Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision. Written by
According to Judith M. Kass in 'The Films of Montgomery Clift', Jennifer Jones developed a crush on Montgomery Clift, but when she found out that he was not inclined toward women, "she reportedly became so overwrought that she stuffed a mink jacket down the toilet of a portable dressing room." See more »
I thought you weren't Italian?
Because my mother comes from America, doesn't make me less Italian. In this country, its the men who count. You American women are much too emancipated.
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This film is full of ironical metaphors. We have a running Joseph and Mary / Adam and Eve biblical subtext. The surface sentimentality can be misleading. Rome Termini Station contains enough iconography of Heaven and Hell to make up an ironic parable. I'm surprised that so many critics have not picked up the clever gags. I suspect that the butchering of the film down to 63 minutes has something to do with it. The serpent and the apple, seeking refuge in the manger, Dante's innocent descending into the purgatory of the police station, two passionate innocents caught up in orthodox role structure, it's all there, if rather clumsily re-edited. The film clearly belongs to an era where film language a la Welles or Hitchcock was more sophisticated than much of today's mainstream cinema.
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