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Indiscretion of an American Wife (1953)

Stazione Termini (original title)
Approved | | Drama, Romance | 10 May 1954 (USA)
Prior to leaving by train for Paris, a married American woman tries to break off her affair with a young Italian in Rome's Stazione Termini.

Director:

Writers:

(dialogue), | 2 more credits »
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Nominated for 1 Oscar. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
...
Mary Forbes
...
Giovanni Doria
...
Police commissioner
...
Paul Stevens (as Dick Beymer)
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Storyline

A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision. Written by Snow Leopard

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

|

Language:

| | |

Release Date:

10 May 1954 (USA)  »

Also Known As:

Indiscretion of an American Wife  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

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Quotes

Giovanni Doria: [Angrily to the police] What is this - a zoo? Are we a couple of monkeys or something?
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Connections

Remade as Indiscretion of an American Wife (1998) See more »

Soundtracks

Indiscretion
Written by Paul Weston and Sammy Cahn, from Alessandro Cicognini's score
Sung by Patti Page
Published by Warner Chappell Music, Inc./Cromwell Music Inc./Hanover Music Corp.
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User Reviews

Kill the Music Already
23 September 2012 | by (Louisville, KY) – See all my reviews

Indiscretion of an American Wife (1953)

** (out of 4)

An American wife (Jennifer Jones) needs to leave Italy for Paris but she's having a hard time letting go of her Italian lover (Montgomery Clift). Originally this was released as STAZIONE TERMINI at 89-minutes but when it hit America, the producer chopped it down to just 63-minutes and added this new title. I'm not going to try and review the original since I haven't seen it but I really do hope it's better than this thing here, which is just a boring mess. Again, I have no idea why David O. Selznick decided to cut this movie down and I'm not certain if it helped or hurt it. I can say that this version here is just one big, boring melodrama that thankfully features two good actors or else this would have been a real disaster. I knew I was in trouble early on during a scene where the woman is writing a note, can't finish it and just crumbles it up. This is when the first loud, swelling music happened and this here was a clue that we were just going to get a boring, wannabe tear-jerker. Throughout the movie there were at least a dozen moments where the music would go loud and over-dramatic but I guess they were trying to use the music to make up for the fact that nothing you were watching was dramatic or emotion. This movie is really, really trying to make the viewer feel for these characters but that's pretty much impossible especially when you know so little about them. The majority of the time they just come across as two people who need to get a life. Both Jones and Clift are good in their roles but I'd say that both of them had much better days. I think just knowing how great they are made up for the fact that they weren't given much and I'm not too convinced that Monty was the right person for the role. What's really shocking is that director Vittorio DeSica made the masterpiece UMBERTO D before this thing.


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