After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and a mob mentality takes root, it becomes obvious that Sefton will have to find the real snitch if he is to have any peace and avoid the beatings Duke and ... Written by
Billy Wilder filmed the movie at a studio-owned ranch in Agoura Hills, California. He wore his best shoes and made sure cast and crew saw him with those shoes on in the mud. Wilder felt he could not ask his co-workers to work in the mud unless they saw him do the same. See more »
When William Holden's character is laying on his bed on his back and first notices the swinging light bulb's shadow near his feet, the next scene shows the light from his bunk and there is no light source behind the swinging light that could have cast that shadow. See more »
[Sefton is cooking an egg]
Where'd it come from?
From a chicken, bug-wit.
See more »
When Johnny Comes Marching Home
Written by Louis Lambert
Played during the opening credits
Played on a record and sung by the prisoners of war
Whistled a bit by Gil Stratton at the end See more »
Despite the fact that this movie got made 10 years before the WW II POW classic "The Great Escape", the movie is still known as the 'other' WW II POW movie. While I do admit that "The Great Escpae" is still a better movie than this one ("The Great Escape" is probably one of my favorite all time movies) this movie is a great and classic one as well.
Just like "The Great Escape", the movie knows to create a perfect balance between its drama and comedy. This movie could easily been turned into a heavy war drama but instead a more light approach gets picked, without loosing any of its serious and more dramatic power. It makes the movie entertaining as well as effectively powerful. It can be assumed that "The Great Escape" and its style got inspired by this movie.
The movie is a 'great' portrayal of the lives of American officer POW's, in a German stalag. They try to make the best of it, with very limited resources. Every small thing and things that are out of the ordinary are the things that make them go through their days and is what's keeping them alive. The first halve of the movie isn't even about the William Holden character and he is just one of the boys. It isn't after about halve way through the movie that the story takes to take shape and the main plot of the movie becomes obvious. In advance you would just expect from this movie to be one about POW's trying to escape. But the story is way better written and layered than that though.
But it above all things is also a very well made and especially directed one, by 6 time Academy Award winner Billy Wilder. He also received a directing nomination for this movie. It's a '50's movie but it doesn't feel like one. The movie seems to be ahead of its time with its story handling, directing and just overall style of film-making. The camera-work is especially great and worth mentioning.
William Holden does a great job at portraying a complicated character. At first you just don't know what to think of him and he isn't a very likable character but he slowly turns into a strong and more important character, that starts doing the right thing. Holden also actually won an Oscar for his role in this movie, despite the fact that he never really wanted to do this movie. It was the only Oscar he ever got, which makes it quite ironic.
A great powerful, entertaining classic, which was truly ahead of its time.
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