Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
When Philip Ashley's much-loved (and rich) cousin Ambrose dies, he is convinced that Ambrose was murdered by his new wife Rachel to inherit his wealth. But when he meets Rachel and falls in... See full summary »
Olivia de Havilland,
Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome. Here is the story of personal lust for power, and the ... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by nightmares and delusions after the event. Hoping to find a way to live with what he has done, and still not believing in Jesus, he returns to Palestine to try and learn what he can of the man he killed. Written by
John Vogel <firstname.lastname@example.org>
Acclaimed by many film historians as a triumph in the art of motion-picture music, Alfred Newman's reverent, intense, prodigious background music failed to garner an Academy Award nomination for Dramatic Score. Nonetheless, Newman did take home an Oscar that night - for his role as musical director of the Irving Berlin-Ethel Merman frolic, Call Me Madam (1953). To register his unhappiness with the snub, distinguished film composer Franz Waxman, an Oscar winner for Sunset Blvd. (1950) and A Place in the Sun (1951), resigned from the Academy of Motion Picture Arts and Sciences. Compounding his appreciation for the Newman opus, Waxman required that his screen credit for this film's sequel, Demetrius and the Gladiators (1954), note that the Waxman score was based on the Newman score. Ironically, that year's winning Dramatic Score perhaps had been placed in the wrong category. Bronislau Kaper's charming score for Lili (1953), really a semi-musical starring Leslie Caron and Mel Ferrer, spotlighted Kaper's melodies for two dream-dance sequences (choreographed by Charles Walters), and the wistful hit waltz, "Li-Lili, Hi-Lo" (lyrics by Helen Deutsch). It was not nominated. See more »
Justus tells Marcellus that his grandson, who was born crippled and whom Jesus healed, was named for "Jonathan of old", who (Justus claims) was also born crippled. In the Jewish community, "Jonathan of old" would be the son of Saul, first king of Israel, and the best friend of David, Saul's successor. Jonathan was not born crippled; he had a son, Mephibosheth, who "was lame in both feet", but that was the result of an accident when he was 5 years old (2 Samuel 4:4). See more »
Few movies today carry the wallop that Henry Coster packed into this one. The Lloyd Douglas masterpiece has been well adapted to film... and it is refreshing to see a film on a biblical theme that Hollywood hasn't screwed up and made Christianity look bad. Noah's Ark (1999 TV) is a Bible story to avoid. The Robe, on the other hand, is a great story, with a sincere effort to communicate a commitment to integrity, whatever the cost. I would watch this one again and recommend it highly as a true classic... I give it 9 out of 10.
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