Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on "Stars and Stripes" when he met Marion and Helen. He would marry and be happy ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
THERE is something uniquely fascinating about a large municipal park, with its natural beauties, its formal arrangements and its array of visitors to be observed. Amid its inducements to ... See full summary »
Vittorio De Sica
Eduardo De Filippo,
Vittorio De Sica,
Anna Maria Ferrero
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision. Written by
I thought you weren't Italian?
Because my mother comes from America, doesn't make me less Italian. In this country, its the men who count. You American women are much too emancipated.
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Very brief "Brief Encounter" re-staging with an Italian milieu...
Cesare Zavattini's slim story "Terminal Station" turned into somewhat-overblown star-vehicle for Jennifer Jones and Montgomery Clift, who manage to create romantic tension despite director Vittorio De Sica's insistence upon an overly-busy background. These indiscreet lovers (she a married housewife from Philadelphia and he the half-Italian professor who adores her) are consistently spied upon by accusing eyes while saying their reluctant farewells in Rome's railway station. De Sica appears to be just as interested in the central couple as he is in the woman's young nephew (Dick Beymer) who simply refuses to leave, happy party groups, another group of serious-faced priests, an elderly Italian and his apples, a pregnant woman, the overachievers on the police force, etc. Told in 'real time', the looming faces of the many clocks (reminding our couple of her impending trip home) become a red herring in the proceedings, which do have intriguing moments in spite of the fact Clift shows no signs of Italian blood (he barely seems to comprehend the language!). Jones, in a tidy Jane Wyman-ish hairdo, ably manages to convey the torn emotions of a woman with a family who has found passion at last, and her performances is certainly worth-seeing. Clift makes a fantastically dramatic exit from a moving train, but otherwise just fills the bill. David O. Selznick production has the requisite gloss, but could have used a bit more fire under its icy exterior. **1/2 from ****
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