| Richard Widmark | ... | Skip McCoy | |
| Jean Peters | ... | Candy | |
| Thelma Ritter | ... | Moe Williams | |
| Murvyn Vye | ... | Captain Dan Tiger | |
| Richard Kiley | ... | Joey | |
| Willis Bouchey | ... | Zara (as Willis B. Bouchey) | |
| Milburn Stone | ... | Detective Winoki | |
| rest of cast listed alphabetically: | |||
| Parley Baer | ... | Headquarters Communist in Chair (uncredited) | |
| George Berkeley | ... | Undetermined Role (uncredited) | |
| Virginia Carroll | ... | Nurse (uncredited) | |
| Harry Carter | ... | Detective Dietrich (uncredited) | |
| Heinie Conklin | ... | Subway Passenger (uncredited) | |
| Clancy Cooper | ... | Detective Eddie (uncredited) | |
| George Eldredge | ... | Fenton (uncredited) | |
| John Gallaudet | ... | Detective Lt. Campion (uncredited) | |
| Frank Kumagai | ... | Lum (uncredited) | |
| Jay Loft-Lyn | ... | Microfilm Library Clerk (uncredited) | |
| Ray Montgomery | ... | FBI Agent Ray (uncredited) | |
| Ralph Moody | ... | Coffin Boat Captain (uncredited) | |
| Roger Moore | ... | Mr. Victor (uncredited) | |
| Jerry O'Sullivan | ... | FBI Agent Enyart (uncredited) | |
| Vic Perry | ... | Lightning Louie aka Godkin (uncredited) | |
| Stuart Randall | ... | Police Commissioner (uncredited) | |
| Maurice Samuels | ... | Peddler (uncredited) | |
| Henry Slate | ... | Detective MacGregor (uncredited) | |
| Ray Stevens | ... | FBI Agent (uncredited) | |
| George E. Stone | ... | Willie - Police Desk Clerk (uncredited) | |
| Harry Tenbrook | ... | Elevator Passenger (uncredited) | |
| Wilson Wood | ... | Police Driver (uncredited) | |
Directed by | |||
| Samuel Fuller | |||
Writing credits | ||
| Samuel Fuller | (screenplay) | |
| Dwight Taylor | (story) | |
Produced by | |||
| Jules Schermer | .... | producer | |
Original Music by | |||
| Leigh Harline | |||
Cinematography by | |||
| Joseph MacDonald | (as Joe MacDonald) | ||
Film Editing by | |||
| Nick DeMaggio | (as Nick De Maggio) | ||
Art Direction by | |||
| George Patrick | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Al Orenbach | |||
Costume Design by | |||
| Travilla | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Ad Schaumer | .... | assistant director | |
Sound Department | |||
| Harry M. Leonard | .... | sound | |
| Winston H. Leverett | .... | sound | |
Special Effects by | |||
| Ray Kellogg | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director | |
| Sam Benson | .... | wardrobe supervisor (uncredited) | |
Music Department | |||
| Lionel Newman | .... | musical director | |
| Edward B. Powell | .... | orchestrator (as Edward Powell) | |
| Bernard Mayers | .... | orchestrator (uncredited) | |
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| The Departed | Spider-Man 3 | Munich | Freeway | The Lady from Shanghai |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Film-Noir section | IMDb USA section |
The best of the seven Sam Fuller movies that I've seen (including Park Row, Run of the Arrow, Verboten!, Shock Corridor, The Naked Kiss, The Big Red One, and this film), Pickup on South Street counts as one of the best film noirs. It represents Fuller at his most controlled. I like him when he's out of control, of course, but nearly everything in Pickup is perfect. The film is absolutely beautiful. Richard Widmark stars as a pickpocket who steals some microfilm that was meant to go to communist spies. Jean Peters plays the woman who was carrying the film for her boyfriend, played by Richard Kiley. Peters is forced to find Widmark and get it back. She finds him through a stool pigeon played by Thelma Ritter. Widmark and Peters are attracted to each other, which changes Peters loyalties (that, and the fact that she learns she's working for communists; the Cold War stuff is really interesting). The love story is done a little quickly and not entirely believable, but it's not so bad that it harms the film (unlike Fuller's previous film, Park Row). Richard Widmark is great. This must be one of his best roles, but I'm not so familiar with his career that I can say that for sure. Thelma Ritter gives the most memorable performance. Her role gives the film an unexpected emotional resonance, and her final scene in this film is as touching as any you will find in the cinema. I will never forget that. 10/10.