An elderly couple journey to Tokyo to visit their children and are confronted by indifference, ingratitude and selfishness. When the parents are packed off to a resort by their impatient children, the film deepens into an unbearably moving meditation on mortality. Written by
Did You Know?
: [movie posters] Ozu pays tribute to his cinematic influences by putting all kinds of film posters all over the wall in his films. In this movie, there are posters in Noriko's workplace (around 36:42 minutes in), Shige's hairdressing salon (57:00) and finally in the bar (1:12:00). Sadly, these films are hard to identify because the posters are obscured by the parts of the background. See more
At timer mark 1:45:46, when the children are visiting their mother at home and leave the room to talk with the father in an adjoining room, just as they sit on the floor, you see the shadow of the boom-mic just drop into the scene and back out again, just over the sons head on the top right of the screen. This shadow is well into the frame against the edge of what appears to be a bookshelf and should not be considered a masking mistake of the projectionist. See more
[at dinner table following Tomi's funeral
Kyoko, did mother still have her summer sash? I'd like it for a keepsake. Is that alright with you? And that linen kimono she used to wear in summer? I want that too. You know where it is? Can you get it out?
Referenced in No Country for Old Men