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Torch Song (1953)

 -  Drama | Music | Romance  -  1 October 1953 (USA)
5.3
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Ratings: 5.3/10 from 610 users  
Reviews: 34 user | 11 critic

Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »

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Title: Torch Song (1953)

Torch Song (1953) on IMDb 5.3/10

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Test your knowledge of Torch Song.
Nominated for 1 Oscar. Another 1 win. See more awards »
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Cast

Cast overview:
...
...
Tye Graham
...
Cliff Willard
Marjorie Rambeau ...
Mrs. Stewart
...
Joe Denner (as Henry Morgan)
Dorothy Patrick ...
Martha
James Todd ...
Philip Norton
Eugene Loring ...
Gene, the Dance Director
Paul Guilfoyle ...
Monty Rolfe
Benny Rubin ...
Charles Maylor
Peter Chong ...
Peter
...
Anne
Nancy Gates ...
Celia Stewart
Chris Warfield ...
Chuck Peters
Rudy Render ...
Singer at Party
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Storyline

Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough exterior. Written by Kelly

Plot Summary | Plot Synopsis

Taglines:

Tough Baby - a wonderful love story with the star of "Sudden Fear" and for the FIRST TIME you'll see her in TECHNICOLOR!

Genres:

Drama | Music | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 October 1953 (USA)  »

Also Known As:

Torch Song  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.75 : 1
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Did You Know?

Trivia

The music used for the opening dance sequence between Joan Crawford and Chuck Walters was recycled from the previous MGM film Royal Wedding (1951). It was Fred Astaire's dance music for "You're All the World to Me" (i.e., the "dancing-on-the-walls-and-ceiling" sequence). See more »

Goofs

In an old newspaper review, Ty rhapsodizes about Jenny's performance of the song "Tenderly" which he saw her perform on the night before he was shipped off to WWII (and subsequently blinded). In reality, that tune was not written until 1946, a year after war was over. See more »

Quotes

[first lines]
Jenny Stewart: Hold the record.
See more »

Connections

Featured in Joan Crawford: The Ultimate Movie Star (2002) See more »

Soundtracks

You're All the World to Me
Music by Burton Lane
Lyrics by Alan Jay Lerner
Danced by Joan Crawford and Charles Walters
See more »

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User Reviews

"And spoil that line?"

Sadly out of print, this camp classic is a textbook example of the very worst of 1950's cinema. There's the incredibly saturated Technicolor; the absurd art direction (Joan's oh-so-modern, electronic bedroom, for instance); the sublimely exaggerated wardrobe; and, above all, late-mid-period Joan Crawford, acting, acting, ACTING. By this time, Crawford was already a Hollywood legend; she'd made her debut in 1924, was a top box office draw throughout the 1930's, was considered a has been by the 1940's, and then made a phoenix-like comeback with her Oscar-winning turn in "Mildred Pierce." Since then, her screen persona had hardened into that of the glamorous, ballsy dame--increasingly mannish and emasculating. Where the young Crawford had once been romanced by the likes of Clark Gable, Robert Taylor and Spencer Tracy, this atomic-era Crawford chewed up and spat out her increasingly colorless male foils. In "Torch Song," her unfortunate co-star is the veddy British Michael Wilding (then Mr. Elizabeth Taylor), who plays a blind pianist. (No, really.) Crawford is Jenny Stewart, a huge musical comedy star, who "has the mouth of angel, but the words that come out are pure tramp!" Needless to say, Ms. Stewart makes Helen Lawson look like Mother Teresa. Flashing her huge eyes, shoving cigarettes between her blood-red lips, sashaying about in various glamorous creations, Crawford is the undisputed star of the show. Wilding doesn't stand a chance (poor Gig Young fares even worse--his dissipated, parasitic character is written out halfway through). Crawford and Wilding "meet nasty"--that is to say, she berates him with such gems as "Why don't you get yourself a seeing eye girl!" I won't ruin the ending for you, but suffice to say, it's pure Hollywood soap. Joan even has a poor-folks, plain-speakin' Ma, played by Marjorie Rambeau! Along the way, Joan does several song-and-dance routines designed to show that the 45-year-old star still had a formidable figure. The two most famous are, of course, the notorious "Two Faced Woman," performed, inexplicably, outrageously, appallingly, hysterically, in blackface; and the rehearsal hall scene where Jenny Stewart practically castrates a chorus boy who trips over her leg. "He's paid a very handsome salary to dance AROUND that leg!" she growls. "Torch Song" really exists as an offering on the shrine of Joan Crawford--a big, fat, juicy Technicolor love letter to her glamour and legend. As such, it doesn't get much better than this.


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