| Photos (See all 22 | slideshow) |
| Alan Ladd | ... | Shane | |
| Jean Arthur | ... | Marian Starrett | |
| Van Heflin | ... | Joe Starrett | |
| Brandon De Wilde | ... | Joey Starrett | |
| Jack Palance | ... | Jack Wilson (as Walter Jack Palance) | |
| Ben Johnson | ... | Chris Calloway | |
| Edgar Buchanan | ... | Fred Lewis | |
| Emile Meyer | ... | Rufus Ryker | |
| Elisha Cook Jr. | ... | Stonewall Torrey | |
| Douglas Spencer | ... | Axel 'Swede' Shipstead | |
| John Dierkes | ... | Morgan Ryker | |
| Ellen Corby | ... | Mrs. Liz Torrey | |
| Paul McVey | ... | Sam Grafton | |
| John Miller | ... | Will Atkey - Bartender | |
| Edith Evanson | ... | Mrs. Shipstead | |
| Leonard Strong | ... | Ernie Wright | |
| Ray Spiker | ... | Axel Johnson - Homesteader | |
| Janice Carroll | ... | Susan Lewis | |
| Martin Mason | ... | Ed Howells | |
| Helen Brown | ... | Martha Lewis | |
| Nancy Kulp | ... | Mrs. Howells | |
| rest of cast listed alphabetically: | |||
| Ewing Miles Brown | ... | Ryker Man (uncredited) | |
| Bill Cartledge | ... | Ryker Man (uncredited) | |
| William Dyer Jr. | ... | Homesteader (uncredited) | |
| Chester W. Hannan | ... | Ryker Man (uncredited) | |
| Alana Ladd | ... | Little Girl (uncredited) | |
| David Ladd | ... | Little Boy (uncredited) | |
| George J. Lewis | ... | Ryker Man (uncredited) | |
| Clayton Moore | ... | Ryker Man (uncredited) | |
| Howard Negley | ... | Yank Potts (uncredited) | |
| Charles Quirk | ... | Clerk (uncredited) | |
| Steve Raines | ... | Ryker Man (uncredited) | |
| William Simonds | ... | Homesteader (uncredited) | |
| Kathy Stainbrook | ... | Lewis Child (uncredited) | |
| Jack Sterling | ... | Ryker Man (uncredited) | |
| George Stevens | ... | Knock Him Into That Pigpen, Chris! (voice) (uncredited) | |
| Jo Ann Thompson | ... | Lewis Child (uncredited) | |
| Beverly Washburn | ... | Ruth Lewis (uncredited) | |
| Henry Wills | ... | Ryker Man (uncredited) | |
| David Wyatt | ... | Homesteader Boy (uncredited) | |
Directed by | |||
| George Stevens | |||
Writing credits | ||
| A.B. Guthrie Jr. | (screenplay) | |
| Jack Sher | (additional dialogue) | |
| Jack Schaefer | (based on the novel by) | |
Produced by | |||
| Ivan Moffat | .... | associate producer | |
| George Stevens | .... | producer | |
Original Music by | |||
| Victor Young | |||
Cinematography by | |||
| Loyal Griggs | (director of photography) | ||
Film Editing by | |||
| William Hornbeck | |||
| Tom McAdoo | |||
Art Direction by | |||
| Hal Pereira | |||
| Walter H. Tyler | (as Walter Tyler) | ||
Set Decoration by | |||
| Emile Kuri | |||
Costume Design by | |||
| Edith Head | (costumes) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| John R. Coonan | .... | assistant director (as John Coonan) | |
Sound Department | |||
| Gene Garvin | .... | sound recordist | |
| Harry Lindgren | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Gordon Jennings | .... | special photographic effects | |
Stunts | |||
| Paul Baxley | .... | stunt double (uncredited) | |
| Wayne Burson | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| Russell Saunders | .... | stunt double: Alan Ladd (uncredited) | |
| Ray Spiker | .... | stunts (uncredited) | |
| Henry Wills | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Irmin Roberts | .... | second unit photography | |
Music Department | |||
| Sidney Cutner | .... | orchestrator (uncredited) | |
| John C. Hammell | .... | music editor (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
| Franz Waxman | .... | composer: stock music (uncredited) | |
Other crew | |||
| Joe De Young | .... | technical advisor (as Joe DeYong) | |
| Fred Guiol | .... | associate director | |
| Howie Horwitz | .... | assistant to the producer | |
| Richard Mueller | .... | Technicolor color consultant | |
| Charles Morton | .... | script supervisor (uncredited) | |
| Rodd Redwing | .... | hand double: Alan Ladd (uncredited) | |
| Gretchen Steinbrook | .... | stand-in: Beverly Washburn (uncredited) | |
| George Stevens Jr. | .... | production assistant (uncredited) | |
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| Giant | The Assassination of Jesse James by the Coward Robert Ford | Gone with the Wind | Home from the Hill | The Man Who Shot Liberty Valance |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
So much has been written over the years about SHANE; it's beautiful composition, its precise, if mechanical direction by George Stevens, and its good against evil theme, that there seems to be little left to say in the way of superlatives, but I will give it a try.
There are so many scenes in SHANE that standout as epic. They are like the jagged mountainscapes that dominate the picture: A young boy, slogging around in a marsh, aims his toy gun on a deer grazing on some grass stems, the deer lifts it's antlers and perfectly frames a lone rider approaching in the distance, a struggling family homestead held together by hard work, the father splitting wood, the mother baking in the kitchen, and always the mountains jutting upwards away off in the distance.
We have a stranger, lean and handsome, dressed in fringed buckskin. His dress and gun belt suggest something other than a farmer or rancher, yet we never really know, or ever know, of his past. He is kind and modest, and takes time to address the boy as though someone worth talking to, "You were watching me down the trail quite a spell, weren't you. I like a man who watches things going around.....He can make his mark someday." the boy smiles up at him, and an instant bond is formed, an idol worship in the making.
We have snickering, troublesome ranchhands who spend any free hours swilling whiskey at Graftons General Merchantile. "I thought I smelled pig. Which one of those tatter-pickers are you working for? Or are you just squattin' on the range?" this is the kind of menace that dogsany farmer who dares to come into town.
We have Shane, although trying to lead the simple life of farming, goaded into a fight by a sweaty-faced cowpoke (Ben Johnson). His bloodying of the cowpoke is like a violent ballet, graceful and cutting.
There is a meeting of the homesteaders, huddled together by lamplight, trying to solve there problems by resolving to go into town all together so that they would have strength in numbers. This is a rather sad scene since WE know that will be in vain.
There is touching elegance to the 4th of July celebration where there is fiddle music and dancing. Shane and Marion (the boy's mother) take a few turns to a reel..... dancing with others in the corral. Van Heflin (the Boy's father) is symbolically shut out beyond the fence. "Marion, they fenced me out" he grins. Yet we know that there is a growing affection between the two dancers.
There is tension in the late evening when the head of the ranchers pays visit to the homestead. "Look Starrett. When I come to this country you weren't much older than your boy there........ How would you like to go partners with me." It's sad because this is a real if clumsy attempt to "be reasonable" But as Shane would say on more than one occasion, "it's no use".
I could go on; the murder of the Stonewall at the hands of an especially evil hired gun from Cheyenne has great impact. And, the final confrontation at Graftons one fateful night, is one of the best in Westerns.
The characters are well developed and the story, while exiting, is a little melancholy.
The best Western ever made.