Tokyo Story
(1953)
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Tokyo Story
(1953)
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| Cast overview, first billed only: | |||
| Chishû Ryû | ... | ||
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Chieko Higashiyama | ... |
Tomi Hirayama
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| Setsuko Hara | ... |
Noriko Hirayama
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Haruko Sugimura | ... |
Shige Kaneko
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| Sô Yamamura | ... |
Koichi Hirayama
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Kuniko Miyake | ... |
Fumiko Hirayama - his wife
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Kyôko Kagawa | ... |
Kyôko Hirayama
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Eijirô Tôno | ... |
Sanpei Numata
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Nobuo Nakamura | ... |
Kurazo Kaneko
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Shirô Osaka | ... |
Keizo Hirayama
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Hisao Toake | ... |
Osamu Hattori
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Teruko Nagaoka | ... |
Yone Hattori
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Mutsuko Sakura | ... |
Oden-ya no onna
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Toyo Takahashi | ... |
Rinka no saikun
(as Toyoko Takahashi)
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Tôru Abe | ... |
Tetsudou-shokuin
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An elderly couple journey to Tokyo to visit their children and are confronted by indifference, ingratitude and selfishness. When the parents are packed off to a resort by their impatient children, the film deepens into an unbearably moving meditation on mortality Written by Paul Watabe
Tokyo monogatari (or Tokyo Story) is a very human story. It contains a lot of everyday life which at times can make it difficult to follow since it may feel a little bit slow.
However who is patient gets rewarded. And Ozus way of telling this story is very quiet but effective. The images he produces and the very minimalist camera work creates a rhythm that sucks the viewer in and slowly opens him/her up for the sad but essential ending of this movie.
Ozu never tries to impose his story to the viewer. It looks like he follows his actors very disciplined and calm. This very structured and clear camera-work will alienate many modern moviegoers who are used to much more dynamic images. However lovers of purist cinema and fans of Aki Kaurismaki will probably love it.
Impressing also to see how close the everyday life of Japan in the mid 50s is to the western way of life.