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Rob Roy: The Highland Rogue (1953)

The wartime adventures of Scotish highland leader Rob Roy MacGregor during the reign of King George I in the 18th century.

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Cast

Cast overview, first billed only:
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Jean Taylor Smith ...
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Archie Duncan ...
Russell Waters ...
Marjorie Fielding ...
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Countess von Pahlen
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Robert Walpole
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General Cadogan
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Maj. Gen. Wightman
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Storyline

After the 1715 defeat of the clans, one of the highland leaders, Rob Roy MacGregor escapes, has lots of adventures, gets married, and eventually becomes enough of a nuisance to George I to be outlawed, and hunted by the English. Written by Kathy Li

Plot Summary | Add Synopsis

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Every minute flames with furious action!


Certificate:

Approved | See all certifications »

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Details

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Release Date:

27 February 1954 (USA)  »

Also Known As:

Rob Roy  »

Filming Locations:


Box Office

Budget:

$1,800,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

When Lady Margaret is wounded, there is a framed portrait of a man visible in the room behind her. From the style of his wig, it clearly dates from several decades after the setting of the story - probably 1780s. See more »

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User Reviews

 
Probably the best FAMILY entertainment version of Rob Roy ever made.
5 May 2005 | by (Canada) – See all my reviews

This Walt Disney (early, when Walt Disney Production was synonymous with wholesome family fare - poor Walt!) film, was actually part of a trilogy contracted with British actors Richard Todd and James Robertson Justice (The Sword and the Rose & The Story of Robin Hood and His Merrie Men were the other two). The lovely Glynis Johns, who plays Rob's wife, portrays a charming Mary Tudor in the Sword and the Rose, but is absent from 'Robin Hood'. Joan Rice is delightful as Maid Marion, but ....

Admittedly, one shouldn't substitute 'Highland Rogue' for a documentary on Scottish history of the period. However, there is more than enough accuracy to explain the attitudes and conflicts of the time.

Richard Todd shows, clearly, why he was one of the top British film stars of his time and why he was a popular North American import for both stage and screen . He was one of the most passionately animated actors to achieve leading man status. His dark good looks, range of expression, and obvious athleticism (he served as a paratrooper in WWII) complemented his energetic performances.

Those who, after watching him, have wondered why he didn't have even greater success in North America, should remember two things: Britain, aflame with patriotic fervor after the war, had a very strong film industry of its own; therefore, many actors felt no desire to join Hollywood's 'British Colony'. Also, Todd fell slightly short, pardon the pun, of North America's standard for romantic leading men.

For those concerned about coarse language, explicit sex, or graphic violence when selecting family viewing - this is a keeper. The historic struggle, warm interaction between the stars, and humour should satisfy the more mature members, while the bright colours and action sequences should appeal to all.

I first saw this movie about 45 years ago and 3 scenes stayed with me until 'my good woman' was able to find a copy for me last year. (Since I watch it every month, she uses it as one of her arguments when she feels a need to remind me why I should appreciate her so much!) I also heartily recommend the other two movies from the trilogy as wonderful family viewing.


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