Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
Ricky is released from a mental hospital, and knows exactly what he wants to do. He hunts down Marina, a porn film star he once had sex with, and tries to convince her to be his wife. She ... See full summary »
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry... See full summary »
A quartet of international crooks -- Peterson, O'Hara, Ross and Ravello -- is stranded in Italy while their steamer is being repaired. With them are the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but actually to buy land supposedly loaded with uranium. They are joined by others who apparently have similar designs. Written by
Ed Stephan <email@example.com>
John Huston was star/producer Humphrey Bogart's first choice to direct. However, Huston had some scheduling conflicts - he was due to make a movie with Katharine Hepburn (which was never made, as Hepburn graciously stepped aside to help out Huston), not to mention that he had to finish his then-current project Moulin Rouge (1952). Nicholas Ray, who Bogart had worked with twice before, was considered to direct in case Huston could not finish in time. See more »
Inside the car, Billy has a long lit cigarette in his right hand, but soon after, when he steps down, the cigarette has disappeared. See more »
Most of the reviews of 1953's "Beat the Devil" regard it as a Humphrey Bogart picture. Certainly his company produced it, but it is truly a John Huston film. Huston's legendary dry wit suffuses the whole enterprise from start to finish. Essentially, a comedy of errors, Huston's script, co-authored by Truman Capote, also serves up wry social commentary on a range of subjects from social position to the industrial world's exploitation of Africa, a place near and dear to Huston's heart. Jennifer Jones' prophecy that Africa will become an ugly place with "all those holes," has long since become a reality. A brilliant cast, with Bogie playing his typical world-weary existentialist, spiral avarice and misconception into hilarity; a comic exposition of the proverb, "What a tangled web we weave . . ." Often criticized for being unrealistic, Huston's and Capote's comic script has none-to-funny real parallels in the present day debacles of Enron and WorldCom. In "Beat the Devil," greed and deceit are brilliantly juxtaposed to reveal the ultimate folly of even the most devious criminal enterprise. This is a superior black comedy that plays even better today than it did 52 years ago.
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