IMDb > The Wages of Fear (1953)
Le salaire de la peur
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The Wages of Fear (1953) More at IMDbPro »Le salaire de la peur (original title)

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Overview

User Rating:
8.3/10   25,793 votes »
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Down 18% in popularity this week. See why on IMDbPro.
Writers:
Georges Arnaud (novel)
Henri-Georges Clouzot (adaptation) ...
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Contact:
View company contact information for The Wages of Fear on IMDbPro.
Release Date:
16 February 1955 (USA) See more »
Genre:
Tagline:
The complete restored version of the 1953 French classic [reissue] See more »
Plot:
In a decrepit South American village, men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Won BAFTA Film Award. Another 5 wins See more »
User Reviews:
One of the greatest movies ever made See more (124 total) »

Cast

  (in credits order) (verified as complete)

Yves Montand ... Mario
Charles Vanel ... M. Jo
Folco Lulli ... Luigi

Peter van Eyck ... Bimba (as Peter Van Eyck)

Véra Clouzot ... Linda (as Vera Clouzot)
William Tubbs ... Bill O'Brien
Darío Moreno ... Hernandez (as Dario Moreno)
Jo Dest ... Smerloff
Antonio Centa ... Camp Chief (as Centa)
Luis De Lima ... Bernardo
Grégoire Gromoff
Joseph Palau-Fabre
Faustini
Seguna
Darling Légitimus (as Miss Darling)
rest of cast listed alphabetically:
René Baranger ... (uncredited)
Pat Hurst ... (uncredited)
Evelio Larenagas ... (uncredited)
Jeronimo Mitchell ... Dick (uncredited)
Ricardo ... (uncredited)
François Valorbe ... (uncredited)
Rico Zermano ... (uncredited)
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Directed by
Henri-Georges Clouzot 
 
Writing credits
Georges Arnaud (novel)

Henri-Georges Clouzot (adaptation and dialogue) (as H.G. Clouzot) and
Jérôme Géronimi (adaptation and dialogue) (as Jérome Geronimi)

Produced by
Raymond Borderie .... delegate producer (as R. Borderie)
Henri-Georges Clouzot .... delegate producer (as H.G. Clouzot)
 
Original Music by
Georges Auric 
 
Cinematography by
Armand Thirard 
 
Film Editing by
Madeleine Gug 
Etiennette Muse  (as E. Muse)
Henri Rust 
 
Art Direction by
René Renoux 
 
Set Decoration by
René Renoux 
 
Makeup Department
Georges Bouban .... makeup artist (as G. Bouban)
 
Production Management
Henri Jaquillard .... unit manager (as H. Jaquillard)
Lucien Lippens .... unit manager (as L. Lippens)
Louis Wipf .... production manager
 
Second Unit Director or Assistant Director
Michel Romanoff .... assistant director
Roberto Savarese .... assistant director: Italy
 
Art Department
Marc Desages .... assistant set decorator (as M. Desages)
Pierre Tyberghein .... assistant set decorator (as P. Tyberghien)
 
Sound Department
William Robert Sivel .... sound
Arthur Van der Meeren .... sound assistant (as A. Van Der Merren)
Pierre Zann .... sound assistant (as P. Zann)
 
Camera and Electrical Department
Lucienne Chevert .... still photographer
Jean Clouzot .... still photographer (as J. Clouzot)
Jean Dicop .... assistant camera (as Dicop)
Robert Florent .... assistant camera (as Florent)
Robert Juillard .... camera operator (as Robert Juilliard)
Jean Lallier .... camera operator (as J. Lallier)
Louis Née .... camera operator (as L. Née)
Bob Pater .... assistant camera (as Pater)
 
Music Department
Georges Auric .... musical director (uncredited)
 
Other crew
Charles Borderie .... general administrator
Favre .... studio manager
Lily Hargous .... script girl
Lemoigne .... studio manager
Vergne .... studio manager
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Le salaire de la peur" - France (original title)
See more »
Runtime:
131 min | France:156 min | 148 min (director's cut) | West Germany:150 min
Country:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric)
Certification:
Filming Locations:

Did You Know?

Trivia:
Accusations of anti-Americanism led to the US censor cutting several key scenes from the film.See more »
Goofs:
Revealing mistakes: When Mario throws a stone at Jo's face, although he stands at a higher lever, the stone seems to hit Jo's face from below.See more »
Quotes:
Bill O'Brien:The Hell with the Union! There's plenty of tramps in town, all volunteers. I'm not worried. To get that bonus, they'll carry the entire charge on their backs.
Bradley:You mean you're gonna put those bums to work?
Bill O'Brien:Yes, Mr. Bradley, because those bums don't have any union, nor any families. And if they blow up, nobody'll come around bothering me for any contribution.
See more »
Movie Connections:
Soundtrack:
The Blue DanubeSee more »

FAQ

How much sex, violence, and profanity are in this movie?
Is this movie based on a book?
What caused the nitro to explode?
See more »
73 out of 85 people found the following review useful.
One of the greatest movies ever made, 6 October 2005
Author: barleeku from United States

This movie is astonishing, a gritty story filmed in an ultra-real style that relies simply on the beauty of lighting and film to achieve its stunning effects. It seems from another world, which in a way, it is. The acting is superb: Montand's Mario is full of jerky movements and intense impulses but always maintains his Gallic savoir-faire, while Charles Vanel as Jo brings, at first at least, a type of macho to the screen that modern movie-makers simply do not comprehend. The rest of the cast, especially the camp chief, Luigi, and Peter van Eyck as Bimba are incredible, as is Vera Clouzot who is incomprehensibly but believably upbeat and innocent - and totally gorgeous - in the midst of the hellhole of a town they're all stuck in. Clouzot's directing is flawless - I don't think anyone has ever squeezed more tension with just a few essential scene elements. The trucks wheeze and grunt as well as they ever have in the movies - the only comparison is Spielberg's early gem, "The Duel", but Clouzot's automotive cinematics outdo even Spielberg. The stripped down existentialism of the characters, the starkness of their shared dilemma, the grim and grimy scenery, and the cinematography itself are all of a piece. The latter is what elevates this movie to the very top rank, including some of the most dramatic and effective black and white shooting I've ever seen. Yet it never becomes mannered or gratuitous - it is orchestrated with the rise - and rise! - of tension in the film. The final scene takes on a surreal as opposed to ultra-realistic quality that has its own logic. One last word about the acting - we don't see anything like it anymore. The self-conscious mannerism of method acting (which has had its own triumphs) and the toxic awareness of everyone from the actors to the audience, the camera, directors, etc. that each actor is a celebrity and potential artiste, has ruined that conviction that actors were once larger than life people before they went on-screen, that they came to acting as an outcome of living rough, unadorned, and yet imaginative lives as opposed to shooting for fame and fortune and celebrity within an artificial corporate star-making incubator.

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imdb top 250 mjlangenbru
A typical popcorn action film llallaco
Smerloff? (SPOILER) Bellator86
Was Mario remorseful? (spoiler) emeyerzon
DVD Subtitles Bob90009
Why is this film so highly praised? ulrika333
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