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Stalag 17 (1953)

 -  Comedy | Drama | War  -  10 August 1953 (Brazil)
8.1
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Ratings: 8.1/10 from 39,363 users  
Reviews: 133 user | 72 critic

When two escaping American World War II prisoners are killed, the German POW camp barracks black marketeer, J.J. Sefton, is suspected of being an informer.

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Title: Stalag 17 (1953)

Stalag 17 (1953) on IMDb 8.1/10

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Top 250 #243 | Won 1 Oscar. Another 2 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Don Taylor ...
...
...
Sgt. Stanislaus 'Animal' Kuzawa
...
Sgt. Harry Shapiro
...
...
Sgt. Frank Price
...
Duke
Sig Ruman ...
Michael Moore ...
Sgt. Manfredi
Peter Baldwin ...
Sgt. Johnson
Robinson Stone ...
Joey
Robert Shawley ...
Sgt. 'Blondie' Peterson
William Pierson ...
...
Sgt. Clarence Harvey 'Cookie' Cook (as Gil Stratton Jr.)
Edit

Storyline

It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and a mob mentality takes root, it becomes obvious that Sefton will have to find the real snitch if he is to have any peace and avoid the beatings Duke and ... Written by garykmcd

Plot Summary | Plot Synopsis

Plot Keywords:

barracks | escape | spy | guard | security | See All (55) »

Taglines:

Hilarious, heart-tugging! You'll laugh...you'll cry...you'll cheer William Holden in his great Academy Award role! (from reissue print ad)

Genres:

Comedy | Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

10 August 1953 (Brazil)  »

Also Known As:

Infierno en la tierra  »

Box Office

Budget:

$1,661,530 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The authors of Stalag 17 sued the creators of the TV series Hogan's Heroes (1965) for plagiarism, as they had submitted a proposal for a TV show based on their play in 1963 to CBS. The case was closed with an undisclosed settlement. See more »

Goofs

Just before Sefton reveals the spy, he throws an open jackknife onto the table and says, "Here's the knife to do it with. Only make sure you got the right throat." The knife quivers and barely sticks in the table. Shortly after, the knife is stuck firmly in the table, more upright. See more »

Quotes

Geneva man: [a Red Cross official is inspecting the camp just after Sefton was beaten on suspicion being an enemy informant. The official sees his injuries] What happened to you? Were you beaten?
[Sefton doesn't answer]
Geneva man: Why don't you answer?
[to the German officer escorting him]
Geneva man: What did you do to this man?
Sefton: They didn't do nothing.
Geneva man: Who beat you?
Sefton: Nobody beat me. We were playing pinochle. It's a rough game.
See more »

Connections

References Trader Horn (1931) See more »

Soundtracks

I Love You (Je t'aime)
(1923) (uncredited)
Music by Harry Archer
Lyrics by Harlan Thompson
Played on a record and sung by Ross Bagdasarian
Played also as dance music
Sung a bit by Robert Strauss
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Nobody has ever escaped from Stalag 17. Not alive, anyway."
17 February 2008 | by (Australia) – See all my reviews

Director Billy Wilder was certainly no stranger to the horrors of World War Two. He was born in Austria-Hungary {now Poland} in 1906, but moved to Berlin to begin a career in movies. However, following the rise of Adolf Hitler, Wilder – being Jewish – fled for Paris and then the United States. His mother, grandmother and stepfather died at the Auschwitz concentration camp. As such, I think it'd be safe to presume that Wilder housed a considerable hatred towards Nazis, which makes his POW-picture, 'Stalag 17 (1953),' all the more remarkable. Whereas the film might have developed into a bleak, depressing drama, the screenplay by Wilder and Edwin Blum {adapted from a play by Donald Bevan and Edmund Trzcinski} effortlessly blends drama and comedy, clearing the path for other similarly-themed war-time films {David Lean's 'The Bridge on the River Kwai (1957)' and John Sturges' 'The Great Escape (1963)'} and even TV series {'Hogan's Heroes (1965-1971)' clearly used Wilder's film as a template – including an identical Sgt. Schulz – despite a failed court case in which producers sued for infringement}.

The year is 1944, in the week before Christmas. Stalag 17, a Nazi prisoner-of-war camp, is situated somewhere along the Danube River, and hundreds of captured Allied sergeants have been imprisoned there. The Americans of Barrack 4 endure a dull, deprived lifestyle, with each day consisting of unwholesome meals, tedious labour and uncomfortable living conditions. Displaying that typical American cleverness and resourcefulness, many of the prisoners have banded together to ensure themselves a few added luxuries – such a makeshift radio to listen to the latest war news – and to build an effective escape tunnel beneath the camp. However, it soon becomes apparent that there is a Nazi spy within their midst. After two escaping prisoners are immediately shot down, and their escape passage is inexplicably discovered, the men turn their suspicions towards J.J. Sefton (William Holden), a selfish and arrogant prisoner with a dog-eat-dog mentality that sees him openly bribing the German guards for luxuries. An unsympathetic character, one who nonetheless exhibits a certain streak of integrity, Sefton decides to uncover the true traitor of Barrack 4.

Though he was reluctant to play such an unlikable character, Holden won the Best Actor Oscar for his powerful performance {via the second-shortest acceptance speech in Academy Awards history – a simple "thank you"}. The other actors in the film also create distinct and likable personalities, and I particularly enjoyed the big, oafish Animal (Robert Strauss) and Shapiro (Harvey Lembeck). Goodness knows what compelled the writers to make Sgt. Schulz (Sig Ruman), a loathsome tyrant in any other film, a jolly and hearty buffoon, but it works absolutely perfectly, his character's incompetence best highlighted in the sequence where he is distracted into playing volleyball, and enjoys the game so much that he hands his loaded weapon to the nearest POW. As Sefton attempts to uncover which fellow prisoner is leaving secret messages for their Nazis captors, Wilder intersperses the drama with an episodic flow of comedic situations, placing particularly emphasis on the means by which prisoners will alleviate their desire for the opposite sex. A hilarious sequence sees the drunken Animal mistaking his dressed-up bunk-mate for the cinema beauty Betty Grable, of whom he has an undying obsession.


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