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Stazione Termini (1953)
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Overview
User Rating:
Director:
Writers:
Release Date:
10 May 1954 (USA)
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Plot:
A married American woman has gotten involved with another man while visiting relatives in Rome. She...
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| full synopsis
Plot Keywords:
Rome Italy
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Tourist
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Lover
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Restaurant
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Beautiful Woman
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Awards:
Nominated for Oscar.
Another 1 nomination
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User Comments:
A Clever Allegory
more (23 total)
Cast
(Complete credited cast)| Jennifer Jones | ... | Mary Forbes | |
| Montgomery Clift | ... | Giovanni Doria | |
| Gino Cervi | ... | Police commissioner | |
| Richard Beymer | ... | Paul (as Dick Beymer) |
Additional Details
Also Known As:
Indiscretion (UK)
Indiscretion of an American Wife (USA)
Station Terminus (International: English title)
Terminal Station
Terminal Station Indiscretion (International: English title)
Terminus Station (International: English title)
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Indiscretion of an American Wife (USA)
Station Terminus (International: English title)
Terminal Station
Terminal Station Indiscretion (International: English title)
Terminus Station (International: English title)
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Parents Guide:
Runtime:
90 min | USA:63 min
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
Certification:
Canada:PG (Ontario) |
Finland:S |
Spain:18 |
Sweden:Btl |
UK:A (original rating) |
UK:U (video rating) (1996) |
USA:Approved (PCA #16463, General Audience) |
West Germany:16
Filming Locations:
Company:
Fun Stuff
Trivia:
Film debut of Richard Beymer,
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Movie Connections:
Referenced in "Biography: Jennifer Jones: Portrait of a Lady" (2001)
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Soundtrack:
Indiscretion
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FAQ
This FAQ is empty. Add the first question.more (23 total)
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |

This film is full of ironical metaphors. We have a running Joseph and Mary / Adam and Eve biblical subtext. The surface sentimentality can be misleading. Rome Termini Station contains enough iconography of Heaven and Hell to make up an ironic parable. I'm surprised that so many critics have not picked up the clever gags. I suspect that the butchering of the film down to 63 minutes has something to do with it. The serpent and the apple, seeking refuge in the manger, Dante's innocent descending into the purgatory of the police station, two passionate innocents caught up in orthodox role structure, it's all there, if rather clumsily re-edited. The film clearly belongs to an era where film language a la Welles or Hitchcock was more sophisticated than much of today's mainstream cinema.