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Tokyo Story (1953)
"Tôkyô monogatari" (original title)

 -  Drama  -  13 March 1972 (USA)
8.3
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Ratings: 8.3/10 from 20,322 users  
Reviews: 112 user | 121 critic

An old couple visit their children and grandchildren in the city; but the children have little time for them.

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Title: Tokyo Story (1953)

Tokyo Story (1953) on IMDb 8.3/10

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Cast

Cast overview, first billed only:
...
Chieko Higashiyama ...
Tomi Hirayama
...
Noriko Hirayama
Haruko Sugimura ...
Shige Kaneko
...
Koichi Hirayama
Kuniko Miyake ...
Fumiko Hirayama - his wife
Kyôko Kagawa ...
Kyôko Hirayama
Eijirô Tôno ...
Sanpei Numata
Nobuo Nakamura ...
Kurazo Kaneko
Shirô Ôsaka ...
Keizo Hirayama (as Shirô Osaka)
Hisao Toake ...
Osamu Hattori
Teruko Nagaoka ...
Yone Hattori
Mutsuko Sakura ...
Oden-ya no onna
Toyo Takahashi ...
Rinka no saikun (as Toyoko Takahashi)
Tôru Abe ...
Tetsudou-shokuin
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Storyline

An elderly couple journey to Tokyo to visit their children and are confronted by indifference, ingratitude and selfishness. When the parents are packed off to a resort by their impatient children, the film deepens into an unbearably moving meditation on mortality Written by Paul Watabe

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

13 March 1972 (USA)  »

Also Known As:

Tokyo Story  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

American cinema expert Donald Richie took Satyajit Ray to see the film. Ray was overcome with emotion by the end. See more »

Quotes

Kyoko: Isn't life disappointing?
Noriko: [smiles] Yes, it is.
See more »

Connections

References Stagecoach (1939) See more »

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User Reviews

 
beautiful meditation on old age and family; simple and moving
17 June 2002 | by (alphaville) – See all my reviews

I can't take my mind off this movie. The story is both universally human (old age, the end of life, parents and children) and specifically Japanese. The movie tells the viewer so much about Japanese middle class life in the 1950s: eating and sleeping; mourning the war dead; clothes and home furnishings; spoiled kids; a doctor's office; a schoolroom; life in Tokyo and small towns; how family members talk to each other; old men's drinking habits; a resort hotel. But while we see all these details of a real time and place, we are constantly drawn into reflection on the meaning of human life and relationships. The reflection emerges effortlessly from the simple narrative and the specifics. The director never annoyingly tells us how to feel, he is not preaching and not drawing attention to himself. (There is none of that "hey, I'm making a moving movie" crud that you get in Hollywood treatment of these topics). He just lets the story unfold in a quiet, natural way. It's not for folks who only like "action" movies. I put "action" in quotes because this movie is about the real action in life--enjoying life, sharing it with others, facing the end of it.


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