Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »
In New York's 1880's newspaper district a dedicated journalist manages to set up his own paper. It is an immediate success but attracts increasing opposition from one of the bigger papers ... See full summary »
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »
Ellen McNulty leaves her New Jersey hamburger stand and heads west to pay a surprise visit to her son and his new bride. When Ellen arrives, her daughter-in-law mistakes her for the maid ... See full summary »
A rock star-turned-bum, his vocal chords severed at the height of his career for the love of a woman, reclaims his forgotten past after viewing a music video and seeks revenge against the mobster who maimed him.
On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy's consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway. Written by
In the opening scene on the subway, a soldier who leaves the train is shown wearing the "Big Red One" 1st Infantry Division shoulder patch. Director Samuel Fuller fought with the 1st Infantry Division during World War II, and later made a film about it - The Big Red One (1980). See more »
At one point, Candy refers to an address in New York City on Houston Street (pronouncing it like John Huston or the Texas city). In reality, the street is pronounced "House-ton" - something known to every New Yorker. See more »
The best of the seven Sam Fuller movies that I've seen (including Park Row, Run of the Arrow, Verboten!, Shock Corridor, The Naked Kiss, The Big Red One, and this film), Pickup on South Street counts as one of the best film noirs. It represents Fuller at his most controlled. I like him when he's out of control, of course, but nearly everything in Pickup is perfect. The film is absolutely beautiful. Richard Widmark stars as a pickpocket who steals some microfilm that was meant to go to communist spies. Jean Peters plays the woman who was carrying the film for her boyfriend, played by Richard Kiley. Peters is forced to find Widmark and get it back. She finds him through a stool pigeon played by Thelma Ritter. Widmark and Peters are attracted to each other, which changes Peters loyalties (that, and the fact that she learns she's working for communists; the Cold War stuff is really interesting). The love story is done a little quickly and not entirely believable, but it's not so bad that it harms the film (unlike Fuller's previous film, Park Row). Richard Widmark is great. This must be one of his best roles, but I'm not so familiar with his career that I can say that for sure. Thelma Ritter gives the most memorable performance. Her role gives the film an unexpected emotional resonance, and her final scene in this film is as touching as any you will find in the cinema. I will never forget that. 10/10.
40 of 48 people found this review helpful.
Was this review helpful to you?