French Resistance activist Andre Devigny is imprisoned by the Nazis, and devotes his waking hours to planning an elaborate escape. Then, on the same day, he is condemned to death, and given... See full summary »
Charles Le Clainche,
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Jumpei Niki, a Tokyo based entomologist and educator, is in a poor seaside village collecting specimens of sand insects. As it is late in the day and as he has missed the last bus back to ... See full summary »
In the South American jungle supplies of nitroglycerin are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers and on the rough remote roads the slightest jolt can result in death. Written by
Col Needham <firstname.lastname@example.org>
Filming began on 27 August 1951 and was scheduled to run for nine weeks. Numerous problems plagued the production, however. The south of France had an unusually rainy season that year, causing vehicles to bog down, cranes to fall over and sets to be ruined. Director Henri-Georges Clouzot broke his ankle. Véra Clouzot fell ill. The production was 50 million francs over budget. By the end of November, only half the film was completed. With the days growing short from winter, production shut down for six months. The second half of the film was finally completed in the summer of 1952. See more »
When Jo gets out of the truck, there is not room for the other truck to pass. The road is obviously only one lane wide in that place. See more »
The Hell with the Union! There's plenty of tramps in town, all volunteers. I'm not worried. To get that bonus, they'll carry the entire charge on their backs.
You mean you're gonna put those bums to work?
Yes, Mr. Bradley, because those bums don't have any union, nor any families. And if they blow up, nobody'll come around bothering me for any contribution.
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A brilliant thriller. One of the most suspenseful and exciting movies ever made!
Clouzot rarely gets the attention he deserves. He made not one, but two of the greatest thrillers of all time, 'Les Diaboliques' and 'The Wages Of Fear', both perfect examples of how to make genuinely suspenseful movies that build up an amazing amount of tension. Most so-called thrillers made in Hollywood these days are thrillers in name only and could learn a lesson or two from these movie classics. 'The Wages Of Fear' could even be described as an action movie, but it is a CHARACTER DRIVEN action movie, and that's what makes it so special. Modern audiences with MTV attention spans might find the plot a little slow, but I think the first half of the movie, which deals with the motley collection of exiles in a poor Latin American town, is not only fascinating in itself, but really makes a massive impact on the second half. By taking his time introducing the characters and exploring their relationships and possible motivations, Clouzet adds depth and meaning to the rest of the exciting story, something very rarely achieved in this type of movie since. The cast, every single one of them, are flawless. The four leads, Mario, the fairly decent guy played by yves Montand, his new best friend the shifty M. Jo (Charles Vanel), his old pal the kind hearted Luigi (Folco Lulli), and the enigmatic Bimba (Peter van Eyck), are all brilliant. Great performances, taut and imaginative direction, crisp and impressive cinematography, and a handful of the most riveting sequences ever committed to film make 'Wages Of Fear' a truly unforgettable experience. Suspense movies don't come much better than this! Simply a masterpiece.
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