Life in a small Mexican village where joy and misery, hope and pain, passion and guilt, love and decay, life and death are mixed in the peasants life and two French citizens who end up stranded in there, during a typhoid epidemic.
Can a person really lead a double life? It looks as though Irène can. On the one hand, she is the wife of Jacques Voisin-Larive, a big name in the publishing world. On the other hand she ... See full summary »
A French lieutenant makes a bet that he can seduce any woman in town in the two weeks before his regiment leaves for maneuvers, but his chosen target (a Parisian divorcée) isn't like other girls he's known.
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
In ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a gallic gladiator. When Fabiola's father is killed, the Romans blame the Christians and the ... See full summary »
Abel Davis is a criminal, hunted in Italy. The police are closing in, so he and his pal Raymond arrange to flee back to France with Abel's wife, Thérèse, and their two young sons. Abel and ... See full summary »
Fifteen years after WWII, a group of ex-resistance fighters are brought together by Marie-Octobre, so that the former members of the network can finally relive one fateful night and find out who betrayed their murdered leader, Castille.
Evlyne, a judge's young wife, falls in love with Remy, that lives in Paris, during Holidays. After following him in the lovers city, she decides to return home to inform her husband about ... See full summary »
Claude is a Jew. Because of the risks of an arrest (France is occupied by the Nazis), his parents send him away to an elderly couple in the country. Pepe, the husband, is a Petain supporter... See full summary »
The first to die in an epidemic of meningitis in Vera Cruz is a French tourist. His wife Nellie, detached and indifferent, feels little grief and realizes that her coldness is her own doom. Over the next two days, she is attracted to George, a local drunk who does odd jobs for brothels and dances grotesquely for tourists in exchange for drinks. George has his own dark secret, a tragedy he caused that leaves him with a death wish. In assisting the local doctor to cope with the epidemic, these two emotional cripples enable each other to rediscover reasons to live and to love. Written by
Jean-Paul Sartre wrote ten drafts for screenplays to be used by Columbia Pictures, of which only three were typed down. The other seven were sort of rejected, and one of these, 'Typhus' came to be the obvious inspiration for Les orgueilleux/Los Orgullosos, Yves Allégret's co-production with Mexico. The film won the Bronze Lion in the 1953 Venice Film Festival, ex-aequo with I Was a Parish Priest (1953), Pickup on South Street (1953), and Sinhá Moça (1953), and also a Special Prize from the same Jury. When the film was nominated for Best Writing, Motion Picure Story, for the 1957 Academy Awards - in the wake of the film's release in the USA, with promotional materials emphasizing it was "Jean-Paul Sartre's The Proud and the Beautiful", the French philosopher disowned his authorship. The film has also been said to be based on Sartre's novel, "L'amour redempteur"... which he never wrote! This myth did not end, even after its exposure as such in "Feature Cinema in the 20th Century: Volume One: 1913-1950: a Comprehensive Guide", by By Jacek Klinowski et al. See more »
Allegret's most impressive location story, far better than the damp philosophizing of Une si jolie petite plage. I liked the approach: the characters are not symbols of alienation or corruption but have lives of their own. The meningitis outbreak in this Mexican town doesn't stand in for the moral decline of the West, unlike the plague in Puenzo's La peste, one of the worst films William Hurt ever made. I imagine that if Luis Bunuel had done this adaptation of a Sartre story, it would have looked a lot like Los olvidados, and the vomiting and sweating of the victims would have taken precedence over the moral self-questioning of the characters.
Gerard Philipe is tremendous as the drunken ex-doctor with a terrible secret; he was able to forget that he'd become the official leading man of French cinema, star of the Cinema of Quality that Truffaut detested so much. Ditto for Michele Morgan, whose parts usually had aristocratic backgrounds, or at least great wealth. As the not-very-grieving widow of the first disease victim, she holds the picture together, making sure we don't get too swayed by Philipe's lowlife antics.
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