Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Princess Anne embarks on a highly publicized tour of European capitals. When she and her royal entourage arrive in Rome, she begins to rebel against her restricted, regimented schedule. One night Anne sneaks out of her room, hops into the back of a delivery truck and escapes her luxurious confinement. However, a sedative she was forced to take earlier starts to take effect, and the Princess is soon fast asleep on a public bench. She is found by Joe Bradley, an American newspaper reporter stationed in Rome. He takes her back to his apartment. The next morning Joe dashes off to cover the Princess Anne press conference, unaware that she is sleeping on his couch. Once he realizes his good fortune, Joe promises his editor an exclusive interview with the Princess. Written by
At the end of production, Paramount Studios presented Audrey Hepburn with her entire wardrobe from the film, including hats, shoes, handbags, and jewelry. These gifts were intended as wedding presents; however, soon after production, Hepburn ended her engagement to James (later Lord) Hanson, a businessman. See more »
Still in Joe's apartment, when Mr. Hennessy is finishing his speech to him, Joe is holding the envelope with both hands in front of his body. In the next shot, when Mr. Hennessy leaves, Joe is holding the envelope with his right hand leaning on his hip. See more »
Paramount News brings you a special coverage of Princess Ann's visit to London, the first stop on her much-publicized goodwill tour of European capitals. She gets a royal welcome from the British, as thousands cheer the gracious young member of one of Europe's oldest ruling families. After three days of continuous activity and a visit to Buckingham Palace, Ann flew to Amsterdam, where Her Royal Highness dedicated the new international aid building and christened an ocean liner, ...
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This charming comedy is justly famous as the film that made the whole world fall in love with Audrey Hepburn and half the world want to run out and buy a Vespa scooter. Hepburn was always beguiling, but in some of her later roles she tended to overplay the winsomeness. Here every note she hits is just about perfect.
And speaking of notes, pay special attention to the score by the great Georges Auric. If the film had been produced in the manner of modern romantic comedies, the sound track would have been larded with pop hits by Perry Como, Dinah Shore, and Frankie Laine, which would have done an awful lot to destroy the magic. Instead Auric's complex, vibrant, evocative music complements the story's inherent lyricism without upstaging it. In an era of bombastic film scoring, this seems a miracle.
Someone once said that Audrey Hepburn's was the beauty of possibility and transformation -- she was always in motion, always becoming something else. "Roman Holiday" is very much of a piece with that notion. On the surface, the film is about a princess who disguises herself as a "commoner". But in truth she's actually pretending to be a princess, at least at first. She finally becomes authentic -- is transformed and prepared to deal with her destiny -- only through the ennobling power of love and sacrifice. That's one heck of a mythic subtext and does a lot to explain "Roman Holiday's" enduring power.
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