The story of the 1912 sinking of the largest luxury liner ever built, the tragedy that befell over two thousand of the rich and famous as well as of the poor and unknown passengers aboard the doomed ship.
George C. Scott,
On the 100th anniversary of the original voyage, a modern luxury liner christened "Titanic 2," follows the path of its namesake. But when a tsunami hurls an ice berg into the new ship's ... See full summary »
Shane Van Dyke
Shane Van Dyke,
Unhappily married and uncomfortable with life among the British upper crust, Julia Sturges takes her two children and boards the Titanic for America. Her husband Richard also arranges passage on the doomed luxury liner in order to let him have custody of their two children. Their problems soon seem minor when the ship hits an iceberg. Written by
Daniel Bubbeo <email@example.com>
To ensure authenticity, the producers recruited a former captain of the Queen Elizabeth as a technical consultant, and no background music was played during the feature film-the only music heard was that of the musicians aboard the ship. See more »
Throughout the sinking, the list increases and decreases between shots instead of methodically increasing. A port-starboard list is also often shown, when, through flooding at the front, the only noticeable tilt would have been bow-stern. See more »
Mama, you should have protested. It's a really bad table. There's not a person we know at the end of this room.
Be brave Annette. These tragedies happen sometimes in life.
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Just a precaution: If you are expecting a completely accurate historical account of the night with all the scientific details neatly in place, look elsewhere. This film instead focuses (touchingly) on the human drama involved with the ship, with many of the elements of real passengers' accounts rolled into the story of Clifton Webb and wife Barbara Stanwyck (Both excellent; when Isn't Barbara Stanwyck excellent?) and their children. A few real characters are involved, but for the most part the drama surrounding the fictional characters is in the forefront. A beautiful and striking account, the film deserved a few more Oscars than it got, primarily for Miss Stanwyck and a supporting Oscar for Robert Wagner, who does wonderfully in his role.
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