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Bill Rogers, an American pilot taking special training in the States, gets an unauthorized hop to England to pay a surprise visit his beautiful Norwegian wife. He is devastated when he finds that she has moved out of their flat and is living a new and glamorous lifestyle entertaining a lot of men. After being knocked unconscious by an unseen assailant in her upscale West End apartment, he awakens to find his wife shot to death with his service pistol. On the run from police he persuades a young woman who runs a Salvation Army soup kitchen to believe in his innocence and help him uncover the real culprit. Although the police do not know as yet that he is in Britain, he has just 36 hours before he is declared AWOL and his identity is exposed. The trail leads to a corrupt customs official, smuggling, blackmail, and a mysterious safety deposit box. Written by
Gabe Taverney (email@example.com)
Sister Jenny Miller:
Hmm, you mean as it stands, they don't know who you are?
Major Bill Rogers:
They don't even know I'm in England, but when they do know, well, I'm trapped, I'm washed up, I'm locked up! That's why I've got less than 36 short hours to clear myself and find who killed Katie and a lot of other things!
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36 hours for Major William Rogers to save his bacon.
Terror Street (AKA: 36 Hours) is directed by Montgomery Tully and written by Steve Fisher. It stars Dan Duryea, Elsy Albiin, Ann Gudrun, John Chandos and Eric Pohlmann. Music is by Ivor Slaney and cinematography by Walter Harvey. Plot finds Duryea as Major William Rogers, who is in London to see his estranged wife. When he arrives at her apartment, he is attacked and knocked unconscious. Upon awakening he finds that his wife has been shot and killed with his own gun. Taking to the streets, Rogers must find the real culprits before the police find and charge him with the murder.
Simple and effective little B crime picture out of Hammer Productions that plays on the wrong man on the run theme. There's the odd little film noir touch here and there on the production side of things (night time wet cobbled streets/Duryea under a street lamp/finale in swinging shadow), which somehow warrants it being part of the Hammer Film Noir Collection, but really it's best to approach this one as purely a race against time drama that is competently acted (though the script rarely allows Duryea chance to brood and be emotionally battered), well paced and a film that retains a good mystery element throughout. Safe viewing and film making really. 6/10
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