Joe Bradley is a reporter for the American News Service in Rome, a job he doesn't much like as he would rather work for what he considers a real news agency back in the States. He is on the verge of getting fired when he, sleeping in and getting caught in a lie by his boss Hennessy, misses an interview with HRH Princess Ann, who is on a goodwill tour of Europe, Rome only her latest stop. However, he thinks he may have stumbled upon a huge scoop. Princess Ann has officially called off all her Rome engagements due to illness. In reality, he recognizes the photograph of her as being the young well but simply dressed drunk woman he rescued off the street last night (as he didn't want to turn her into the police for being a vagrant), and who is still in his small studio apartment sleeping off her hangover. What Joe doesn't know is that she is really sleeping off the effects of a sedative given to her by her doctor to calm her down after an anxiety attack, that anxiety because she hates her... Written by
George Stevens was the next director to inherit the project after Frank Capra bailed, but Stevens declined to pursue it. The property was then offered to William Wyler, who was coming off the back of two very weighty dramatic movies - The Heiress (1949) and Detective Story (1951) - and was only too glad to tackle a light romantic comedy, his first since the mid 1930s. Wyler was also very keen to work abroad in order to exploit a tax loophole. See more »
After Ann leaves Joe's apartment, when she looks in the salon window, her tie is on and cuffs are buttoned but when she sits down in the hair salon chair, her cuffs are rolled up slightly. When she leaves the salon her cuffs are rolled up slightly, but when she approaches the gelato stand, her sleeves have been rolled up to mid-bicep. She sits down on the banister with her gelato, tie on, but a moment later, the tie is gone (and never returns) and her top blouse buttons are open. Through their tour of the Coliseum, Ann's neck is bare but on the scooter ride leaving the Coliseum a striped scarf appears mysteriously around her neck. In the car as Joe drives Ann back to the palace, both the striped scarf and tie are missing. See more »
Paramount News brings you a special coverage of Princess Ann's visit to London, the first stop on her much-publicized goodwill tour of European capitals. She gets a royal welcome from the British, as thousands cheer the gracious young member of one of Europe's oldest ruling families. After three days of continuous activity and a visit to Buckingham Palace, Ann flew to Amsterdam, where Her Royal Highness dedicated the new international aid building and christened an ocean liner, ...
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I recently caught this little gem of a film on a retro program and it was a trip well worth it. William Wyler was a genius directing throughout his film career. Here he's in top form.
The only way this film could have been conceived was with the charming presence of Audrey Hepburn in her first appearance on a Hollywood film. She is without a doubt, an angel who was sent to this earth to delight the movie audiences in whatever movie she happened to dignify with her appearance in.
Some people have compared Audrey Tatou with the incomparable Audrey Hepburn. Seeing Ms Hepburn in Roman Holiday will certainly change the minds of those comparing fans. Audrey Hepburn was a star's star! She exudes charm, intelligence, elegance, and beauty. Just one look from her could disarm Gregory Peck forever.
The only wrong note of this production was the way the writer, Dalton Trumbo, was treated since he had been blacklisted by the anti-communist faction lead by Sen. McCarthy and company. In the end, Mr. Trumbo was vindicated in having his name recognized as the writer of Roman Holiday.
This film is a feast to the eyes in that glorious cinematography and Rome as a background. This was Hollywood at its best. Gregory Peck and Audrey Hepburn will be forever young any time we take a look at this classic that I'm sure will live and charm its viewers whenever they take a chance to see it for the first time, or like some of us, for another loving look.
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