Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision. Written by
According to Judith M. Kass in 'The Films of Montgomery Clift', Jennifer Jones developed a crush on Montgomery Clift, but when she found out that he was not inclined toward women, "she reportedly became so overwrought that she stuffed a mink jacket down the toilet of a portable dressing room." See more »
[Angrily to the police]
What is this - a zoo? Are we a couple of monkeys or something?
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An American wife (Jennifer Jones) needs to leave Italy for Paris but she's having a hard time letting go of her Italian lover (Montgomery Clift). Originally this was released as STAZIONE TERMINI at 89-minutes but when it hit America, the producer chopped it down to just 63-minutes and added this new title. I'm not going to try and review the original since I haven't seen it but I really do hope it's better than this thing here, which is just a boring mess. Again, I have no idea why David O. Selznick decided to cut this movie down and I'm not certain if it helped or hurt it. I can say that this version here is just one big, boring melodrama that thankfully features two good actors or else this would have been a real disaster. I knew I was in trouble early on during a scene where the woman is writing a note, can't finish it and just crumbles it up. This is when the first loud, swelling music happened and this here was a clue that we were just going to get a boring, wannabe tear-jerker. Throughout the movie there were at least a dozen moments where the music would go loud and over-dramatic but I guess they were trying to use the music to make up for the fact that nothing you were watching was dramatic or emotion. This movie is really, really trying to make the viewer feel for these characters but that's pretty much impossible especially when you know so little about them. The majority of the time they just come across as two people who need to get a life. Both Jones and Clift are good in their roles but I'd say that both of them had much better days. I think just knowing how great they are made up for the fact that they weren't given much and I'm not too convinced that Monty was the right person for the role. What's really shocking is that director Vittorio DeSica made the masterpiece UMBERTO D before this thing.
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