Mel Lynch and his aide 'Remorse' Rumson are wheeler dealer managers for big band leader Tod Weaver. They finally get him into the big time but then must deal with competing singers Gale Starr and Lorna Wray.
An elevator operator in a swanky apartment building falls in love with a homeless girl who sneaks in one night looking for a place to keep warm. In order to keep her near him, he wangles a job for her as a maid at the building.
Patricia O'Grady is the daughter of Irish Vaudeville performer, Rosie O'Grady, and is being raised along with her sisters by her father who believes the Vaudeville life contributed to his ... See full summary »
Noted writer Kenneth Bixby, in love with his witty secretary Anne Rogers, nevertheless agrees to a tete-a-tete with a former college fling, loopy Danish girl Julie who is married to ... See full summary »
A nervous woman-shy office clerk, already troubled by an amorous female co-worker, suddenly has to deal with a very forward and attractive young woman who has sneaked into his apartment - and doesn't want to leave.
Edward Everett Horton,
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The Clements father and son live by the generosity of rich women. Max, the son, sets his sites on Lady Joan, who is rich, but down-to-earth and charming. At her house he meets Rosine Brown,... See full summary »
Kathryn Grayson portrays singer Grace Moore in "So This is Love," a 1953 musical biography. Merv Griffin, of all people, plays one of her suitors. The film also features Douglas Dick, Jeff Donnell, Joan Weldon, Walter Abel, Ann Doran, and Rosemary DeCamp.
As pointed out in other reviews, this is a small part of Moore's story, concerning her early life and her efforts to become an opera star. The film also shows her Broadway success, but fails to show that she introduced the song "What'll I Do." And it completely leaves out her film career, which went from 1930 to 1939.
Moore was a lyric soprano and strongly tied to French repertoire, specifically Manon and Louise, as well as La Boheme; eventually she went into more spinto repertoire with Tosca. In films, she sang arias from Madama Butterfly and "Casta Diva" from Norma. All of which is to say that she and coloratura Kathryn Grayson did not share much repertoire. The music performed in the film, therefore, is more suited to Grayson's voice.
Kathryn Grayson does a lovely job as Moore. She's very pretty and her voice is in good shape as the ambitious singer Moore, and she's effective in the musical comedy numbers as well as the operatic ones. I don't know that her singing of "Mi chiamano Mimi" would have garnered her a standing ovation from a Metropolitan Opera audience, but the aria was put into the film as Mimi was Moore's Met debut. It's not really right for Grayson's voice.
Moore died in a plane crash in 1947, and I can't imagine a biopic today leaving that out. This film concentrates on music and the driving ambition of a young girl determined to make it on the opera stage. On that basis, it's entertaining.
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