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Stalag 17 (1953)

 -  Comedy | Drama | War  -  10 August 1953 (Brazil)
8.1
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Ratings: 8.1/10 from 38,577 users  
Reviews: 134 user | 72 critic

When two escaping American World War II prisoners are killed, the German POW camp barracks black marketeer, J.J. Sefton, is suspected of being an informer.

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Title: Stalag 17 (1953)

Stalag 17 (1953) on IMDb 8.1/10

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Top 250 #241 | Won 1 Oscar. Another 2 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Don Taylor ...
...
...
Sgt. Stanislaus 'Animal' Kuzawa
...
Sgt. Harry Shapiro
...
...
Sgt. Frank Price
...
Duke
Sig Ruman ...
Michael Moore ...
Sgt. Manfredi
Peter Baldwin ...
Sgt. Johnson
Robinson Stone ...
Joey
Robert Shawley ...
Sgt. 'Blondie' Peterson
William Pierson ...
...
Sgt. Clarence Harvey 'Cookie' Cook (as Gil Stratton Jr.)
Edit

Storyline

It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and a mob mentality takes root, it becomes obvious that Sefton will have to find the real snitch if he is to have any peace and avoid the beatings Duke and ... Written by garykmcd

Plot Summary | Plot Synopsis

Plot Keywords:

barracks | escape | spy | guard | security | See All (55) »

Taglines:

Hilarious, heart-tugging! You'll laugh...you'll cry...you'll cheer William Holden in his great Academy Award role! (from reissue print ad)

Genres:

Comedy | Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

10 August 1953 (Brazil)  »

Also Known As:

Infierno en la tierra  »

Box Office

Budget:

$1,661,530 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Edmund Trzcinski:  the P.O.W. who receives what is obviously (to everyone but him) a "Dear John" letter. See more »

Goofs

The length of the lamp cord for the mailbox signal changes in many scenes. When we see it "knotted" and Shultz pulls it down the first time it sets less than a foot over the table. Then in another scene it is hung closer to 3 feet over the same table. The next mail drop it again pulls down very close to the table. Then after the information about the "time bomb" is delivered it now hangs higher again. See more »

Quotes

[the new arrival does impressions of movie stars]
Animal: Hey... do Grable.
Bagradian: Now see here, Scarlett... I'm crazy about you and always have been. I gave you kisses for breakfast, kisses for lunch, and kisses for supper... and now I find that you're eating out.
Animal: Not Gable - GRABLE.
See more »

Connections

Featured in Billy Wilder Speaks (2006) See more »

Soundtracks

Jingle Bells
(1857) (uncredited)
Music by James Pierpont
Hummed by a prisoner
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Absorbing & Very Entertaining
16 September 2004 | by (Ohio) – See all my reviews

This absorbing and very entertaining movie creates a believable and interesting cast of characters, puts them into an intriguing story, and uses its settings, props, and other resources very creatively. It is a fine combination of drama and comic relief that stands up very well against anything else of its type. The setting and atmosphere are quite believable, and they make it easy to enter the characters' world.

The opening sequence sets up everything nicely, with most of POW's helping two of the prisoners in an escape attempt, while William Holden as the cynical Sefton separates himself from the rest. Sefton is interesting enough as it is, a man who simply by remaining true to his nature cannot help arousing suspicion and antagonism, and Holden was quite a good choice to play him. The story builds up nicely, with developments coming at a careful pace, and some good stretches of lighter material.

There are numerous interesting characters and good performances among the other prisoners, and in particular Robert Strauss and Harvey Lembeck steal more than one scene with their antics which, though goofy, are also an appropriate complement to the main plot and the setting. The German characters are more stylized, but both Sig Ruman and Otto Preminger make them come to life, and help them fit in seamlessly with the others.

Billy Wilder's direction and the photography also deserve praise. Besides the way that each sequence fits together so nicely with the others, there are several individual scenes and shots that are done in an impressive fashion - not flashy, but creative and thoughtful. The scene with Holden lying on his cot while most of the others sing and celebrate is one particularly good example. There is a wealth of good material throughout, making "Stalag 17" a classic that has lost nothing over the years, and one that can be seen and enjoyed several times.


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