We, the Women (1953)
"Siamo donne" (original title)

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Five portraits of actresses in their "common" life, seen as women rather than movie stars.


(idea), (segment), 9 more credits »
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Cast overview:
Ingrid (segment "Ingrid Bergman")
Anna (segment "Anna Magnani")
Isa (segment "Isa Miranda")
Alida (segment "Alida Valli")
Anna Amendola ...
Anna (segment "Concorso 4 Attrici 1 Speranza")
Emma Danieli ...
Emma (segment "Concorso 4 Attrici 1 Speranza")
Cristina Doria ...
Cristina (segment "Concorso 4 Attrici 1 Speranza")
Cristina Fantoni ...
Cristina (segment "Concorso 4 Attrici 1 Speranza") (as Cristina Fanton)
Madeleine Fischer ...
Madeleine (segment "Concorso 4 Attrici 1 Speranza") (as Madeleine Fisher)
Cristina Grado ...
Cristina (segment "Concorso 4 Attrici 1 Speranza") (as Maria Cristina Grado)
Maria Grazia Jacomelli ...
Maria Grazia (segment "Concorso 4 Attrici 1 Speranza")
Donatella Marrosu ...
Donatella (segment "Concorso 4 Attrici 1 Speranza")
Gina Mellucci ...
Gina (segment "Concorso 4 Attrici 1 Speranza")
Mara Todisco ...
Mara (segment "Concorso 4 Attrici 1 Speranza")


Five portraits of actresses in their "common" life, seen as women rather than movie stars.

Plot Summary | Add Synopsis




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Release Date:

22 October 1953 (Italy)  »

Also Known As:

Of Life and Love  »

Company Credits

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Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


The segment "Anna Magnani" was shown separately in the United States: it was included as a coda during the 1958 theatrical release of another episodic feature, Of Life and Love (1954). See more »


References Piccolo mondo antico (1941) See more »


Com'è bello fa' l'amore quann'è sera
Performed by Anna Magnani
See more »

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User Reviews

Four Great Ladies, Four So-So Ideas
3 February 2004 | by (Edinburgh, Scotland) – See all my reviews

A real curio, this one. Four famous actresses play themselves in four sketches, each one based (allegedly) on an incident from her own life. Mind you, only a saint or a masochist would have the patience to sit through the first part, directed by producer Alfredo Guarini - where two unknown girls go for screen test at Cinecitta Studios in Rome. Don't worry, this is family entertainment, so no unseemly fumbling about on casting couches for these two.

It does pick up considerably once the divas appear. Alida Valli goes to an engagement party for her humble masseuse, and is taken aback when the other guests treat her 'like a star' - and she herself feels a forbidden attraction to the girl's future husband. Ingrid Bergman engages in a war of nerves with a recalcitrant chicken. (No, I'm not joking!) Isa Miranda drives an injured boy to hospital, and regrets having no children of her own. Anna Magnani rages at a taxi driver who dares charge extra for her toy dog. At the end, she goes onstage and sings. Divinely.

Like any film made up of sketches, Siamo Donne is wildly uneven. The Bergman and Miranda episodes are wafer-thin, and seem overlong even at 15 to 20 minutes. Valli's is beautifully observed, and directed with great sensitivity by Gianni Franciolini. The Magnani sketch may be a one-woman show, but director Luchino Visconti still contrives to show lots of pretty young men posing about in uniform. Good to know some things never change.

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