Fifteen-year-old Katri Walenska jumps a Polish ship, swims ashore and enters New York illegally. The United States Immigration officials are alerted---the USA still had a functioning ... See full summary »
Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Fifteen-year-old Katri Walenska jumps a Polish ship, swims ashore and enters New York illegally. The United States Immigration officials are alerted---the USA still had a functioning immigration policy and department when this was filmed---and the search is on. Katri's only possessions are a ten-dollar bill and a letter to her parents' old friend, Jan Poldi, a former Metropolitan Opera star. She finds him in a shabby Greenwich Village apartment. His neighbors in the apartment house are three Broadway hopefuls; pop singer Terry Brennan, hoofer Buddy Fraser and Homer Tirdell and his talented dog Red Dust. (Pardon me, make that four Broadway hopefuls counting the dog.) When Terry hears Katri's magnificent singing voice, she scurries around New York to get her an audition and succeeds in getting her a spot on Don Wilson's televised amateur hour. She wins the contest but unwittingly reveals her true identity as an illegal alien, which causes the arrest of Poldi, Wilson and Dave, Terry's ... Written by
Les Adams <firstname.lastname@example.org>
A most enjoyable film, all the stars are on great form, especially Melchior singing Vesti La Giubba from Pagliacci
I saw this film in my early teens, I can not remember all the details of the film but I remember Anna Maria Alberghetti, Rosemary Clooney and Lauritz Melchior playing outstanding parts. At about the same time I saw Tonight We Sing with Jan Peerce and Ezio Pinza. These two films started me on the road to operatic record collecting and I await patiently for them to be issued on VHS or DVD.
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