Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by nightmares and delusions after the event. Hoping to find a way to live with what he has done, and still not believing in Jesus, he returns to Palestine to try and learn what he can of the man he killed. Written by
John Vogel <firstname.lastname@example.org>
Famous as the first film released in CinemaScope. It was not planned that way. After a week of shooting in standard academy (1.33:1), the production was shut down. When production was resumed, they started from scratch and did each shot in CinemaScope, and them again in the standard academy format. The film was released in CinemaScope only theatrically at first. In the 1990's this version was released to television (when "letterboxing" began to be used for widescreen films shown there). The standard academy format version was released to theatres not yet equipped for CinemaScope, and to television in the 1960's. See more »
In the opening scene in the Roman Forum there is a statue of the Roman poet, Antinuous, who was not born until 80 years or so after Christ's death. See more »
Slow and ponderous epic, but the acting is decent enough and the CinemaScope is effective
I had mixed feelings watching the Robe. By all means it isn't a bad film, but it isn't great either. While there are some good things, there is a lot wrong with it as well.
PROS: The plot about a Roman officer winning Christ's robe in a game of dice during the Crucifixion is a nice idea to work with and comes off decently on screen. The film for its time has nice production values, with lovely costumes and sets. The Robe is best known for the first film to be shot in CinemaScope, which was put to effective use here. The music is very good, and the acting is decent. There have been times when I have found Richard Burton wooden, but there have also been films like Nineteen Eighty Four where he has been remarkably good. Here, he does look handsome in Roman garb. Jean Simmons, rest in peace, has been better, but she looks lovely as Diana and does a decent job acting. Torin Thatcher is a marvellous Senator Gallio, while Jay Robinson is unforgettably melodramatic as Caligula.
CONS: There are things wrong with this film, and unfortunately pacing comes at the top of this list. This is not the first film to suffer from this problem, but The Robe seems to move at only one speed which is slow and ponderous. The film is also very awkwardly directed by Henry Koster, and the dialogue ranges from adequate to laughable, as if the writer was being very careful in order not to offend. Victor Mature has a tendency to take it TOO seriously as Demetrius, and in a rather uneven performance it shows. There are also parts where the action and romantic subplot are a little unconvincing and where some scenes are overlong.
Overall, worth watching in general but I don't necessarily recommend it. 5/10 Bethany Cox
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