harbored a crush on the performer for many years. The scenes of Crawford's tyrannical Jenny Stewart bossing everyone around are a hoot (it resembles a song-and-dance variation on "Harriet Craig"!). Charles Walters ably directed (and also plays a dancer who, perhaps ironically, is brow-beaten by Joan), although he gets serious acting out of Crawford only once, in the film's final scene. She looks every inch the star, smoking furiously and showing lots o' leg, but her dancing barely passes muster and her vocals were dubbed. Still, not bad, with the compensation being some unintentional comedy (noticing the clock in her bedroom is an hour slow, Crawford angrily corrects the time, and then, as if ready to chew the timepiece out, she gives the clock a smirking once-over). Michael Wilding holds his own as the new man in her life, Gig Young has an obtuse role as Crawford's party pal, and Marjorie Rambeau plays Joan's mother of humble means (and received an Oscar nomination!). Some well-handled scenes, and one has to give points to the star for her courage: what other screen icon (besides Bette Davis, of course) would be so brave as to intentionally come across so steely cold? **1/2 from ****
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