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The Wages of Fear (1953)
"Le salaire de la peur" (original title)

8.3
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Ratings: 8.3/10 from 24,734 users  
Reviews: 123 user | 98 critic

In a decrepit South American village, men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe.

Writers:

(novel), (adaptation), 1 more credit »
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Title: The Wages of Fear (1953)

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Won 1 BAFTA Film Award. Another 5 wins. See more awards »

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Cast

Complete credited cast:
...
Charles Vanel ...
M. Jo
Folco Lulli ...
...
Bimba (as Peter Van Eyck)
...
Linda (as Vera Clouzot)
William Tubbs ...
Bill O'Brien
Darío Moreno ...
Hernandez (as Dario Moreno)
Jo Dest ...
Smerloff
Antonio Centa ...
Camp Chief (as Centa)
Luis De Lima ...
Bernardo
Grégoire Gromoff
Joseph Palau-Fabre
Faustini
Seguna
Darling Légitimus ...
(as Miss Darling)
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Storyline

In the South American jungle supplies of nitroglycerin are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers and on the rough remote roads the slightest jolt can result in death. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Plot Keywords:

oil | american | driver | truck | village | See more »

Taglines:

Pictured in Life Magazine as Picture of the Week (original USA/Canada posters) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | | |

Release Date:

16 February 1955 (USA)  »

Also Known As:

The Wages of Fear  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(Western Electric)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Yves Montand and Charles Vanel both contracted conjunctivitis after filming in a pool of crude oil and being exposed to gas fumes. See more »

Goofs

When Mario throws a stone at Jo's face, although he stands at a higher lever, the stone seems to hit Jo's face from below. See more »

Quotes

Dick: When I was a kid, I used to see men go off on this kind of jobs... and not come back. When they did, they were wrecks. Their hair had turned white and their hands were shaking like palsy! You don't know what fear is. But you'll see. It's catching, it's catching like small pox! And once you get it, it's for life! So long, boys, and good luck.
See more »

Connections

Referenced in Greed in the Sun (1964) See more »

Soundtracks

The Blue Danube
Composed by Johann Strauß
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An unforgettable bit of existentialism on exposed celluloid
3 July 2001 | by (Oberhausen, Germany) – See all my reviews

Whoever it may be to rightly claim that he invented the action thriller genre (Méliès, I suppose), Henri-Georges Clouzot's "Le salaire de la peur" is an indispensable milestone on the exciting route to the best films of that kind in the 70's, 80's and nowadays. In its tenseness, as symbolized by the danger of explosion of the lorries' loads, it has hardly been surpassed.

The plot is perfectly worked out from start to end, the leading players act in some of their best parts ever, the (almost) absence of music supports the brutal realism and the consequent choice of authentic outdoor settings contributed a lot to the film's deserved success. Historically, it ranges between neorealismo and nouvelle vague, and yet it is its pure action and suspense that make it worth watching for younger audiences who wouldn't go in for just the artistic way. - Only flaw I can see is the curious, rather artificial change in Vanel's character which has no comprehensible motivation, at least for me whenever I see it.

Apart from that, Clouzot's wife Véra (also well-known from his "Les diaboliques") plays to the "most breathtaking angles" gallery when she bows down to scrub the floor of Dario Moreno's gin joint. It's a man's world after all and there are male perspectives on human survival only. Well, it's existentialism, mates. Altogether, the black and white photography is gripping. The gun scene between Lulli and Vanel is one of the best montages in film history, and there is more excellent editing in "Salaire" (including the finale) that completely fits the hot atmosphere.


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