On the 100th anniversary of the original voyage, a modern luxury liner christened "Titanic 2," follows the path of its namesake. But when a tsunami hurls an ice berg into the new ship's ... See full summary »
Shane Van Dyke
Shane Van Dyke,
The story of the 1912 sinking of the largest luxury liner ever built, the tragedy that befell over two thousand of the rich and famous as well as of the poor and unknown passengers aboard the doomed ship.
George C. Scott,
Unhappily married and uncomfortable with life among the British upper crust, Julia Sturges takes her two children and boards the Titanic for America. Her husband Richard also arranges passage on the doomed luxury liner in order to let him have custody of their two children. Their problems soon seem minor when the ship hits an iceberg. Written by
Daniel Bubbeo <email@example.com>
Working titles for this film were "Nearer My God to Thee" and "Passenger List." See more »
The iceberg is shown, correctly, hitting the right (Starboard) side of the ship. But in the underwater shot, we see the iceberg cutting into the Titanic's left (Port) side. See more »
Finish your coffee, Julia. Then, we'll take a little walk around the deck while I tell you what I think of you.
I have no interest in what you have to say, and I'm in no hurry to finish my coffee.
See more »
If you're unfamiliar with Clifton Webb (3 Oscar nominations, 1 Golden Globe award -- all for other work) just think Campbell Scott and you'll not be far off. Webb carries this film. but Ms Stanwyck as his wife, and Robert Wagner and Audrey Dalton as the young couple are all remarkably good. Stanwyck is rarely this on, imhb.
The set up is all about the people, not the ship, and it works because when the iceberg strikes, it's as if we never saw it coming, and now these good folk mean the world to us.
The pacing is superb, and I can assure you that you will wish the film were longer. Never mind the barely adequate sets: they don't slow or offset the action. The B&W photography is strangely modern in the ratio of closeups to long-shots. At least enough of the crowd is constantly moving and filling the screen expertly for us not to notice that the camera is usually stationary.
This film was unusually successful on television. It was one of the first of those shown in the late 50's when the networks began showing prime time full length feature films of fairly recent vintage on weekend nights. It was an event. Who knew television could entertain showing prime time movies?
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