The story of a dress and the effects it has on the women who wear it begs the question of where is O.Henry when he is needed. "Nude at Midnight", a new and daring Paris style creation is ... See full summary »
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is ... See full summary »
Aspiring actress Louise Muban attends the prestigious Paris School of Drama during the day and works at a dreary factory assembling gas meters at night. She daydreams and "acts" her way ... See full summary »
Robert B. Sinclair
When a police officer is shot arresting a car thief, Captain Barnaby uses his skills and contacts to track down the culprits and uncovers a bank heist plan in the process. Barnaby has no ... See full summary »
Edward G. Robinson,
The story of a dress and the effects it has on the women who wear it begs the question of where is O.Henry when he is needed. "Nude at Midnight", a new and daring Paris style creation is worn by Gogo Mantaine to try and ensnare the Rajah of Kim-Kepore but he is attracted to Lisa, the girl who modeled the dress. Marion Parmelee dons the gown to charm her husband's retiring (as in quitting) boss, Patrick James Sullivan, into letting her husband, Jack Parmelee take over the business, but the boss' wife Nora, who really runs the business, has other ideas. The same model dress is worn by Betty Barnes, in an effort to attract her boss, lawyer Edgar Blevins, who is married to a dowdy wife, Cora, but the wife turns up wearing the same dress. Marta Jensen uses the dress to inveigle her reluctant sweetheart, Charlie Johnson into a marriage proposal. Since she also attracts the Rajah, her options expand. Written by
Les Adams <email@example.com>
TCM showed this film in a tribute to Paulette Goddard and the 100th anniversary of her birth. What a lousy film. I guess it's supposed to be a comedy but I didn't laugh one time.
It a collection of vignettes about different women who buy & wear a particular dress to help them achieve goals. The first story, starring Eva Gabor, is about a woman who uses rich men to attain a certain lifestyle. The second, starring Goddard, is about a secretary trying to woo her boss away from his shrew of a wife. The third, starring Marilyn Maxwell, is about a woman trying to get her husband a promotion. The fourth, starring Barbara Lawrence, is about a girl turning 21 who is trying to get a marriage proposal out of her long time boyfriend. The men this dress is supposed to "seduce" are Tom Conway, Leif Erickson, Cecil Kellaway (?), and Robert Hutton. And the dress isn't even all that great. It's a horrible premise for the film, or at least it wasn't used in the correct way. The dress starts off as couture and ends up as a purchase from a Thrift Shop.
The actors, especially the women, deserved better. Oh, and on top of all this, somehow Prince Michael Romanoff, the owner of the eponymous restaurant, got a small part in the film. What a waste--of time, talent and imagination. Skip it unless you're a completist for any of these people.
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