Gilliat,a fisherman/smuggler is in jail, and is offered a pardon, if he undertakes a mission to sail to France to rescue Douchette, an English agent, whose cover has been blown,and who has now been jailed. Gilliat accepts the challenge.
Roistering sea captain Jonathan Clark, who poaches seal pelts from Russian Alaska, meets and woos Russian countess Marina in 1850 San Francisco. Events separate them, but after an exciting ... See full summary »
A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
Set during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.
In 1864, due to frequent Apache raids from Mexico into the U.S., a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries, and scouts.
Gilliatt, a fisherman-turned-smuggler on the isle of Guernsey, agrees to transport a beautiful woman to the French coast in the year 1800. She tells him she hopes to rescue her brother from the guillotine. Gilliatt finds himself falling in love and so feels betrayed when he later learns this woman is a countess helping Napoleon plan an invasion of England. In reality, however, the "countess" is an English agent working to thwart this invasion. When Gilliatt finds this out, he returns to France to rescue the woman whose true purpose has been discovered by the French. Written by
dinky-4 of Minneapolis
British soldiers did not wear shakos (hats) like those depicted. The shakos of the time tended to be plain black hats with only a regimental number badge at the front. See more »
Opening credits prologue: Guernsey in the Channel Islands near the coast of France in the year 1800, where fishermen, prevented by war from following their usual livelihood, turned to other occupations.... See more »
After a bit of trial-and-error, I managed to acquire a workable copy (unlike another Rock Hudson vehicle in the same vein, CAPTAIN LIGHTFOOT !) of this swashbuckler set in the Napoleonic era with the Emperor himself played by Frenchman Gerard Oury; incidentally, I had intended to close off 2008 by revisiting the latter's most popular directorial effort i.e. the WWII farce DON'T LOOK NOW WE'RE BEING SHOT AT! (1966), but had to forego it due to time constraints!
While I can't say that SEA DEVILS is very well-regarded within the genre (Leonard Maltin dismisses it with a :star::star: rating), in spite of the revered Walsh's involvement, I have to admit that I rather enjoyed it. Hudson is an impetuous rum-shipper, flanked by an amusingly grumpy Bryan Forbes, who's constantly clashing with rival Maxwell Reed; their quarrel comes to a head when they involve a woman (Yvonne De Carlo) whose activities as a spy, however, are jeopardized when Hudson misconstrues the situation! De Carlo's contribution here is far more engaging than when she played the BUCCANEER'S GIRL (1950), which I watched earlier in the month; for the record, she and Hudson had already been teamed for SCARLET ANGEL (1952), yet another costumer but which I'm not familiar with.
By the way, despite American leads, director and studio (RKO), this is a British-made effort with typically reliable supporting cast (including Dennis O'Dea as De Carlo's superior and Michael Goodliffe as her contact in France) and production values (ensuring stunning color photography throughout and a suitably rousing score). As expected, then, we get plenty of action and intrigue spiced with equally obligatory bouts of romance and comedy relief; the result hardly makes for a classic film but, in this agreeable company, it's perhaps more satisfying than such hokum has a right to be!
10 of 15 people found this review helpful.
Was this review helpful to you?
| Report this