Russian prince goes to Monte Carlo just after World War I with money supplied him by Parisian Russians. He wins but the casino operators want him honor the tradition of returning to the ... See full summary »
Professor Hans Mamlock is the distinguished chief of surgery in a university hospital. The year is 1933, and although the Professor is Jewish, he remains unconcerned with politics and the ... See full summary »
After nearly running over him with her cab, Patty Mitchell picks up a fare who claims to have amnesia. As he fumbles to remember the basic facts of his identity, Patty becomes interested in... See full summary »
Larry Gordon, well-known crime writer, is on a train journey when a scream is heard. Upon investigation, the guard had been mugged and a man murdered. Another man is arrested but the full story is yet to be discovered.
Luigi (Cesar Romero)is the owner of a pin-table saloon frequented by questionable characters and kept under constant police surveillance. He meets Barbara Gale (Kay Kendall), neglected wife of heavy gambler Gerald Gale (John Penrose) and after a brief romance, Barbara agrees to go away with Luigi. But Angelo Abbe (Simone Silva) is found stabbed to death in Luigi's apartment. Luigi asks his friend Limpy (Victor Maddern) to hep him hide the body but they are picked up by the police. Luigi escapes and sets out to prove his innocence while running from the law. Written by
Les Adams <firstname.lastname@example.org>
a desperate Cesar is carrying around the body of Ms Kendall
Pretty obscure British noir starring Cesar Romero and Kay Kendall. Both actors perform well enough but it is the exotic Simone Silva who is a little more eye catching and the ever limping 'Limpy' who sees a little more of the action. What action there is, that is, for this is fairly lame stuff with the various fairground staples like the laughing policeman and a fortune telling clown being relied upon to 'spice things up'. True we do have the attempted seduction of the aforementioned Simone and the protracted and effective sequence where a desperate Cesar is carrying around the body of Ms Kendall. She seems more fetching dead but that's probably just me! The London street scenes have a certain charm and there are little touches like the 'rag and bone man' and the real life fortune teller, who looks like she stepped out of the music hall. Bit of a novelty and it doesn't outstay its welcome. It is suggested that 7 minutes were taken out for US release and I can't possibly imagine what that was for.
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