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Scared Stiff (1953)
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Overview
User Rating:
Director:
Writers:
Release Date:
27 April 1953 (USA)
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Tagline:
They're making a spook-tacle of themselves!
Plot:
Fleeing a murder charge, a singer and a busboy (Martin & Lewis) wind up on a spooky Carribean island inherited by heiress (Scott). full summary | full synopsis
NewsDesk:
User Comments:
OK remake - OK Martin-Lewis vehicle!
more (12 total)
Cast
(Complete credited cast)| Dean Martin | ... | Larry Todd | |
| Jerry Lewis | ... | Myron Mertz | |
| Lizabeth Scott | ... | Mary Carroll | |
| Carmen Miranda | ... | Carmelita Castinha | |
| George Dolenz | ... | Mr. Cortega | |
| Dorothy Malone | ... | Rosie | |
| William Ching | ... | Tony Warren | |
| Paul Marion | ... | Ramon Cariso / Francisco Cariso | |
| Jack Lambert | ... | Zombie | |
| Tony Barr | ... | Trigger | |
| Leonard Strong | ... | Shorty | |
| Henry Brandon | ... | Pierre | |
| Hugh Sanders | ... | Cop on Pier |
Additional Details
Parents Guide:
Runtime:
108 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
3 Channel Stereo (Western Electric Multi-Track Magnetic Stereophonic) |
Mono (Western Electric Sound System)
Certification:
West Germany:12 (re-rated) |
West Germany:16 |
Australia:G |
Finland:K-16 |
Sweden:Btl |
USA:Unrated
Company:
Fun Stuff
Trivia:
When he looks around the gloomy gold mine, Dean Martin says, "Reminds me of my hotel room in Steubenville." Martin's real-life home town was Steubenville, Ohio.
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Goofs:
Revealing mistakes: At the club Mary receives a note from Larry that he can't make the date, she writes on (what looks like a show bill) three words (two on top line one on bottom) quickly scrawled but when we see a close up its written very clearly it reads: "Forgive me for running away-"
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Quotes:
Mary Carol:
Larry, why are you so nice to me?
Larry Todd: I don't know, I guess I've always been a sucker for girls named Mary Carol.
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Larry Todd: I don't know, I guess I've always been a sucker for girls named Mary Carol.
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Movie Connections:
Referenced in Chu Chu and the Philly Flash (1981)
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Soundtrack:
Bongo Bingo
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FAQ
This FAQ is empty. Add the first question.more (12 total)
Message Boards
Discuss this movie with other users on IMDb message board for Scared Stiff (1953)| Recent Posts (updated daily) | User |
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| record setting film? | srichert-1 |
| Soundtrack | mandijous |
Recommendations
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I'm a Jerry Lewis fan and I think Bob Hope's «The Ghost Breakers» (1940) was technically way ahead of its time as a funny/scary Old Dark House comedy. This thirteen-years-later remake feels like it was hatched together as a quickie Martin-Lewis vehicle in the «scary» mode (they made four films that year). It reuses the same director (George Marshall), most of the dialogue, most of the situations, most of the special effects, all the stock footage and even one song from the original. The sets have also been recreated and the jokes «updated». If the remake works at all, it is due to the extreme quality and originality of the first film. Comedy writer Norman Lear (of TV fame) did his best in adapting the Bob Hope/Willie Best routine to the particular talents of Dean Martin and Jerry Lewis.
Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.
The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.
All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).