In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
Sandra comes back to Volterra, in Tuscany, the little town where she spent her childhood. She is with her American husband, Andrew. She wishes to pay homage to her father who died in ... See full summary »
Gino, a young and handsome tramp, stops in a small roadside inn run by Giovanna. She is unsatisfied with her older husband Bragana : she only married him for money. Gino and Giovanna fall ... See full summary »
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
The world famous violinist Holger Brandt comes back to his family after a tour. He and his wife have been married for many years, but their love has gone. Their young daughter gets a new ... See full summary »
Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the ... See full summary »
Documentary on Luchino Visconti's travels and auditions in search for a young actor to portray the role of Tadzio in his adaptation of Thomas Mann's novella "Death in Venice", finally choosing Swedish actor Björn Andrésen.
A French/Italian co-production with two episodes from Italy and five from France covering the seven deadly sins---actually eight as two of the sins are covered in one episode while a new "... See full summary »
A real curio, this one. Four famous actresses play themselves in four sketches, each one based (allegedly) on an incident from her own life. Mind you, only a saint or a masochist would have the patience to sit through the first part, directed by producer Alfredo Guarini - where two unknown girls go for screen test at Cinecitta Studios in Rome. Don't worry, this is family entertainment, so no unseemly fumbling about on casting couches for these two.
It does pick up considerably once the divas appear. Alida Valli goes to an engagement party for her humble masseuse, and is taken aback when the other guests treat her 'like a star' - and she herself feels a forbidden attraction to the girl's future husband. Ingrid Bergman engages in a war of nerves with a recalcitrant chicken. (No, I'm not joking!) Isa Miranda drives an injured boy to hospital, and regrets having no children of her own. Anna Magnani rages at a taxi driver who dares charge extra for her toy dog. At the end, she goes onstage and sings. Divinely.
Like any film made up of sketches, Siamo Donne is wildly uneven. The Bergman and Miranda episodes are wafer-thin, and seem overlong even at 15 to 20 minutes. Valli's is beautifully observed, and directed with great sensitivity by Gianni Franciolini. The Magnani sketch may be a one-woman show, but director Luchino Visconti still contrives to show lots of pretty young men posing about in uniform. Good to know some things never change.
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