When a couple are killed in an auto accident their bodies are immediately inhabited by extraterrestrial beings. Taking refuge in an underground cave, the aliens attempt to sabotage the U.S.... See full summary »
An alien being with the power of invisibility lands in Santa Monica. Killing two people who attacked him due to the menacing appearance of his spacesuit, the creature takes it off while ... See full summary »
Major Joe Nolan heads a rescue mission in the South Pacific to recover a downed atomic rocket. The crew crashlands on a mysterious island, and spends much time rock-climbing. They meet up ... See full summary »
A team of astronauts lands on a moon of Jupiter to find it populated with beautiful young women looking for mates. An old man explains to the explorers the group's story, as well as the moon's dangers.
Ro-Man, an alien that looks remarkably like a gorilla in a diving helmet, has destroyed all but six people on the planet Earth. He spends the entire film trying to finish off these survivors, but complications arise when he falls for the young woman in the group. Love that bubble machine! Written by
Ray Hamel <firstname.lastname@example.org>
After the lightning flash we see dinosaurs battling, and the footage comes from other films. The large lizards are from One Million B.C. (1940) (Hal Roach, 1940), supervised by Roy Seawright; the one brief shot of two stop-motion triceratops fighting is from Lippert Pictures' Lost Continent (1951), animator unknown. See more »
In the beginning of the movie, after the family has eaten and rested, little John runs back to the cave wearing his jeans. An explosion knocks him unconscious and when he wakes up he's wearing a pair of shorts. However, it's later revealed to be a dream. See more »
Robot Monster is the Citizen Kane of abysmal 1950s science fiction. It has everything modern viewers have come to expect from movies of this genre: a laughable plot line, completely improbable situations, ludicrous acting, unbelievably awful special effects, cheapjack production values, gaffes galore, and examples of how to fail miserably at every major aspect of motion picture production. For good measure it also sports easily the most ridiculous "monster" in the history of film! The plot is so thin that it can't even be stretched comfortably over the film's 66-minute running time without generous padding. A family, headed by the requisite German-accented scientist and including a "hot" chick, a "manly" guy, and two cutesy-poo kids wander through the desert after Earth has been annihilated by a guy in a gorilla suit wearing a plastic diving helmet. That's basically it, except for some nonsensical pap about an immunity serum. When the guy in the monkey suit is far and away the best actor in the picture, you've got a MAJOR problem--but compared to John Mylong as "The Professor," Ro-Man is Laurence Olivier. You could drive a semi through the plot holes. The dialogue clangers pile up like horseshoes on George H.W. Bush's lawn. You feel embarrassed for director Phil Tucker, and almost ashamed to laugh at this movie when you learn that the bad reviews of the film drove him to attempt suicide. The experience of watching this film, even with its abnormally short running time, is so excruciating that it feels like you've wasted five hours of your life. It's so bad that after a while you begin to marvel at its very badness, and ultimately you come away awe-stricken.
I call it a masterpiece because under normal circumstances only a talented and determined genius could make a film that sinks as low and violates so many rules of film-making, storytelling and suspension of disbelief as this one does. It takes real talent to make Ed Wood look like Stanley Kubrick, but Phil Tucker pulled it off. For that alone he deserves a place in film history.
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