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Indiscretion of an American Wife (1953)
"Stazione Termini" (original title)

 -  Drama | Romance  -  10 May 1954 (USA)
6.4
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Ratings: 6.4/10 from 1,396 users  
Reviews: 33 user | 12 critic

Prior to leaving by train for Paris, a married American woman tries to break off her affair with a young Italian in Rome's Stazione Termini.

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(dialogue), , 3 more credits »
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Title: Indiscretion of an American Wife (1953)

Indiscretion of an American Wife (1953) on IMDb 6.4/10

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Nominated for 1 Oscar. Another 1 nomination. See more awards »
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Cast

Complete credited cast:
...
Mary Forbes
...
Giovanni Doria
Gino Cervi ...
Police commissioner
...
Paul (as Dick Beymer)
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Storyline

A married American woman has gotten involved with another man while visiting relatives in Rome. She decides that the time has come to break off the relationship, and she makes plans to return home to her husband. But she soon realizes that she is not at all sure about what she wants to do, and she continues to agonize over her decision. Written by Snow Leopard

Plot Summary | Plot Synopsis

Plot Keywords:

affair | train | cafe | tourist | housewife | See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

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Language:

| |

Release Date:

10 May 1954 (USA)  »

Also Known As:

Indiscretion of an American Wife  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A short, "Autumn in Rome," was supervised by Selznick as a prologue to "Indiscretions" to supplement the feature's brief 63 minute running time. See more »

Quotes

Giovanni Doria: [Angrily to the police] What is this - a zoo? Are we a couple of monkeys or something?
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Connections

Referenced in Biography: Jennifer Jones: Portrait of a Lady (2001) See more »

Soundtracks

Indiscretion
Written by Paul Weston and Sammy Cahn
Sung by Patti Page
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User Reviews

 
A Clever Allegory
8 January 2009 | by (Germany) – See all my reviews

This film is full of ironical metaphors. We have a running Joseph and Mary / Adam and Eve biblical subtext. The surface sentimentality can be misleading. Rome Termini Station contains enough iconography of Heaven and Hell to make up an ironic parable. I'm surprised that so many critics have not picked up the clever gags. I suspect that the butchering of the film down to 63 minutes has something to do with it. The serpent and the apple, seeking refuge in the manger, Dante's innocent descending into the purgatory of the police station, two passionate innocents caught up in orthodox role structure, it's all there, if rather clumsily re-edited. The film clearly belongs to an era where film language a la Welles or Hitchcock was more sophisticated than much of today's mainstream cinema.


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