Adriana De Mauro loves Cesar Braggi, but Cesar, honoring his father's dying wish, allows his brother, Antonio, to marry Adriana. As fate wills, Antonio dies in an automobile accident. ... See full summary »
Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly... See full summary »
Vittorio De Sica
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
In the late 1930s, in Ferrara, Italy, the Finzi-Contini are one of the leading families, wealthy, aristocratic, urbane; they are also Jewish. Their adult children, Micol and Alberto, gather... See full summary »
Vittorio De Sica
Three episodes. The refrigerator. A married couple of two poor emigrant workers spend almost all their money to buy a refrigerator (a must in the '70s). The purchase is too expensive for ... See full summary »
A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision. Written by
According to Judith M. Kass in 'The Films of Montgomery Clift', Jennifer Jones developed a crush on Montgomery Clift, but when she found out that he was not inclined toward women, "she reportedly became so overwrought that she stuffed a mink jacket down the toilet of a portable dressing room." See more »
[Angrily to the police]
What is this - a zoo? Are we a couple of monkeys or something?
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This is such a contained, focused film, and demands so much of its two actors, every little nuance matters in a kind of exciting dramatic way. The closest thing this compares to, as two lovers or would be lovers talk in a train station, is Brief Encounter (1945), and that's a masterpiece of acting and cinema both.
Here, with Montgomery Clift and Jennifer Jones, it comes close. I found the slowness of it magical, and the filming, in the ultra modern station, very beautiful. If director Vittoria De Sica clearly has a different style than David Lean (though both pile on the romanticism), the effect is still one of longing and loneliness. The weakness here, most of all, is simply the writing, which is so important when two people are sitting around in conversation most of the time.
Oddly, and sadly, it was the producer (Selznick) who got in the way. He was married to Jones at the time, and she was unhappy both during the filming and in her marriage. She also seems to be overacting sometimes--she can be marvelous, and nuance magnified might be exactly what was needed, but it often seems distracting. Clift, for his part, liked De Sica and he did what he could with what he had to work with under the director. It was Selznick who interfered with De Sica, and who altered the script using a series of screenwriters, and even though Truman Capote was one of them, the whole thing was hampered.
The fact it is still a marvelous film is something to wonder at. Flawed, yes, but short and intense and it has a special feeling that Hollywood (and British counterparts) were unable to pull off. The whole atmosphere and mood are enough alone to make it worthwhile.
I saw the short version, and I think it's probably plenty, but if you find the original, with 20 minutes extra, and you like this one, give it a try.
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