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The Story of Three Loves (1953)

 -  Drama | Fantasy | Music  -  26 March 1953 (USA)
6.6
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Ratings: 6.6/10 from 615 users  
Reviews: 21 user | 5 critic

An anthology film consisting of three very different stories about love set in Europe and told in flashback.

Writers:

(segment), (adaptation), 6 more credits »
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Title: The Story of Three Loves (1953)

The Story of Three Loves (1953) on IMDb 6.6/10

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Nominated for 1 Oscar. Another 1 nomination. See more awards »
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Edit

Cast

Complete credited cast:
...
Nina Burkhardt (segment "Equilibrium")
...
Mrs. Hazel Pennicott (segment "Mademoiselle")
...
Mademoiselle (segment "Mademoiselle")
...
Pierre Narval (segment "Equilibrium")
...
Thomas Clayton Campbell Jr. (segment "Mademoiselle")
...
Charles Coutray (segment "The Jealous Lover")
...
Paula Woodward (segment "The Jealous Lover")
...
Aunt Lydia (segment "The Jealous Lover")
...
Tommy: aged 11 (segment "Mademoiselle")
...
Flirt at Bar (segment "Mademoiselle")
...
Marcel (segment "Equilibrium")
Rest of cast listed alphabetically:
...
Saleswoman (segment "Mademoiselle") (scenes deleted)
John Pickard ...
Ship's Officer (segment "Equilibrium") (scenes deleted)
...
Ship's Officer (segment "Equilibrium") (scenes deleted)
Edit

Storyline

Three loosely connected love stories. The first story: Paula is a talented dancer who cannot truly live unless she dances. But has a heart condition, which means she cannot live if she does. The second story: Tommy despises his French tutor, and hates being a child. He wants to be an adult so he can do what he wants. He gets his wish, being transformed into a handsome young man for one evening, and learns about whole new side of his French tutor. Third story: Pierre Narval is trapeze artist who gave it up when his partner died doing a dangerous stunt at his bidding. He rescues Nina, a beautiful young woman, after she throws herself into the Seine, and convinces her to become his new aerial partner. Her husband had been killed by the Nazis during the war, and she blames herself. They fall in love, which is tested when Nina must perform the stunt which killed Pierre's former partner. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Dangerous Love. Jealous Love. Forbidden Love.


Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

26 March 1953 (USA)  »

Also Known As:

Equilibrium  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

MGM gave composer Miklos Rozsa only a week's notice to come up with a ballet for Moira Shearer. The composer said the assignment was beyond his range under the circumstances and was asked to provide an alternate piece. He selected Rachmaninoff's "Rhapsody on a Theme by Paganini." See more »

Quotes

Charles Coutray: You are coming up to my studio.
Paula Woodward: Tonight?
Charles Coutray: At once.
Paula Woodward: [after a long pensive pause] I don't think I possibly can.
Charles Coutray: [Annoyed and impatient] I don't know who you are, but, let me tell you, you flatter yourself.
Paula Woodward: Oh, no, I don't.
Charles Coutray: Oh, yes, you do! You're afraid for your virtue, which is in no danger!
See more »

Soundtracks

Sobre las Olas
("Over the Waves") (uncredited)
Originally composed by Juventino P. Rosas (1888)
Adapted as "The Loveliest Night of the Year" in 1950 by Irving Aaronson
Lyrics by Paul Francis Webster
Instrumental version heard under trapeze sequences
See more »

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User Reviews

 
Should have been three movies
10 October 2005 | by (United States) – See all my reviews

Each of the three love stories would have been worthy of a movie to itself. The second, with Leslie Caron, must rate at least a 7 for anyone who enjoys her, but her work in Lili outshines everything else she has done. The third, with Pier Angeli and Kirk Douglas was a treat even for a viewer who does not usually like Kirk Douglas. It rates a 9 on the basis of the marvelous sequences as he teaches Pier Angeli the art of high wire performance. But it is the first, which deserves 11 out of 10, which makes this film a "must see." I know of no other film in which great orchestral music has been treated with such respect and insight. There are long, uninterrupted sequences of the marvelous Moira Shearer dancing to one of Rachmaninoff's fabulous Variations on a Theme of Paganini. The combination is superlative ballet, and superlative interpretation of a great orchestral work of the late romantic school. As icing on the cake, James Mason is the audience of one as she dances, an irascible impresario who is, quite understandably, overwhelmed by the magic of Shearer's performance. The story ends too soon. At full length, with three times the dancing, and a better love story between Shearer and Mason, it would be a movie I might expect to see in Heaven. It makes the whole film easily worth a 9.


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