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Street Corner (1953) More at IMDbPro »


Overview

User Rating:
6.5/10   25 votes
MOVIEmeter: ?
Up 23% in popularity this week. See why on IMDbPro.
Director:
Writers:
Muriel Box (writer)
Sydney Box (writer)
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Contact:
View company contact information for Both Sides of the Law on IMDbPro.
Release Date:
11 January 1954 (USA) more
Genre:
Plot:
A psuedo-documentary in style with an emphasis on the daily work and routine of women police (Anne Crawford... more | add synopsis
Plot Keywords:
User Reviews:
Absorbing more (1 total)

Cast

  (Cast overview, first billed only)
Peggy Cummins ... Bridget Foster
Terence Morgan ... Ray
Anne Crawford ... Susan
Rosamund John ... Sgt. Pauline Ramsey
Barbara Murray ... WPC Lucy
Sarah Lawson ... Joyce
Ronald Howard ... David Evans
Eleanor Summerfield ... Edna Hurran
Michael Medwin ... Chick Farrar
Anthony Nicholls
Charles Victor ... Muller
Dora Bryan ... Prostitute at Police Station
Eunice Gayson ... Janet
Yvonne Marsh ... Elsa
Isabel George ... Helen
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Additional Details

Also Known As:
Both Sides of the Law (USA)
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Runtime:
USA:94 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
Finland:K-16 | USA:Approved (PCA #16657, Adult Audience) | Sweden:15

Fun Stuff

Movie Connections:
Featured in It Came from Hollywood (1982) more

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12 out of 12 people found the following review useful.
Absorbing, 3 September 2003
7/10
Author: henry-girling from London, England

Directed by one of the few women directors in the 1950s, 'Street Corner' concentrates on several women police officers going about their work. Several negative comments are made by the characters in the film about 'cops in skirts' but the film shows how capable they are. Nothing is mentioned about their home lives, they are people with a job who get on with it. Made in the early fifties it gives a foretaste of the social changes to come. The women policeman are defined by their work not their relationships. Most of the incidents are 'domestic' but there is robbery and violence too in the film.

The film is located in London and it is startling to see in the film early housing estates being used by the characters. It is a cliche in modern British films to have the housing estate as a nexus of crime and poverty. In this film they are look clean and the lifts work. The film has a similar feel to the classic Ealing film 'The Blue Lamp'.

The male actors are bland but the female actors are accomplished British performers, Rosamund John, Barbara Murray, Anne Crawford, Sarah Lawson, Eleanor Summerfield, Peggy Cummins etc. Dora Bryan and Thora Hird are hilarious in bit parts. Films like these from the fifties need re-appraisal as they are more than the sum of their parts. A modest but absorbing film, I'm pleased I picked it up in a sale at a video shop.

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