| Sergei Stolyarov | ... | Sadko | |
| Alla Larionova | ... | Lyubava | |
| Ninel Myshkova | ... | Princess of Lake Ilmen (as Y. Myshkova) | |
| B. Surovtsev | ... | Ivashka the boy | |
| Mikhail Troyanovsky | ... | Trifon | |
| Nadir Malishevsky | ... | Vyashta the Giant (as N. Malishevsky) | |
| Nikolai Kryuchkov | ... | Omelyan Danilovich | |
| Ivan Pereverzev | ... | Timofey Larionovich | |
| Yuri Leonidov | ... | Kuzma Larionovich | |
| Lev Fenin | ... | Varangian Leader (as L. Fenin) | |
| Mikhail Astangov | ... | Maharaja (as M. Astangov) | |
| Lidiya Vertinskaya | ... | The Phoenix (as L. Vertinskaya) | |
| Stepan Kayukov | ... | Neptune | |
| Olga Vikland | ... | Neptuna (as O. Vikland) | |
| Sergei Martinson | ... | The Monk |
Directed by | |||
| Aleksandr Ptushko | |||
Writing credits(in alphabetical order) | ||
| Konstantin Isayev | writer | |
| Nikolai Rimsky-Korsakov | libretto | |
Non-Original Music by | |||
| Nikolai Rimsky-Korsakov | (from opera "Sadko") | ||
Cinematography by | |||
| Fyodor Provorov | |||
Production Design by | |||
| Yevgeni Svidetelev | (as Ye. Svidetelyov) | ||
Art Direction by | |||
| Yevgeni Kumankov | |||
Costume Design by | |||
| Olga Kruchinina | (as O. Kruchinina) | ||
Makeup Department | |||
| Jose Malar | .... | makeup artist | |
Sound Department | |||
| Viktor Zorin | .... | sound recordist (as V. Zorin) | |
Special Effects by | |||
| Sergei Mukhin | .... | special effects | |
Editorial Department | |||
| George Stein | .... | 1962 US version additional editing | |
Music Department | |||
| Grigori Gamburg | .... | musical director | |
| Vissarion Shebalin | .... | music arranger (as V. Shebalin) | |
Other crew | |||
| Francis Ford Coppola | .... | script adaptor (1962 version) | |
| Art Diamond | .... | 1962 US dubbing production supervisor (as Joseph Moss) | |
| Sergei Koren | .... | choreographer | |
| James Landis | .... | 1962 US version dubbing director | |
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| The Blue Bird | The Magic Pony | OSS 117: Cairo, Nest of Spies | The River's Edge | The 7th Voyage of Sinbad |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Soviet Union section |
Charming and naive, Alexandr Ptushko's version of Sadko maintains the ingenuity of the fairy tale through the golden touch of imaginative coloring and splendid characters ingrained in the Russian folklore, which at the same time are part of the universal lore. Add to this Rimmsky-Korsakov's magical music, and lo and behold, a dearest masterpiece to feast eyes and endear hearts. Ptushko used to work under stressing circumstances, political as well as cultural, within a government-controlled industry, where ideology ruled over imagination. However, the artist surpassed the militant many times. Sadko concedes to the nationalistic trend in tyrannies proclaiming, in this case, the 'proud of been a Russian", heard as an echo of fascistic hypes on 'selected people or race"; but it is done with such an obvious declarative tone that the imposition of dialogs and lines comes clear to the viewer. Hail to a filmmaker who conceived films as a domain for the illusive and the innocence.